The Well of Ancients: We Live in a Universe, Not A Room

Have images of someplace you have never been, or of a time or situation you have never lived, ever appeared in your mind masquerading as a memory?

 

Years ago, my parents lived in Atlantic City, New Jersey. One night we were driving on Atlantic Avenue, the main street of the city that runs parallel to and often just a block or so away from the ocean. It was raining and the yellow lights reflected off the wet street. The houses on a long section of the avenue are large, expensive dwellings, some old and going back to the 1930s or before. And suddenly I felt we were back in the 1930s during prohibition when some of the homes were owned by mobsters. The whole mood had changed into a feeling different from any other I have ever felt. This happened two or three times.

 

My great aunt Fanny, sister of my maternal grandmother, died when I was in my thirties. When I think of her apartment, I get something closer to a dream than a memory, and just pieces, not the whole. And those pieces are not from the second half of the twentieth century. They are from sometime earlier⎼ with dark hallways, a bedroom with a wall of ornate glass doors which she didn’t have, a window that looked out not onto modern streets but gray mists, people in dark clothes in a village of wood homes, in the “old country” of Eastern Europe from where my relatives emigrated.

 

And from where do our interests come? Why do some subjects, seemingly from before we were born, excite or shake us up, turn us off or get no response at all? I love the art of Japan, Tibet, Indigenous North America, Central Africa, Ancient Greece, and the Middle East, but other places less so or not at all.

 

Twenty years ago, I was on sabbatical from teaching, and my wife and I went to Greece. I taught philosophy to high school students and looked forward to visiting the birthplace of Western European philosophy.

 

We were on the island of Crete, not far from the city of Chania, driving through the mountains after visiting the ancient City of Aptera. The city had come to an end possibly in 1400 CE due to an earthquake. We stopped at the ruins of a Minoan palace, and Roman and Byzantine structures. My wife saw a herd of sheep grazing on the side of the road and asked me to stop. The sheep were not fenced in but moving freely about.

 

We stopped, got out of the car, and walked over to the sheep. I happened to look down, and there, partly exposed, were ancient bricks, Roman, maybe 2000 years old. An archaeological site was close by unearthing a Roman villa from that time, with sculptures, lintels and other artifacts just lying on the ground. We continued our walk and found ruins of a Roman cistern. Overlooking the Mediterranean Sea, we saw a German bunker from World War II, and later, an Ottoman fortress.

 

What is it like to live in a place where we literally step on thousands of years of human history? …

 

To read the whole article, please go to The Good Men Project.

 

**The photo is of what might be the oldest road in Europe, from Knossos, Crete.

Stories that Free Us from Limiting Thoughts: Turning the Best of What Might Be into the Reality of What Is

The psychologist Milton Erickson was a transformative figure in therapy, using stories as ways to motivate, change, or de-hypnotize us from hurtful and limiting patterns of behavior. When I was teaching, I used his and other stories to make a point and engage students when their attention drifted, or when they needed something real but approachable to appear in the classroom.

 

One example of a story I always loved was how Erickson taught an athlete to win an Olympic gold medal. This version was told by Sidney Rosen in his book My Voice will Go with You: The Teaching Tales of Milton H. Erickson.

 

A high school athlete named in the book as Donald Lawrence had been practicing to set a national high school record for throwing a shot put. But after a year, he could only put the shot 58 feet, way short of the record.

 

His father brought him in to see Erickson, who at their first meeting helped Donald go into a trance and feel his muscles one by one. On the next visit, after repeating the trance for muscle awareness, Erickson asked Donald if he knew a mile used to be four minutes long. The record had stood for many years until Roger Bannister broke the record. Erickson asked, “Do you know how?”

 

Bannister had realized you could win a ski jump by a tenth of a second or a race. Since a four-minute mile was 240 seconds, all he had to do to set a new record was run a mile in 239.9 seconds, or 239.5. One tenth or one half a second faster.

 

“You have already thrown the shot fifty-eight feet…Do you know the difference between fifty-eight feet and fifty-eight feet and one-sixteenth of an inch?” Donald said no. Erickson slowly enlarged the possibility of what Donald could do in his mind until 2 weeks later Donald set the high-school record. He went on to set more records until four years later he brought home the Olympic gold.

 

Erickson, says Rosen, used obvious truths to plant suggestions for personal growth. He told Donald, “You’re four years older now. It would be all right if you take the gold medal.” The first was true; the second could be true. By juxtaposing them, Erickson made the unrealized realizable, the unknown known. He demonstrated the control Donald had when he moved step by step and eliminated the anxiety that can erupt from the past. Donald was left with each moment being the first and only moment to focus on. And then he, or the real person ‘Donald’ represents, won the gold.

 

Likewise, each of us can be freed from many of our fears and limitations….

 

To read the whole article, please go to The Good Men Project.

Living with the Unknown in Ourselves

I was watching the Ken Burns documentary on Ernest Hemingway last night. In the second hour of the program, the narrator was describing the difficulties Hemingway had beginning his first novel, The Sun Also Rises. He had already published a critically acclaimed book of short stories, where each sentence was a work of art. Suddenly, he needed to shift to the length and breadth of detail a novel required. Hemingway told himself, write one true sentence. Then another and another. Which is what he did.

 

Hemingway was both a great artist surrounded by friends and family, as well as a solitary narcissist. There is both a loneliness and a luminosity to words. They can be used to mask as well as unmask, to torture or heal. We have to be totally alone in ourselves to write. Yet, words can fill us with a sense of connection and ecstasy. We might try to hold them to us as if they could warm our bodies with their heat. But when we do so, the words dissolve into air. It’s not the words themselves that warm us but the breath we give them as we speak and listen, and the paths to others they might reveal.

 

Two days ago, in the woods near the top of our hill, maybe 25 feet from a road, my wife and I came upon two circles in the earth. We had never seen these before. The bigger one was about 12 feet across, with a moss and stone foundation and one young oak tree growing inside it. Maybe it was once a silo. And the smaller circle, now a depression in the earth lined with rotted leaves and stones, was maybe once a well.

 

The more we looked, the more we found. There were stacks of old boards, maybe an old wall or roof. Further in the trees was a wood railing on an old porch attached to nothing and leading nowhere. It was like someone had built an entrance without knowing where it led. Even in a forest that we think we knew well, we were surprised. There were histories hidden here we had no knowledge of. What we didn’t know was way more prolific than what we did.

 

The night before we discovered the ruins, I had a dream. It started out understandably enough. I was outdoors at a party, a celebration, but no one was wearing a mask, not even me. I felt naked and more and more afraid. Everyone was acting as if there had never been or wasn’t now a pandemic raging in the land, or maybe they had somehow forgotten. Occasionally someone, usually a former student from when I taught secondary school, called out to me, inviting me to sit with them and talk. I waved and walked on, intent on getting out of there as quickly as I could. But I couldn’t. There were people everywhere.

 

Then everything changed. I was in a new dream, or the old one had transformed itself. I was watching a play, also outdoors. A young, attractive, strong looking woman came on stage. She looked Tibetan. The crowd heard her words, maybe the dream me also heard her. But me, the dreamer, did not. I heard no words, just saw her lips move.

 

Then she left the stage, to return wearing a huge mask….

 

To read the whole article, please go to The Good Men Project.