How We Look Is Not Separate from What We See: Giving Form to What’s Most Intimately Ourselves

Sometimes, we surprise ourselves with what we can do, with what we know and don’t know.

 

I retired from teaching secondary school ten years ago. But last night, in my dreams I was once again teaching. In many classes, ten, twenty, thirty students or more showed up. In others, only one or two.  Maybe students had begun to assume that I would always be there and took me for granted. Or maybe they were too distracted by their personal lives, or I was getting too tired. Whatever it was, my dream-self decided it was time to retire.

 

In one room, a large group of students came to hear and join me in saying goodbye. It was surprising how full of feeling the situation was. We accepted each other so deeply. And I had nothing planned. It was all spontaneous. What I said emerged extemporaneously, as if from all of us together, and included nothing about goodbyes.

 

The way a moment forms has so much to teach us and is teaching us so much as it forms. There is so much there if we can see it and feel it. It’s the ultimate teacher. In fact, we are this forming of a moment. But will we look? Feel?

 

And I woke up. Sort of. The light outside was a gray mist emerging from the dark night, a dawn just beginning to gray. Outside the window, almost no discernible objects emerged from the mist, no trees, or bushes. But in the mostly dark inside, I could discern the placement but not the details of the bed, dresser, and other furniture. And as I wrote down the dream on a pad of paper by my bed, I wondered if anyone in the dream, any student had understood what I was saying.

 

Then I realized the answer in the dream was also a question. Do I understand my own answer?

 

Research and theories by psychologists and neuroscientists speculate one purpose of dreaming is to integrate emotional, and other material from our daily lives. Was the dream an example of that integration process? Was it telling me what my conscious mind couldn’t figure out or was it merely putting into words what I had already concluded? We often underestimate the role the unconscious and the resting mind plays in conscious and critical thinking. Our conscious understanding never gets it all. But if we humbly accept that, sometimes what we find surprises us with its depth and value…..

 

**To read the whole article, please go to The Good Men Project.

Ancient Lessons About Reducing Anxiety and Embracing the World

Despite feeling tremendous relief just a few nights ago, when Catharine Masto Cortez was declared the winner of the Nevada Senate race and my wife, and I, danced around the living room⎼ today I feel heavy once again. Why is that? I was so happy the Democrats exceeded expectations and maintained control of the Senate. The outpouring of support for the rights of women and to vote has clarified for all that the GOP war for autocracy can be stopped.

 

But sometimes, we get so caught up in a situation, a worry, expectation, and lose any perspective. We might be too frightened, traumatized, or invested and we see things only one way, as if the moment stood isolated in time. And we lose sight of how the situation came to be.

 

We might lose sight, for example, of just how traumatized we all were by past threats and those still looming. We have the GOP barely gaining control of the House and, of course, keeping control of the Supreme Court. And their leaders, DJT and others like him, are still threatening to seize the Presidency, avoid prosecution for their crimes, and impose their will on the rest of us. And the chaos they might yet cause, with their program of hate, lies, and division, and denying the factual results of this and past elections.

 

But not only is no human an island but no moment. The past sets up the present, as this moment educates the next. One moment’s mistake can lead either to another mistake ⎼ or to insight, when we can allow our heart, mind, and senses to be open to it.

 

I was reading a book by Joan Sutherland, a Zen meditation teacher, called Through Forests of Every Color: Awakening with Koans. In chapter two, she talked about how a new form of Zen developed in China in the eighth century in response to catastrophic times. Over just ten years, two-thirds of the population died due to rebellion, invasion, famine, and disease. The Tang dynasty of the time went from a flourishing empire to, afterwards, a barely surviving one, where life was so tenuous.

 

Of course, this mirrored back to me our own time, marked as we know too well, with so much disease, so many climate disasters, and the threats mentioned earlier of violence, and the attempted destruction of our democratic form of government.

 

No moment is the same as any other, but how did people, in awful times in the past, or going through awful times today, cope? Can we today, or those from the past, reveal ways of living that can help us through the pain to something we could welcome, to ways of living that meet our needs and strengthen our humanity?

 

I especially look to people like Zen adepts, those who have spent years studying the mind, body, and heart, and living harmoniously with others and nature. According to Sutherland, the Zen adepts and innovators of the 8th century,  realized that trying to escape their world through a narrow path to personal peace or religious ceremony would not serve them or their culture. They needed a sense of immediacy and, awful as it was, they got it….

 

 

*To read the whole article, please go to The Good Men Project.

What We Once Had, We Might Not Have Ever Again: Speaking for the Majesty of an Eagle Taking Flight

Listen. It’s raining. Luckily, it’s not yet snow. For the last four or five years, we have become more aware of how extreme and precious the rain can be, switching between either drought or flood. It comes like a storm, harsh, or like a shadow, then it’s gone.

 

But not today. The rain is steady, and the sound is beautiful. Like the sound of crickets and cicadas, the wind, and the waves of the sea, it’s absorbing and surprisingly comforting. For the moment, it even washes away any anxiety over the election.

 

Even the muted light is soothing today.

 

I notice the fallen leaves, yellow, burnt orange, a bit of startling red. The leaves almost cover the deep green grass, which is eagerly drinking in the rain. The earth is thirsty.

 

I close my eyes and just listen. The sound gets more distinct. There are currents in the rain. The pace of falling water speeds up, creating a wind of rainwater pushing against my body even though I am in the house. Then it softens to barely a whisper. What before seemed steady and continuous is now revealed as something else, something unique in its pace. When I simply listen, there is more to hear.

 

Two days ago, my wife and I drove into town. From the opposite side of the road, just before the farm stand where we buy corn in season, an eagle rose out of the tall grass. Majestically and ever so slowly, it took flight right in front of a dark van. Its wingspan was wider than the van, yet somehow the eagle wasn’t hit. It flew off in front of my car window, unhurt. But the driver of the van barely maintained control of his vehicle and then pulled off the road and stopped.

 

We can easily assume so much. That one moment will be like the previous one. We walk out of the memory of yesterday’s door and drive on our memory of yesterday’s road.

 

We might assume that because we can (hopefully) vote, now, or because we have (hopefully) protections on the job now, or can get Social Security, or healthcare, we will have it tomorrow. We might tell ourselves or others we will have it no matter who wins the election on Tuesday, November 8. But as the GOP have said, all this can and will end if they win control, just as they work to take away a woman’s right to make decisions regarding her own health and when or if to have a family.

 

We need reassurance that our world won’t totally flip over on us. But to get that, we must pay enough attention, and be ready to act, so we’re not shocked when today almost slams into the windshield of our car….

 

 

*This is an update of a blog from October, 2020.

 

**Please go to The Good Men Project to read the whole article.

The Language of Moods: Tuning Our Ears to Hear the Heart of the World in Our Heart

When I was 19 and deeply involved in trying to figure out who I was, I heard a lecture by the philosopher of eastern religions, Alan Watts and read several of his books. He helped change how I felt about life.

 

When I thought ahead to the future, it seemed so big. A vast number of days, and a huge weight to carry. So many questions: how do I decide on a career? What should I do with all this time I have? How can I do some good? Thanks to Watts and others, especially to a few inspiring teachers, instead of a life of tasks and burdens mixed with occasional pleasures, I began to see depth and beauty; began to realize how my own response, attitude, and openness shaped the reality I experienced.

 

Three books by Watts stand out for me. The first: The Book: On the Taboo Against Knowing Who You Are. The second: The Wisdom of Insecurity: A Message for An Age of Anxiety. The subtitle of the latter book, published in 1951, is certainly an appropriate label for today.

 

In another book, The Way of Zen, Watts not only explains his view of Zen history and practice but introduces the reader to four different moods often found in and characteristic of Zen and Japanese arts. It was a new thought for me that a philosophy could be expressed in a few distinct moods. These moods are, in Japanese, sabi, wabi, aware (a-wa-re), and yugen.

 

Understanding these moods can reveal unexpected ways to live life more directly and skillfully. The Way of Zen describes how the arts can be a way of practice and gives examples of poetry brewed in the four moods. Especially in these troubling times, when I read these poems, my mind and heart settles and comes alive. I discern better how to respond with strength even to the toughest situations and feel appreciation and gratitude for so much I have been given. These moods also reveal different ways and stages of meditation practice.

 

When we look at the breadth of the future, we can get lost. To make a decision, it helps to feel the truth of what is in and around us. There isn’t an infinity of moments ahead of us, only one.

 

As much as I understand it, Sabi, according to Watts, is when we get quiet and feel detached from our usual concerns⎼ worries, social media, plans, and expectations. Silence is not the absence of sound or thought, but being present, not judgmental or grasping, to sound and thought. We focus, for example, on one breath at a time, one place, one thing. We can see anything or “all things as happening ‘by themselves’ in marvelous spontaneity.” The poet, translator, Lucien Stryck called sabi, “…the feeling of isolation at the midpoint of an emotion when it is both welcome and unwelcome, the source of ease and unease…” It is the recognition of beauty in asymmetry, imperfection, and the yearning to go beyond a superficial understanding.

 

Wabi, I think, is similar to sabi. It is a sense of simplicity and purity. Watts said the mood can arise when we feel sad or depressed and we notice the uselessness of much of our concerns. We catch a glimpse of the ordinary in its “incredible suchness.” The sincerity. Stryck said it is the feeling of something previously ignored now seen as precious. This very moment is all we have. The ordinary is no longer ordinary. The philosopher and environmentalist Henry David Thoreau spoke of being “self-sufficient with an insufficiency of things.”

 

It’s the simple that will save us. It has been said that we can’t take our money or possessions with us into death. We can’t take anything, except what’s in us at that moment. How can we accept this moment is gone before we even recognize it’s here? …

 

*To read the whole article, please go to The Good Men Project.

Sometimes, It Seems I’m Split in Two: Taking Us Where We’ve Always Wanted to Go but Never Knew We Needed to Go There

Sometimes, it seems I’m split in two. Did you ever feel that? Don’t we all at times feel divided against ourselves?

 

I hear a catbird complain and a cicada call out, continuously. A background concert the universe plays for me right now. Other birds join in. A car races down the road. A raven responds raucously. And I write about that. I write a blog about the comfort of nature, love, meditation, art, overcoming fear, feeling at home.

 

Then I hear the news, about DJT, the Supreme Court, Jan 6, new legislation in Congress, climate emergencies, people being flooded or burned from their homes. All accentuated, fueled by a warming planet that so much industry and GOP politicians want to hide from us. I feel anxious. I feel a desire to meet people and bring us together, to act, to speak. To change it all and resurrect justice. And I write about that.

 

And the two sides of me can feel so different, in opposition even. I feel wonderful after writing the first blog. There’s so much appreciation, gratitude, joy there. So much anxiety, worry, anger in the second. Concern. Care. I am so glad I wrote not only the first but the second blog. I feel I had to write it. There is power, strength in saying it. But it hurts.

 

There is care in both. Compassion. I touched on this in my last blog. They are both fueled, I realize, from the same yearning.

 

There are not two sides, but many. Maybe an infinite set. And maybe we always wish to be one being in agreement with ourselves, but we’re not so easy to pin down. Maybe it’s not that I’m split in two, meditative on the one hand, angry on the other. Maybe it’s just that since the universe itself is so indescribably complex, interconnected and ever-changing, it presents us with so many different faces that our face must change, too⎼ a new face with each meeting.

 

Sometimes, we’re just damn lucky. We see a person smile. The wind bends two trees together, so we hear them speak. Or it rains, and instead of a flood, it ends the drought, and the air feels lovely, cooling. Or we read a passage in a book, and it takes us right where we’ve always wanted to go but never knew we needed to go there. Nothing in or around us stands in our way or fights with us. We see it all up close and personal and the person we see or passage we read goes right to our heart and beats for us.

 

Other times, it’s more difficult to see how we and the universe fit together. But who said life would or should be easy?

 

In the first blog, ‘I’ disappear. It’s not just that my being at peace and yours are not separate. Looking at the tree in my front yard, hearing the catbird, the cicada⎼ that is home. It is where I live. And in the second type of blog, ‘I’ jump to the forefront clothed in fear, hurt, and pain.

 

Pain so easily closes us into ourselves or consists of us closed into our self. But what if we noticed some space between the beats of pain? Or we felt how much space there was around us, in whatever location or whatever room we were in? Or instead of taking in less, we took in everything? Then the pain becomes just one beat out of many, one place in a vast universe….

 

**To read the whole article, please go to The Good Men Project.

Why Is Nature Capable of Being So Comforting? We Can’t Escape the Earth or the Universe Because We Are It

Why does nature have this effect on us?

 

I take a walk in the woods and thoughts fly off like birds⎼ swallows, crows or chickadees, to be replaced by insights or a beautiful sense of quiet. Or I sit on the beach, by the ocean, and my attention goes to the seemingly infinite space over the water. My whole body seems to move rhythmically with the sound of the waves. Before I was tense, my mind and body racing. Now, as I’m sitting with the ocean, I am comforted. Relaxed.

 

Why is this?

 

I’ve used the rain, the sky, the sound of birds and peepers, crickets, and cicadas, the feel of my breath or the air on my face, the seasons, the glow of the moon in the middle of the night or the wind in the middle of the day as doors to meditation, or to calm and slow down enough so I can feel or perceive the world and myself more clearly.

 

Even an ice storm can evoke a sense of beauty; and the dark clouds of a hurricane can reveal a sense of awe⎼ right alongside the fright.

 

Being outside in nature or viewing it helps us stay healthy, happier, and recover more easily from illness. We experience less stress and pain and heal quicker in a hospital if our room has windows facing trees, streams, or mountains or there are murals of such scenes painted on the walls.

 

Something like 170,000 years ago, evolutionary changes like a loss of body hair and a subsequent need for protection from the elements led early humans to clothe themselves. Or maybe it was also for artistic reasons. Maybe as long ago as 400,000 years ago, certainly by the Neolithic Revolution of 12,000 years ago, we began to build homes, shelters from the storm, or from dangerous animals. Later, we began to build walls to protect us from our own species. We then tried to control nature or wall it away, but we couldn’t, so we walled ourselves from nature, or tried to do so.

 

Likewise, in our personal evolution, so many of us had to wall away traumas that were too much to face at the time or aspects of ourselves we didn’t know how to integrate or accept.

 

And because of this effort, of walling ourselves from nature or ourselves, the question arose: why is nature⎼ why is what we are walling away so often healing to us, despite the storms, the ice, the fires, and the bears?

 

Because nature ultimately includes everything. It’s not just trees, beaches, streams, and sky that can comfort us. Almost any aspect of nature can be used as an object for meditation and for calming ourselves, but so can almost anything we perceive. A poem, a work of visual art, a person, pet, park bench, building, a piece of paper, a question. We can use the mere act of looking to help us see more clearly, or a moment of fear to study how we construct emotions. The key is to find what comforts us….

 

 

**If you’d like more information on any of the practices referred to in this piece, click on any of the links provided, and, if possible, find a reliable and experienced teacher, therapist, mentor to be a guide.

***To read the whole blog, please click on the link to The Good Men Project.

Life Is Our Question

Right now, we are inundated with so many questions. So much uncertainty, fear, and grief. So much awareness of how tenuous life is without an equal awareness of how to face the tenuous. The fragile. The uncertain.

 

We often want to return to at least a semblance of stability. Security. We want answers. Sometimes, like for many of us, right now life can be too much. And all too often, the answers we search for are delayed or too difficult to uncover. And living in a state of questioning is uncomfortable. It is also uncomfortable to go through our day or at night to sleep with our questions as our bedmate. But often, that is the only answer. To just sit, sleep, ache with our questions. Or be grateful for the fact that we can ask them.

 

The poet Rainer Maria Rilke said, in answering a letter from a young poet, to “be patient to all that is unsolved in your heart and to try to love the questions themselves.” The point is to “live the questions” so at some point we can live our way to an answer.

 

He was mainly concerned with love relationships, creativity, and integrity. But I think this advice applies to all questions that could change the direction of our lives and heart.

 

One of my favorite contemporary philosophers, Jacob Needleman, developed this further and wrote: “Our culture has generally tended to [try to] solve its problems without experiencing its questions.” We want a solution quickly, even before we feel the full dimension of what we face. We too often want what’s easy and immediate.

 

But rushing for an answer forces us to leave out what could be most important, and to favor what’s “practical” over what’s compassionate, our bias over reality. It weakens us just when life is trying to teach us how to be strong.

 

I noticed when I was teaching secondary school that the students loved to grapple, in the classroom, with real, tough, open-ended questions. But with adult friends and relatives, not so much. Finding solutions was preferred over asking questions that might have no verbalizable answer. Needleman said that when we open any newspaper, or today, look at our phones, and we see every news item breathes philosophy. Breathes deep questions. Ethical. Existential. Metaphysical. Epistemological.

 

We read about Putin’s war against Ukraine and ask about the nature of evil, or human nature, or⎼ how do we stop a war? We read about the climate crisis and ask about reliable evidence, truth, or ⎼ how do we get people to realize this crisis is so real we must stop and change what we’re doing?

 

We read about racism, attacks on LGBTQ+ children, and so many other forms of hate, and ask⎼ How do we talk to a neighbor who hates so deeply they create violent walls around everyone they know? Or we read about the pandemic or attacks on women’s health and ask⎼ How do we turn the richest society in the world to one that actively cares for the health of its members?…

 

**To read the whole article, please click on this link to The Good Men Project.

A Question that Brings Us Right to the Ground We Stand On

How many times have we changed our viewpoint or come to like what before we disliked? We all have done this, but for many of us, it’s not easy. A feeling of like or dislike can seem so set and permanent. More part of a thing perceived and not an artifact of our own mind.

 

Yesterday, my wife and I needed to put the news aside for a moment and decided to look at woodblock prints by a contemporary Japanese artist named Shufu Miyamoto. We both found many of his prints distinctly beautiful, but one stood out in a peculiar way. It was called A Spring Dance. I noticed it before she did and liked it⎼ then I didn’t. Something seemed off to me.

 

It depicted a field being planted, with yellow flowers both in the foreground and towards the back, with a forested mountain behind the field and a pink-orange sky. And in the very middle, a magnificent tree, maybe a cherry tree, covered in white blossoms, with many of the blossoms blown about in an invisible wind. These features were what attracted me to the artwork.

 

But the field under the tree was plowed into rows only faintly outlined, in a dull brown or grey, and the farmer or gardener planting the field was so indistinct as to barely make his, her, or their presence known. They almost faded into the field. I thought it a mistake by the artist.

 

Then my wife joined me and immediately said she loved the piece. Loved not only the tree, which stood out for her, but the contrast between the bright flowers and the soil. And she admired the way the gardener faded into the field.

 

So, I looked again. I realized I generally like the quality of openness in a work of art. I like being taken inside the scene. With this work, the haziness of the field, the indistinctness, mystery, or moodiness at first made it hard to grasp what I was seeing. Or it asked something of me that I wasn’t yet ready to give.

 

What is indistinguishable can gnaw at us. Like a question. Questions can be hypnotic. Some questions can be so big we wrap our lives around them. “What drives my life? How can I feel the depths and joys of life more consistently? How can I stay informed yet clear-headed and sane? Can we create a less violent and more caring, just society? How do we face death?”

 

I remember taking a course in Ericksonian hypnosis and the teacher asked a question, then let us sit there and realize how captivated we were by what he had said. When I was teaching, I suggested to students that if they started an essay or a story with a good question, the reader would be hooked and continue reading until an answer was uncovered. Or if I started a class session with an engaging and open-ended question, the session itself would become an adventure, a communal treasure hunt for an answer….

 

*To read the whole article, please go to The Good Men Project.

We Are One Voice the Universe Uses to Speak

My father died four years ago at the age of 96. By that time, he moved slowly, his head bent over, and he used a walker most of the time. Luckily, his brain and his ability to think remained sharp; slowed, yes, more easily frustrated, but deep until the last two weeks of his life.

 

And as I get into my mid-seventies, I sometimes feel him inside me. I get tired and sense him leaning over inside me or my head coming forward like his did. I slow down and feel old. Then I recognize what I’m doing and straighten up. In my mind and body, I go from 96 to 30. My posture improves. I feel more limber and energetic.

 

Most of us know Shakespeare’s famous lines from his play As You Like It, “All the world’s a stage, And all the men and women merely players…” We enter a scene, and we form ourselves accordingly; depending on where we are or who we see, we put on a character, fabricate a history, try out gestures as we’d put on clothing. When meeting parents, or teachers, we think, feel, and act differently than meeting a close friend or an enemy.

 

But who are we acting for? Who is the audience? Is it for just for others or ourselves? There is often a performance aspect to our feelings and behavior even when no one else is around. We try out being different selves to help us decide what we feel comfortable doing or being, or try out different beliefs, attitudes to see how they feel. We might stand up straight not only to look brave to others but to convince ourselves.

 

I just started reading an interesting new book, The Extended Mind: The Power of Thinking Outside the Brain, by Annie Murphy Paul. She clearly explains how we could increase our strength, resilience, level of success, and decrease how much we suffer. It is the same point that Buddhism and other meditation traditions have made for hundreds of years but now we have modern science to back it up. It’s less what we perceive or the events of our lives that shape us than how we respond to them.

 

Over a hundred years ago, psychologist William James said we often think we have an emotion and then act. We see a bear in the woods, or maybe a domestic terrorist on the street, and we feel fear, our heart pounds, palms sweat. We feel an impulse to run, and we run. We think the fear makes us run. But James said it’s the other way around. We feel fear because our body has begun to sweat, our heartbeat has sped up, our legs twitch. Likewise, we know we’re happy because we’re smiling. The body leads heart and mind.

 

Our emotions are not formed whole but are constructed of different elements. Murphy talks about building blocks of emotion. First, there’s interoception, or the awareness of internal sensations, as well as awareness of external sensations. These are added to a cognitive appraisal or interpretation of these sensations based on our beliefs, past experiences, our society, etc….

 

**To read the whole article, please go to the Good Men Project.

We Are Always in Conversation with the Life that Surrounds and Sustains Us

The world is constantly in conversation, talking with itself, or maybe singing to itself.

 

As I stood in the front yard this morning, gypsy moths by the hundreds fluttered around our trees in the yard. Sunlight bounced off their brownish wings, a blue jay was flying between the moths, leaves dancing with wind, while a car crunched the gravel on the road and a crow cried out. I disliked what the moths represented, the oak, maple, and apple trees stripped bare of leaves. But at that moment, all was different. The air itself felt alive and was speaking.

 

Peter Doobinin, in his book, Skillful Pleasure: The Buddha’s Path for Developing Skillful Pleasure, describes how we can use thought to improve thinking. When we are working on a complex task, or we have an appointment later in the day, we talk ourselves through it or to it. We remind ourselves what we need to do or what time we need to leave our home in order to arrive on time. Likewise, when practicing mindfulness, or maybe anytime, we can remind ourselves to arrive right here, now, to be present, to fully focus on whatever task we undertake, or be aware of the quality of our breathing.

 

For example, before a meeting, or engaging in an important conversation, we might remind ourselves to first stop, take three conscious, deeper breaths. Notice how fast or slow, deep or shallow are our breaths, then our thoughts. Notice how we feel before engaging with others.

 

We use thought not only to arrive on time or complete a task but to construct an idea of ourselves, or an identity. We plan our future, select labels for our character, write mental reviews of past actions as if we were writing a review of a movie or play. Thoughts can pop up so easily.

 

In Buddhism, thought is considered the sixth primary form of consciousness, or sense consciousness, following sight, sound, smell, taste, and touch/feeling; it is closely tied to sense experience. So we need to remember that a thought has a different quality than direct perception. It can weigh a great deal emotionally. It can block or expand our viewpoint, aid or obscure the senses in discerning how completely tied we are to the universe. But when isolated from the senses, thought colors are less brilliant than that of bird wings, flowers, or a sunset.

 

Bruce Chatwin, in his book The Songlines, takes us to the Outback to learn about the First Nation People of Australia and the creator beings who sang the world into existence; song being the original language of people. The original songs are called songlines, or dreaming tracks, and mark the routes followed by creator-beings as they carved the earth during the Dreamtime, or time of creation.

 

But dreaming tracks are not solely about the past. They mark both a where and a when, a time and all time, or the continuous process linking the Aboriginal people to the land and heavens.

According to Wikipedia, a knowledgeable person even today can navigate vast distances, cross deserts and mountains, by singing and following the directions in the songline.

 

In this way, maybe we sing a songline to reach ourselves, or sing ourselves into existence through song.

 

Two metaphors, songs and conversations, or songs as conversations and vice versa. I don’t know which is more apt. We hear the universe singing; we hear the universe in conversation all the time but maybe don’t know exactly what we’re listening to….

 

*To read the whole post, please use this link to The Good Men Project, who published the piece.