The Darkness Closest to Us: Don’t Get So Absorbed in the Universe of Words that We Lose the Universe of Being

One thing I love about many of my good friends is that they’re honest with me and willing to find and kindly tell me about holes in what I’ve said or argued, and to hear what I didn’t speak.

 

A great friend and college roommate found a point in a recent blog of mine that I had left unexplained and that had filled him with questions.

 

The lines were: Black holes the shape of trees, buildings, and hillsides stood silhouetted against a gray sky, a massive gray cloud filled by moonlight, yet with no moon visible. And the darkness appeared to begin in close to myself and lessen as it spread out into the distance. And he asked: “How did the darkness appear closer to yourself?” Or “why did it appear darker the closer you came to yourself?” Did you realize the implications of what you said?

 

Perceptually, the world was darker closer to myself because the only physical illumination was far off, from the lights of a nearby city, or from the moon itself.  But I rebelled against my own first understanding of the psychological or metaphorical meaning of the line. I heard “dark” as meaning sinister, something negative or evil. But I didn’t mean sinister or evil.

 

I later realized other meanings of dark, as in unknown or unknowable. As in beyond words. As in unrealized possibility. As in the unknown before from which everything after emerges. Before we speak there is an emptiness, a silence. Buddhists, Taoists, mystics speak of this.

 

Lao Tzu spoke about the emptiness out of which the universe, or fullness of life, emerged:

“In the beginning of heaven and earth there were no words,

Words came out of the womb of matter…”

 

Of course, since we don’t know what will happen or what will emerge from the womb of time and matter, we can feel frightened. We don’t know if what emerges will be helpful or hurtful. We don’t know if we’ll have the ability to face the unknown or do something with it we can be proud of.

 

We often think we know so much about ourselves, maybe too much. We might think we are so clear, obvious, unchanging. In fact, we can never fully know or fully capture ourselves or be contained in any number of words, thoughts, judgments.

 

Each word, each thought is an abstraction, a recording, or occasionally, as philosopher J. L. Austin argued, a performance or action. Think about an officiant saying. “I now pronounce you man and wife.” Or when we are overcome with beauty and all we say is “wow.” Words facilitate remembering and can help us evaluate, analyze, think about something. They can be so beautiful⎼ or painful to see or hear. They can lead to rumination or take us out of it. There’s so much that just can’t be spoken. Yet here we are talking.

 

In every moment, we have this choice….

 

*To read the whole article, please click on this link to The Good Men Project.

 

I hope you have a wonderful celebration of Juneteenth, and a Happy Father’s Day.

When the Sky Clears, What Is It We See? The Bird Danced on the Roof Top, Saluting Sky, and the Emptiness in Which It Flies and We All Live

Last week, my wife and I were walking down our rural road when we noticed a large bird enter the space above our heads and circle lazily. Then a second arrived, and a third. Probably Turkey Vultures, magnificent in flight. And suddenly, all three were just gone. We didn’t see where they went.

 

At first, we felt the sky as empty, emptied of birds, lacking. But as we looked more fully, what before was merely background became something else, something more. We saw in full clarity the deep blue beauty of the clear afternoon sky. Not only the sky had cleared, but our minds.

 

The great poet and translator, David Hinton, in his book Hunger Mountain: A Field Guide to Mind and Landscape, said when we open our eyes, we open the sky inside us. We feel this empty space the size of the universe.

 

A Chinese poem, says Hinton, is not a metaphor seen or conjured from inside a spirit or identity center, or a self-separated from the universe, but the mind of the poet at that moment. Hinton quotes an early Chinese Ch’an (Zen) poet, Hsieh Ling-yun, as saying mind is “a tranquil mirror, all mystery and shadow.”

 

The sky mirrors our conscious awareness coming awake in, or more accurately, as the world. We often think of the sky as that blue or cloud filled something far off in the distance. But it’s also what we breathe in and out right here; what we move though each moment of our lives. We see and breathe in the world and the world sees and breathes in us.

 

And then the birds were back; first one, then the other two. They circled gracefully into the area above us. One went to sit on the ridgeline of a barn next to the road. The other two soon joined the first, but at the other end.  And the first raised its wings, held them out to the side as it would do if it meant to take off. But it stayed in place, in a different sort of flight.

 

Was this a mating dance? Or was it saluting the sky, the emptiness, the medium in which it flew, and we all lived? Was it bowing? For us, we might bow by first bringing our open hands together; for the vulture, it bowed by opening its wings out. Hinton says the ancient Chinese characters for bow mean hand-whispers, or maybe hand as the silence of mountain peaks, or clear minds. Maybe by opening its wings thusly it became the sky itself, the light, the silence.

 

We watched to see what the vulture would do next, but it just held the position. The three birds, my wife and I, the barn, the universe. And we walked on. The opening through which the universe was aware of itself walked on….

 

*To read the whole article, please click on this link to The Good Men Project.

 

**The photo of the Buzzard Dance was taken on our walk.

That First Taste of Consciousness: The Family of Awareness Is Infinite

Just imagine the moment when the first human being, hominid, or whomever first became conscious. Not just when a human felt for the first time their feet on the earth; but the first time any hominid was aware they were aware of where they placed their feet and where they were going. First became aware of the beauty in the scent from a flower, or in a sunrise, or first became aware of a memory of a bad morning.

 

One of my closest friends was talking about this with me on a recent Zoom call. What a powerful moment to consider. Was there ever such a moment? Or has consciousness always, somehow, been part of nature?

 

And this image can tease us on so many levels. Think of a baby. When is it first aware of itself? In the womb? At birth? When someone takes away its toy, a parent calls its name, or leaves them alone? Or it cries when another infant or its mother cries?

 

Anthropologists and others speculate humans had an increase in consciousness somewhere between 60,000 and 30,000 years ago, when the first art caves were created, or maybe when the first languages were developed. Or maybe before that? Art and written language are likely indicators of conscious awareness.

 

Human consciousness is doubly aware. Our species name is, after all, homo sapiens sapiens, humans twice wise. We know (somewhere inside us) by knowing we know. Conscious means con, or with, scio, to know, or know with. I thought about this in a recent blog. This allows us to reflect on our actions, thoughts, and feelings and learn from the subtlest levels of all of them.

It allows us, when we hold hands with someone we care about, to not only feel their hand and ours but know we feel it.

 

This double awareness can give us the ability to abstract and imagine, to plan or time travel, or substitute an idea for a perception. We can use words to symbolize most anything, including a self, or evoke something in us, to dream, to craft, and to understand reality.

 

Words enable us to leap into a story, one of our own making, or one we adopt from someone else. We prepare ourselves for a future event by telling a story of it. We can name a type of feeling as worrying, dreadful, or lovely. Or talk about something instead of experiencing it. We can distance ourselves from something or stick ourselves to it.

 

Thus, our double awareness can confuse us. It can provide our greatest gifts as well as the source for our greatest suffering. Language and the ability to distance ourselves mentally and emotionally from aspects of the world can create a false sense of separation between the one who knows and what is known. By telling ourselves stories we can create anxiety as well as excitement over what might never be. Since words are abstractions masquerading as objects and other beings, they can deceive us. They create illusions as well as revelations. Because they can help us, they can hurt us….

 

*To read the whole article, please click on this link to The Good Men Project.

 

Poetry the Universe Writes to Itself: Aging and the Gifts of Friendship

Friends can bring us back to ourselves. Over Thanksgiving with old friends, we each see ourselves in the others. Three of us have known each other for 57 years and we’ve come together for over 40 of those years to share the holiday together. We were freshman in the same college dorm at the University of Michigan. Our future wives entered our lives not long afterwards, anywhere from one to seven or eight years later. We see in each other how we’ve aged, faced threats and tribulations, pains, and losses, inspirations, and successes. How we are facing life now.

 

And it’s all out there for us to talk about. Right in front of us. Each friend with their own gifts and limitations. We give each other tips, perspectives to help us prepare for the next months, years, moment. We talk about illnesses, present and past work experiences, roof repairs, water pics, other friends, podcasts, music videos, movies, books, philosophy, and sleep. Sleep is so tenuous for half of us who, each night, have no idea how much or where in the house we will sleep. Nothing is assumed. We speak of dreams and family members. Deaths and losses. The threats to our world.

 

And then there’s the joy. So much to be grateful for. For the food, certainly. And sure, it’s an old stereotype, but all the men played football in one form or another when we were young, yet none of us attended a football game after our sophomore year. After a few years of college, it seemed so meaningless and violent. But sometime in our 50s, we began to pay attention once again and listen for scores. Especially Michigan v Ohio State. This year, we watched together, shouting and cheering. Even the women were drawn in by the drama and emotion. And then my wife and I had to leave early to return home. Ohio State was ahead by 3 points.

 

But about 3 hours later, still on the road, my wife checked her phone for the score. Michigan 45, Ohio State 23. We won. We actually won. We called our friends. What a celebration ensued.

 

And when we arrived home ⎼ we have 3 cats, but we couldn’t find any of them. They hide from our cat-sitter even though she feeds and talks to them. Sometimes, they punish us for leaving by not showing up. But this time, in 5 minutes or so, one emerged from the basement, one appeared by the door as we brought in the suitcases. Twenty minutes or so later, the third came up behind us, crying. They all cried for food and contact. And when my wife and I sat down later to eat dinner, they sat with us.

 

This year, something extra sat with us. There was a darkness in the house not attributable to the night. A warning in the air, or in me. How many more of these returns do we have? Aging is not about winning but presence. In the dark was a reminder to take in this moment more deeply. To embrace it as much as possible. To do everything I could to give back. This is all there is ⎼ feel it. Enjoy it. Be thankful for what we can be thankful for. Be kind, caring, even if it hurts. Pet the cats, love my wife. And maybe we will let more of the light in….

 

**If you live in Georgia, please vote on Tuesday, Dec. 6, to help protect your right to vote, the right for women to make their own health care choices, to protect the environment, Medicare, and Social Security ⎼ to help stop the politics of hate. Bring water, a photo ID, and friends. No matter where you live, you can help get out accurate voting information.

 

***To read the whole post, please go to The Good Men Project.

The Art of Knowing and Truly Befriending Ourselves

I look outside the window right now and see maple trees with orange and reddish yellow leaves reaching into a tender blue sky. And lower down, green leaves, with burnt red Virginia creeper clinging to maples all cabled together with grape vines. And lower still, deutzia and lilac and honeysuckle.

 

But just five hours ago, none of this. The moon was out, and the night was day. After waking up unexpectedly at 5 am, I looked out a window and didn’t know what year or millennia it was. There before me was something ancient. The trees and bushes were all constituted of shadows, timeless shadows. And the rest was silvered by a unique light, a softened glow.

 

During the day, we see the ten thousand things of the world distinguished by specific details and the spaces between them. But in the moonlight, the edges grew fainter. There was light and shadow, but nothing else sharply divided or defined. Everything was softened and somehow linked. Nothing stood on its own; the whole scene was so engrossing. And the moonlight made mind light, made all my thoughts and feelings, so noticeable.

 

And then this morning I picked up a book I had been reading a week or so ago, Hunger Mountain: A field Guide to Mind and Landscape by David Hinton. It describes walks he had taken on Hunger Mountain in Vermont and includes discussions both of Chinese poetry he had translated and of Taoist cosmology inspiring those walks.

 

In the first chapter of the book was a poem I had read before; it was by the Chinese poet, Tu Fu, titled “Moonrise”. I read again about the new moon, and the ancient, changeless “Star River” and “White/dew dusts the courtyard.” And I realized that last night it was Tu Fu looking out my window.

 

We normally think of things at a distance. Words can do that. They are abstractions, usually. And we are the distance the words create, or what distances. We think of ourselves in a manner that separates us from whom we speak to or about. We all have thoughts, plans, dreams, sensations, emotions filling our mind and heart. The ego self is what glues us to some of these stimuli and excludes us from the rest.

 

Many people would argue that it wasn’t Tu Fu looking out the window. He’s dead. It was just that my buried memory of the poem influenced how I interpreted the moonlight I perceived and how I saw the earth, trees, and bushes. I was clearly in a dream intoxicated state. But last night, a different vision occurred. The moon met and befriended the poet. For a second or two, the thing seen met the act of seeing and became the seer…

 

*To read the whole piece, please go to The Good Man Project. 

Spirit Music, and A Study in Sincerity

Today was a tough day. My body hurt in so many places and for reasons that are beyond my knowing. And the daily news is so mixed, the horrible mixed with the beautiful. Yet…

 

Even on days like today, we can read, hear, or see something that takes us someplace totally unanticipated, to a mind-state, or a universe so alive, so conscious, that moments which once seemed painful, tired, or sad are transformed into something wonderful we embrace with all our being.

 

I’m reading a book called Hunger Mountain: A Field Guide to Mind and Landscape, by the poet and translator of Chinese literature, David Hinton. And I feel this. I’ve felt this in other books by Hinton, and books by other poets, and philosophers, historians, meditators, travelers, and psychologists. I’ve felt this with certain people, animals, and places.

 

Books have forever been a way to inform, challenge, and inspire us, to understand what before was incomprehensible. They allow a depth of examination that other formats don’t. For me, the internet, tv, social media all favor little sound or information bites that keep us more focused on the surface of things.

 

But the words in books like Hinton’s are spirit-music. When we read them, if we’re open to them, if we can inhabit them so we walk as the inhabitants in the books walked, we create something never seen before, yet ancient. The very air breathes us, speaks the words with us.

 

Hinton says, “Things are themselves only as they belong to something more than themselves: I to we, we to earth, earth to planets and stars…” We recognize ourselves and become truly ourselves only with others, in whatever place, time, and universe we are in.

 

The first chapter is called ‘sincerity.’ Hinton says the Chinese character for sincerity depicts a side view of a person walking or standing next to words rising out of a mouth. A lie attempts to hide the truth from others, but usually hides the universe and others from ourselves. This creates an inner tension. If we’re sincere, our thoughts are the same as the words we speak; all of what happens supposedly “outside,” in language, mountain, and sky, opens inside. And what we say unites us with where we are and who we’re with; it reveals to us that, in fact, we’re the universe itself speaking.

 

Sincerity raises us like a parent’s love, one that is absolute, yet clear seeing and adapting. We each have different loves, different doorways to the mysterious. Everything provides such a doorway if we can find it. Sincerity is the sign that marks the door.

 

When I was teaching secondary school literature, philosophy, or history, the students and I talked about finding that doorway. Children, especially teenagers, are not shy about calling out insincerity and respect the care and trust expressed by sincerity. For example, poetry can often be so difficult to comprehend. But when we read a poem with full attention, a word, phrase, or image would stand out, but which word or image did that was different for different students. And once we realized the door was there, we could feel or question our way in deeper….

 

*To read the whole article, please go to The Good Men Project.

 

How Beautiful Is A Good Belly Laugh: We Expect a Hannibal Lecter but Instead Find Mr. Rogers

Can you imagine or remember a moment when simply looking, listening, or tasting was all you needed in life? When time disappeared and nothing else was desired, nothing was thought missing? Or when something was just so beautiful and unexpected, all you could do was smile or laugh?

 

In No-Gate Gateway: The Original Wu-Men Kuan, a translation of the classic collection of Koans or public records of conversations between master and student that led to enlightenment, the poet and translator David Hinton wrote “once mind is emptied of all content… the act of perception becomes a spiritual act.” It becomes selfless, simply a mirror reflecting what is there before it. Slow, respectful. Letting each thing be utterly itself. No violence is possible. No anger or let down. Closer to an act of love than anything else. Just loving by sensing.

 

Hinton says this perceptual clarity is a way of awakening, of seeing the world and oneself in the same instant. It is a way for one being to meet another.

 

Wouldn’t that be something?

 

We experience such moments in so many ways but lose them somehow in all the bustle of our lives. We stare transfixed at a work of art or nature or hear a song that stops all thought, or we read a poem that takes us to a new world. The beauty clears us of ourselves.

 

When I was younger, I hitch-hiked from New York to California and stopped at the Grand Canyon. I remember standing at the edge of it, just staring, immobile, barely breathing. From behind me I vaguely remember voices of other tourists arriving but didn’t want to turn away from the canyon. A woman I didn’t know approached closely and suddenly saw what it was all about, suddenly saw what was there ⎼and maybe what wasn’t. Whatever idea she had of the Grand Canyon was inadequate or wrong. All she said, and she repeated it over and over again, was “Oh my God. Oh my God.”

 

Mary Oliver, in a poem titled “Mysteries, Yes”, said:

Let me keep company always with those who say

            ‘Look!’ and laugh in astonishment,

            And bow their heads.

 

Or, in the poem “When Death Comes,” she tells us,

I don’t want to end up simply having visited this world.

 

We often expect that life will be like a shove from behind, or merely a bump. Unexpected, yet not, we are surprised and turn around with clenched fists. We build in our mind a Hannibal Lecter but instead find Mr. Rogers. Or instead of a threat or an enemy we find someone as surprised as we are. Someone who openly welcomes us with kindness. We realize the contact was an accident. And we laugh. All the tension dissolves in an instant, and butterflies fly from our mouth instead of curses. We feel delicate and open instead of iced and closed….

 

*To read the whole piece, please go to The Good Men Project.

When Trees Speak: The Dark Does Not Descend on Us. It Emerges from Inside Where Eyes Meet Others

My wife and I took a long walk late in the afternoon. The sky was mostly dark grey. It had rained earlier, with a touch of snow. With the dropping temperature, the rain turned to ice, which coated all the bushes, tree branches, and electric lines. There was just a hint of the setting sun, but that hint was reflected and augmented by the ice, so everywhere we looked there were individual hands and fingers of light, thousands of them.

 

As the light disappeared further, instead of the dark descending on us from above, it was as if it emerged directly from inside everything we noticed⎼ from each tree or bush my eyes met or from the road itself. Details and colors, and the remnants of light icing the branches seemed to be sitting on darkness and winking out.

 

In previous years, during the winter I did not often go outside to exercise. It takes heavier clothes and boots, mittens, and hats, and the road and paths are often slippery. I used to work out in the gym or martial arts dojo. My wife did yoga classes. Now, due to the coronavirus, especially with new and more virulent strains⎼ and the vaccine so close yet not widely available⎼ our home is our gym and we hike steep hills in almost all sorts of weather. An added benefit is we also see our neighbors more than we used to, or at least the ones who walk.

 

Walking has become a stable part of our day, not only a way of getting out of the house and getting exercise, but a classroom and a way to constructively structure time. As we walk, we study how the light plays with the road and trees, and how the trees play with sound. By paying careful, mindful attention, we better understand and feel more at home wherever we are.

 

It’s usually so quiet we can hear the other residents of the road. Three ravens live in the pine forest and often fly over us, speaking with their hoarse cry. The trees speak with unexpected voices. The pine forest occasionally makes sounds like a cat calling out. When I first heard the sounds, I responded, shouted out the names of my cats to see if one of them was in there. But no cat emerged. Other times, especially when it was windy, the pines sounded like wind chimes. Further up the road, a very different voice. Oak, maple and ash trees leaned into each other, speaking in groans, sighs or whispers. Each tree or pair of trees had its own voice.

 

When we arrived home today, the mail was waiting for us. It was not just ads but a package. A new book, or actually an old one I had to search for, a translation of The Four Chinese Classics, by David Hinton. I took off my coat and gloves and sat down, excited to see what the book would offer.

 

I opened to a random page. It was in the Chuang Tzu, one of the two most important books of Taoism, and read the following passage spoken by an adept named Piebald: “In the awesome beauty of mountain forests, it’s all huge trees a hundred feet around, and they’re full of wailing hollows and holes⎼ like noses, like mouths, like ears, like posts and beams, like cups and bowls, like empty ditches and puddles… When the wind’s light, the harmony’s gentle; but when the storm wails, it’s a mighty chorus.” …

 

To read the whole piece, please go to The Good Men Project.

 

Aging: Finding an Extra Set of Hands, or Added Muscle in Ourselves

Aging is a mystery we can’t solve no matter how much we might desire to do so. We just live it, if we’re lucky. Although it might not always feel so lucky.

 

But maybe, if we could hear the honest truth of how other people lived their aging, we might live our own more gracefully. Maybe. Or at least we would not feel isolated in ourselves.

 

So I’m now reading two very different books, Essays After Eighty by the American poet Laureate, Donald Hall, who lived 1928-2018, and The Selected Poems of Tu Fu, Expanded and Newly Translated, by David Hinton. Tu Fu lived from 712-770 C. E. and many consider him China’s greatest classical poet.

 

Hall’s writing feels very personal to me, partly because I took a creative writing class with him when I was in College. The class was engaging, challenging. At times afterwards, I contacted him to talk about my own writing or how to get published. And years later, he gave a talk at a nearby college and we reconnected. I was so surprised he remembered me.

 

We can hold such contradictory and frightening notions. We can both want to know, and yet, not know⎼ what will happen to us next week? Next year? When will we die? We can think of each decade as an actual thing, a door we pass through. “I’m thirty now…seventy, eighty, ninety.” But the door has only the solidity we give it. As Hidy Ochiai⎼ world renowned master and master teacher of the traditional Japanese martial arts, who is still teaching in his eighties and with whom I have studied for many years⎼ put it: “We’re not old. We’re just getting older.”

 

Hall says, “However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life.” And as we age, we enter and deconstruct that alien universe.

 

“My problem isn’t death but old age. I fret about my lack of balance, my buckling knee, my difficulty standing up and sitting down…. I sit daydreaming about what I might do next.”

 

Maybe we don’t worry often about death, but we feel it more and more, somewhere behind us and getting closer. Sometimes, we just stop, lost in thought about what to do next or whether we have already done all we need to do. We wonder how well we will be able to walk, get around. How independent. In the U. S., independence, vulnerability or lack of control is one of our greatest fears.

 

Yet so many of us say we don’t feel old. Even in our seventies, we imagine we’re thirty. I notice it is more difficult now to get up after doing floor exercises. One reason I work out daily is to stay as young in body and mind as I can, to stay limber, healthy. The aches I feel afterward are almost pleasurable, a reminder I am here….

 

To read the whole article, please go to The Good Men Project. 

Waking Up to a New World

I wake up to a new world. The standing Buddha in the yard is wearing a large conical white hat and is surrounded by a foot of virgin snow. The solar lights on the deck are miniature mountains.

 

And even indoors⎼ near my bed, a painting on the wall I’ve looked at almost every day for ten years named “Golden Woods,” by the English artist Jo Barry ⎼ suddenly, the painted light flows through the artwork. It is absorbed by dark trees and adds so much life to the yellow, orange, and gold leaves and flowers they pop out and become so distinct that, for the first time, vast depths can be seen behind them. Unrevealed details.

 

And Linda, a wife, partner, and best friend⎼ is standing by the dresser, the universe seen and loved in her eyes. What a beautiful morning.

 

Already it’s different outside. The light has changed, dimmed. Near the Buddha, under the bird feeder, Cardinals, Chickadees, Blue Jays, a Mourning Dove⎼ is that a Nuthatch?

 

Writing, like a good conversation, can be one of life’s greatest gifts. Yet it can be so tenuous. It is best when words just emerge almost by themselves. When I started writing this morning, my mind was fresh from a good night’s sleep. There was clearly something pushing to be noticed and written, but I didn’t know what it was. The only thing clear was the fresh snow, the light in the painting, and that naming emerges from the nameless. Writing can be like that, when we trust the process. We pick up a pen and don’t know if we will get what we aim at or what, if we let it, we’ll say.

 

Other times, it’s amazing that we can speak at all or write about anything. One minute, we feel we are in the grip of a great revelation, only to find, on the very next day or next moment, a contrary revelation. We speak, thinking we know what we’re talking about, but so much lives in each word, each perception, that all we can ever describe is one moment’s cupful. The rest spills out or jumps from the cup as if our speaking or looking gives it feet.

 

We can worry so much about saying the wrong thing or how we will sound that our voice becomes foreign to us, as if spoken at a great distance, like an echo. And this echo can be  painful and isolating, made worse when we think only we personally carry such burdens or there is something missing in us because we do so. If only we could step right through this distance.

 

When we study ourselves closely, mindfully, study our actual sensations and feelings, we can eliminate the seeming separation between us and everything….

 

This piece was published by The Good Men Project. To read the whole post, please click on the link.