When Sleep Eludes Us: Instead of Focusing on the Sleep We’re Losing, Notice the Moment We’re Gaining

Last night, I fell asleep around 12:30 am and woke up about an hour later. It’s not unusual for me to wake up several times in the night due to pain and other reasons. Or to wish the hour was later and the night closer to being over. Or to hear myself wishing that for once, couldn’t I just sleep through the night. Then I tire of that.

 

I look outside the window at the night sky. The trees, stripped naked by winter, form a delicate lattice pattern made visible by a graying sky. The sight broadens my perspective. And I sit down and hold both the discomfort and pain that woke me up along with the sky that surrounded me and everything else. And I go back to bed and sleep.

 

I notice the quality of the night because I’ve learned from previous sleepless moments and writing about them how important it is to do so.

 

I learned that how I responded to waking up was crucial to getting back to sleep. And to be aware of my response required a specific sort of sensing, and monitoring, a mindful, open, non-judgmental one. One that allowed me to see the reality I was facing with more clarity.

 

Pain and sleeplessness can be so awful and disruptive. But maybe the worst part of it, and what deepens it into suffering, is feeling powerless before it or not knowing what caused it. If we think our chest pain is the beginning of a heart attack, we feel the pain more intensely than if we think we have stomach gas. If we’ve had the pain in the past and seen a doctor, received answers about what’s causing the symptom and how to treat it (and that it’s treatable), it’s often easier to face.

 

And when we are ready and can face what we feel, or expand our vision beyond it, we have the possibility of transforming it. In dreams and nightmares, when we run from the monster that chases us, it gets bigger. So far in my life, almost every time I turned towards the monster, it turned away from me or transformed into something either friendly or less fearsome.

 

So how we respond to what happens is as important as the fact we experienced it. Knowing this is powerful. It can take us out of our ideas of who we are and let us return to the broader reality of what we’re feeling right now.

 

I learned from being awake in the depths of night to notice and let go of any thoughts or expectations I had about what I’d see or hear. And to look specifically for beauty. To befriend the night as much as I could. To recognize darkness can be intriguing and can illuminate what was formerly hidden….

 

*To read the whole piece, please go to The Good Men Project.

The Myth of Today: The Call Is Not to Enter the Dark Forest by Ourselves, But, by Ourselves, to Call Others

I’m sitting here, feeling my hands on the keyboard, noticing my breath is a little short and jumpy.  Anxious. Worried. A dark curtain is hanging out behind my right ear. And I notice a desire to do something to part that curtain; to change the situation of our world today, or at least bring some calm to myself, so the anxiety will explode into bits of nothing, or into the past to be studied like ancient history. So, I can feel the joy that deeply wants to be felt.

 

A friend calls on the phone. I take a deep breath and we talk, which lifts me out of the anxiety. A little mindfulness and the voice of friendship can do that. We all need that voice.

 

So much is changing. So much is threatened. And it’s difficult to see how we can influence a change for the better. But just as the voice of a friend helped lift me out of the grip of anxiety, joining with others, and feeling the yearning and the need to act, together, does the same. There might be fear there, that is true. But also light, hope. A sense of the future emerges, that there can be a future. That there can be joy and love in the future.

 

This is one way we dissolve anxiety. We see that it’s there, name it, and then do something to alleviate it. Worrying can deprive us of ourselves. Learning, planning, acting can give us the strength we need, so we feel we have strength and power. It is a kindness that we give ourselves, and kindness is so needed to change the world. Kindness to ourselves and others helps us part that curtain so we can see ourselves more clearly, with more perspective.

 

And getting a larger perspective is a second thing we can do. We can do that partly by taking walks in nature, studying mind-body disciplines like martial arts, yoga, and meditation, reading history, politics, science, literature, humor, etc.

 

I remember reading Joseph Campbell’s book, The Hero with A Thousand Faces. This is a powerful book to read and share with students and friends. It can open doors to widely divergent works of literature and religion that otherwise might be closed, such as the story of the Buddha to Bilbo Baggins. From Edmond Dantes in The Count of Monte Cristo to Gilgamesh, the hero of the first story ever written. From Dorothy in The Wizard of Oz to Star Wars and Close Encounters.

 

Campbell’s book explicates the hero cycle, a pattern that heroic characters have possibly followed in their path to enlightenment, redemption, or saving lives. One part of that path is The Call to Adventure. The movie Star Wars begins with Luke Skywalker living with his aunt and uncle. He is enveloped in his normal world, knowing nothing of who he is and feeling distant from the battle taking place in the universe around him. He is asked by Obi Wan Kenobi to join in the quest to rescue Princess Leia. He refuses. At first.

 

Then he goes home to find it, and his aunt and uncle, burned. The struggle has become personal, and he is ready to heed the call. George Lucas used the hero cycle quite very deliberately in creating the movie….

 

**To read the whole article, please go to The Good Men Project.

 

***Photo is the Lion Gate of Mycenae, Greece.

A Happy Surprise

Last week, by chance, I noticed my name in a tweet. An article on Medium, titled “A Salute to Veracity,” written by Anthony Eichberger, included a list of the most exceptional pieces they’ve read on the platform. The list includes nine categories⎼ politics, race, gender & sexuality, disability, religion, intersectionality, wokeness, human behavior, and environmentalism. The author said, “these writers are all gifted when placing controversial issues into proper context with nuance and thoughtfulness.”

 

One of my political pieces, first published by The Good Men Project called “Countering the GOP Strategy of Undermining People’s Faith in Democracy,” was chosen as exceptional.

 

It is always wonderful to get positive feedback and to share good news with you, the readers and subscribers to my blog. I deeply appreciate that you take time to read my work. And hopefully, the posts have meaning for you. I write to say what I can, to help others when I can, in my own ways. Writing also helps me stay engaged and in touch with creativity. In this crazy, disturbing time, staying engaged and doing what we can politically and socially has never been more important. So, thank you.

Living with the Unknown in Ourselves

I was watching the Ken Burns documentary on Ernest Hemingway last night. In the second hour of the program, the narrator was describing the difficulties Hemingway had beginning his first novel, The Sun Also Rises. He had already published a critically acclaimed book of short stories, where each sentence was a work of art. Suddenly, he needed to shift to the length and breadth of detail a novel required. Hemingway told himself, write one true sentence. Then another and another. Which is what he did.

 

Hemingway was both a great artist surrounded by friends and family, as well as a solitary narcissist. There is both a loneliness and a luminosity to words. They can be used to mask as well as unmask, to torture or heal. We have to be totally alone in ourselves to write. Yet, words can fill us with a sense of connection and ecstasy. We might try to hold them to us as if they could warm our bodies with their heat. But when we do so, the words dissolve into air. It’s not the words themselves that warm us but the breath we give them as we speak and listen, and the paths to others they might reveal.

 

Two days ago, in the woods near the top of our hill, maybe 25 feet from a road, my wife and I came upon two circles in the earth. We had never seen these before. The bigger one was about 12 feet across, with a moss and stone foundation and one young oak tree growing inside it. Maybe it was once a silo. And the smaller circle, now a depression in the earth lined with rotted leaves and stones, was maybe once a well.

 

The more we looked, the more we found. There were stacks of old boards, maybe an old wall or roof. Further in the trees was a wood railing on an old porch attached to nothing and leading nowhere. It was like someone had built an entrance without knowing where it led. Even in a forest that we think we knew well, we were surprised. There were histories hidden here we had no knowledge of. What we didn’t know was way more prolific than what we did.

 

The night before we discovered the ruins, I had a dream. It started out understandably enough. I was outdoors at a party, a celebration, but no one was wearing a mask, not even me. I felt naked and more and more afraid. Everyone was acting as if there had never been or wasn’t now a pandemic raging in the land, or maybe they had somehow forgotten. Occasionally someone, usually a former student from when I taught secondary school, called out to me, inviting me to sit with them and talk. I waved and walked on, intent on getting out of there as quickly as I could. But I couldn’t. There were people everywhere.

 

Then everything changed. I was in a new dream, or the old one had transformed itself. I was watching a play, also outdoors. A young, attractive, strong looking woman came on stage. She looked Tibetan. The crowd heard her words, maybe the dream me also heard her. But me, the dreamer, did not. I heard no words, just saw her lips move.

 

Then she left the stage, to return wearing a huge mask….

 

To read the whole article, please go to The Good Men Project.

Aging: Finding an Extra Set of Hands, or Added Muscle in Ourselves

Aging is a mystery we can’t solve no matter how much we might desire to do so. We just live it, if we’re lucky. Although it might not always feel so lucky.

 

But maybe, if we could hear the honest truth of how other people lived their aging, we might live our own more gracefully. Maybe. Or at least we would not feel isolated in ourselves.

 

So I’m now reading two very different books, Essays After Eighty by the American poet Laureate, Donald Hall, who lived 1928-2018, and The Selected Poems of Tu Fu, Expanded and Newly Translated, by David Hinton. Tu Fu lived from 712-770 C. E. and many consider him China’s greatest classical poet.

 

Hall’s writing feels very personal to me, partly because I took a creative writing class with him when I was in College. The class was engaging, challenging. At times afterwards, I contacted him to talk about my own writing or how to get published. And years later, he gave a talk at a nearby college and we reconnected. I was so surprised he remembered me.

 

We can hold such contradictory and frightening notions. We can both want to know, and yet, not know⎼ what will happen to us next week? Next year? When will we die? We can think of each decade as an actual thing, a door we pass through. “I’m thirty now…seventy, eighty, ninety.” But the door has only the solidity we give it. As Hidy Ochiai⎼ world renowned master and master teacher of the traditional Japanese martial arts, who is still teaching in his eighties and with whom I have studied for many years⎼ put it: “We’re not old. We’re just getting older.”

 

Hall says, “However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life.” And as we age, we enter and deconstruct that alien universe.

 

“My problem isn’t death but old age. I fret about my lack of balance, my buckling knee, my difficulty standing up and sitting down…. I sit daydreaming about what I might do next.”

 

Maybe we don’t worry often about death, but we feel it more and more, somewhere behind us and getting closer. Sometimes, we just stop, lost in thought about what to do next or whether we have already done all we need to do. We wonder how well we will be able to walk, get around. How independent. In the U. S., independence, vulnerability or lack of control is one of our greatest fears.

 

Yet so many of us say we don’t feel old. Even in our seventies, we imagine we’re thirty. I notice it is more difficult now to get up after doing floor exercises. One reason I work out daily is to stay as young in body and mind as I can, to stay limber, healthy. The aches I feel afterward are almost pleasurable, a reminder I am here….

 

To read the whole article, please go to The Good Men Project. 

Waking Up to a New World

I wake up to a new world. The standing Buddha in the yard is wearing a large conical white hat and is surrounded by a foot of virgin snow. The solar lights on the deck are miniature mountains.

 

And even indoors⎼ near my bed, a painting on the wall I’ve looked at almost every day for ten years named “Golden Woods,” by the English artist Jo Barry ⎼ suddenly, the painted light flows through the artwork. It is absorbed by dark trees and adds so much life to the yellow, orange, and gold leaves and flowers they pop out and become so distinct that, for the first time, vast depths can be seen behind them. Unrevealed details.

 

And Linda, a wife, partner, and best friend⎼ is standing by the dresser, the universe seen and loved in her eyes. What a beautiful morning.

 

Already it’s different outside. The light has changed, dimmed. Near the Buddha, under the bird feeder, Cardinals, Chickadees, Blue Jays, a Mourning Dove⎼ is that a Nuthatch?

 

Writing, like a good conversation, can be one of life’s greatest gifts. Yet it can be so tenuous. It is best when words just emerge almost by themselves. When I started writing this morning, my mind was fresh from a good night’s sleep. There was clearly something pushing to be noticed and written, but I didn’t know what it was. The only thing clear was the fresh snow, the light in the painting, and that naming emerges from the nameless. Writing can be like that, when we trust the process. We pick up a pen and don’t know if we will get what we aim at or what, if we let it, we’ll say.

 

Other times, it’s amazing that we can speak at all or write about anything. One minute, we feel we are in the grip of a great revelation, only to find, on the very next day or next moment, a contrary revelation. We speak, thinking we know what we’re talking about, but so much lives in each word, each perception, that all we can ever describe is one moment’s cupful. The rest spills out or jumps from the cup as if our speaking or looking gives it feet.

 

We can worry so much about saying the wrong thing or how we will sound that our voice becomes foreign to us, as if spoken at a great distance, like an echo. And this echo can be  painful and isolating, made worse when we think only we personally carry such burdens or there is something missing in us because we do so. If only we could step right through this distance.

 

When we study ourselves closely, mindfully, study our actual sensations and feelings, we can eliminate the seeming separation between us and everything….

 

This piece was published by The Good Men Project. To read the whole post, please click on the link. 

Creativity and Our Love for Others Can Save Us

This morning, like almost every morning, underneath the rush to run off to do this or that, or to lie in bed and watch the day begin, there is a yearning to create something beautiful and meaningful. Or maybe it’s a desire to write something exciting, to write myself into a revelation of the depths of life, something utterly true, unseen, new, about life, relationships, myself.

 

Then I hear the news ⎼ lawyers for the President, instead of trying to prove his innocence, they try to justify on the Senate floor the subversion of the constitution and the establishment of one-man rule, and I lose all concern for depth. Fear sucks away the creativity.

 

Or I hear John Bolton say DT directed him to pressure the President of Ukraine to announce an investigation into Joe Biden. Or Lev Parnas revealing the tape he has of the President giving the order to “get rid of” Ambassador Yovanovitch is only one of the many tapes he has. Parnas says everyone, including Mike Pompeo and Vice President Pence, “was in the loop” on DT’s Ukraine scheme.

 

And I get excited. I want this to be heard. I want it to shake the depths of our political system. I imagine the dark cloud of the Presidency will be lifted and this threat to humanity removed. I get caught up in hopes and fears and lose touch with beauty and depth.

 

And I fall asleep again because I didn’t sleep that well and a dream comes to me. I am walking on a beach. Several people are around me. It’s awesome. And in the distance, I see waves heading to the shore. And suddenly I notice a wave, a huge wave, getting bigger and bigger coming towards the beach. I yell to the people in the water and those around me, and start running uphill, away from the beach. And from the other side, the hill gets washed out. The land has become water, water to the right, water to the left…

 

And I wake up.

 

The act of creating, whether it is by writing, painting, dancing, cooking, carpentry, film-making, playing music or whatever gives us a sense of strength and meaning. It is an affirmation.

 

I want to write so I can harness the flood. I want to write so the writing itself is a meditation, a door opening into soul territory. I want to write so I remember there’s more to life than anger, regret, and fear. That the possibility to act and affect the world exists.

 

So when we come home from work or school or after hearing the news, after the fact check, we can write to our local newspaper or on social media, speak out, paint a sign to hold aloft in a demonstration.

 

And we can look closely at those we love, listen to them, as if how we relate to them were also an act of creation. As if the sincerity and depth of our caring would somehow strike some politician with sanity.

 

Even fear and nightmares can be the siblings of the urge to create and to live deeply, meaningfully ⎼ and in a nation that listens to and respects our rights and viewpoint. And of our care for and relationships with others. If we didn’t care, we wouldn’t fear.

 

And it is this yearning to create and this love that we have for others that can save us. We have to keep this yearning and care in mind and let it inspire us to also take care of ourselves, as we speak out, keep informed, make political action part of our loving, and hug our friends and family deeply.

 

 

This blog was syndicated by The Good Men Project.