Schools of Education Should Become Academies of Listening: Finding A Magical Eloquence

I woke up at 1:15 am. I didn’t want to be awake. I wanted to rest and dream. To be unconscious. Then, in the background, I heard a wonderful mix of sounds that surprised me with its steady presence. And my attention shifted to it⎼ to the continuous song of crickets, harmonizing with the individually louder, more irregular song of cicadas.

 

And maybe it was some quality in the sound itself or maybe it was in the focusing of attention, but the sound became everything. Afterwards, I thought it a bit magical, because all inner dialogue, all talk about missing sleep or missing anything, had also disappeared. This was not something supernatural, but revealingly natural. Inner dialogue requires a sort of split in being, an idea of a me to talk and another to talk to. But the song of crickets was both the speaking and the hearing, the subject and object. For a moment, hearing the crickets and cicadas was hearing listening itself. Then I fell asleep.

 

Sometimes our lives can be so precarious, painful, and bleak. Or it can seem banal one minute, and alive, unexpected, instructive the next. The focus on crickets doesn’t always work; it’s not a sleeping pill. It’s not automatic. But, I think, we all want experiences that are engaging and interesting, or that make us interesting, to ourselves, as well as to others. That, as the poet David Hinton says in his book Orient: Two Walks at the Edge of the Human, awakens in us a good story, one that exposes our uniqueness. This simple magic does that. We need a quality of attention to get there, that allows us to hear the eloquence of crickets and cicadas. That allows us to find in that eloquence a universe larger than where we often imagine we reside.

 

I usually meditate and exercise in the morning. For years, I’ve been learning how to keep attention awake to whatever arises inside or around me, and to attention itself, so it doesn’t get lost in distractions. Or I’d do a standard practice of counting each breath. This entails counting each exhalation. Then being aware of each inhalation and the space between the two. As I exhaled, I’d silently say onnnneee to myself. Then I’d feel the pause⎼ and let the inhalation happen simply by itself. And with the next exhalation, I’d say twwwooo to myself. But on this day, each pause became clear, and not just something to get done or cross off a list. Every breath, every moment became important.

 

I realized how my “normal” awareness often skipped over moments. And I didn’t want to skip so much of life. I didn’t want to lose the moments when crickets speak, for example.

 

And there’s another reason why the sound is so important to me. It has a personal meaning. Crickets get so loud at the end of summer. And when I was still working, still teaching, and August came around, the crickets would remind me that my vacation was almost over. The  new school year was about to begin, and the sense of summer’s freedom was almost gone. I had to take advantage of this moment now, before it was lost to me. So, each night, I would sit on one of the steps of my deck, one of my cats on my lap, and I’d do nothing but listen.

 

And this pausing in my life helped me prepare for the school year….

 

*To read the whole article, please go to The Good Men Project.

An Experiment We Perform on Ourselves: Our Heart is Shaped Not Just by What Happens to Us, But the Stories We Create About What Happens

 

I felt very anxious today, like so many other people I know. Anxiety is becoming a national malady. Years ago, if someone said they felt very anxious about the state of the world, it was often considered “not normal,” as an indication of underlying pain, trauma; of a psychological or medical state contributing to the person being “overly” sensitive to social-political conditions. Not anymore. Now, we’re all facing some degree of trauma. If someone doesn’t feel anxious, it might be considered not normal.

 

And I decided I don’t want to live like this. I don’t want to spend this whole election year so anxious it interferes with enjoying my life.  So, I resolved to do experiments on myself. To try different mindfulness, artistic, and other practices to see what really works to help me feel some joy along with the fright. To notice, “if I do this, then that occurs.”

 

I’m not so much in a search for something like an idea of a desired goal, but for how to turn the light inward to create an awareness of what’s already there and perceive all that lies beyond it. The former creates a distance between me and the goal, now and some possibly future time. The latter involves an awareness, a curiosity about what’s intimately there, in myself. Now. To be present. This curiosity fosters clarity of mind and a readiness to act.

 

I realize that to even do such an experiment, I need to keep reminding myself that anxiety might even be helpful if I could interpret it as helpful.  If I could allow it to simply wake up awareness and be mindful of it. To try to hide it away adds fear to the emotion. Susan Murphy, in her book A Fire Runs Through All Things:  Zen Koans for Facing the Climate Crisis, points out our anxiety is one way the world tells us it needs something from us; and that what is needed is “already forming.”

 

But it can get heavy when I allow it in. Anxiety can take over my attention. Letting go can be difficult. So, I started periodically stopping what I’m doing and saying to myself, “hello, universe. Hello moment.”

 

I also notice that when I feel anxious, I think nothing will work. When I feel good, there are so many possibilities. So, what often works for me?

 

I close my eyes. Stand still where I am; and feel my breathing. Sometimes, I do a “square breath practice,” which entails counting to 3 for each exhalation, each pause, inhalation, pause. This develops focus, clears the mind and heart, to do nothing else but feel the breath. Without trying, I let go, for a moment or ten. But even for one moment, the chain of fear, of rumination stops. And I learn a valuable lesson: I can be free. I can feel what clarity is like and be it.

 

But my basic practice is breath counting, a simple practice of curiosity. Many traditions teach it. And I find it usually works for me. I sit in a quiet room, on a supportive chair, eyes maybe closed, open, or partly open. Hands resting in my lap. And I breathe in and do nothing else; then breathe out and say to myself “one.” My attention is placed, as completely as I can, on breathing the count. Not hurrying to get to another number, not pushing aside any thought or feeling. But just being there with one breath. Aware of that moment of breath counting, present with whatever is there. And if I lose the count, and I do it often, I just notice it and return to “one.”

 

Something indescribable, sort of like a clear blue sky, arises when I do this. Paradoxically, it’s also sort of what’s always there, except in the forefront instead of animating the background. If words do come to me, they’re like trees simply observed. Emotions that arise are like wind. They’re there, but do not possess me. Then there’s a pause; then a breath in. Then a count of “two.” This counting continues until I get to “ten,” and then goes back to “one.”

 

But breath meditations don’t feel right for everyone. We all need to experiment for ourselves.

 

Years ago, I learned another meditation, using artwork as a focus, or a natural object, like a pinecone or stone. This is based on an exercise I first learned from psychologist Lawrence LeShan. One object I found particularly fun and wonderful was a painting of a Buddha on a piece of slate.  It’s a copy of an old painting discovered on a cave wall in Asia. It came with a metal holder, so I could place it on a small table in front of me and sit with it.

 

After taking a few breaths, sometimes with my eyes closed, I then open my eyes and look at the whole piece. Allow my eyes to flow over it. To not only see it but feel it. To welcome it. I then shift and look at specific points in the painting, or the stone. One segment at a time. Slowly. After a few minutes, I then close my eyes and bring up the whole artwork. See it in my mind. Then see details, one after another. Then I open my eyes and enjoy it anew. I look at the details, to see if or what I had forgotten or not seen the first time. When I do this, I feel like I’m in that cave with the Buddha.

 

Sitting with a work of art, or a waterfall, stream, the ocean or a lake, a tree or mountain…..

 

*To read the whole article, please go to The Good Men Project.

Concentrate on the Quality of Mind

When you do something, if you fix your mind on the activity with some confidence, the quality of your state of mind is the activity itself. When you are concentrated on the quality of your being, you are prepared for the activity. Shunryu Suzuki

We need to teach ourselves and our students that if our quality of mind is good, what we do will be good. We feel more at ease with learning, more focused than confused, more peaceful than agitated, more energetic than lethargic, more open than resistant. The ultimate result I think most teachers look for is not the essay or test score or work of art our students produce: it is the emergence of a young adult. But, can we teach in this mindful manner and keep our teaching jobs? Yes. Students will be able to concentrate, score better on tests and learn more when they find the work meaningful, enjoyable, and connected to their lives. To enjoy learning students need to feel heard and be seen as people, not as test scores.

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