Touching Life in All Its Forms: Summer, Walking, and Treating Living as Learning

I so enjoy spring and summer. Despite the drought this spring, and the continual rains that have so far marked the summer, I feel like I’m once again a child on vacation. I hear the song “Summertime” in my head, and feel that every day I can play, do something new, create, get together with friends. Everything is so alive. In both spring and summer, so many birds, peepers, cicadas, etc. speak up, and seem to speak to me.

 

So, taking a walk during the summer or spring, in any natural setting, or in the blocks or parks of a city, immerses us in this beauty. It can be a meditation if we bring full attention to it. We don’t need to do a formal walking meditation. We just walk normally, and let the exercise remind us it’s not just what we do that determines how we feel, but how much awareness we bring to it.

 

Since the beginning of the pandemic, two things I’ve been doing even more frequently than before is reading about and practicing meditation, and taking long walks or hikes. And I’ve found a few things that increase the joy I have when walking. One particular reading that inspired me was Old Path White Clouds, the Story of the Buddha, by the revered Zen teacher and activist Thich Nhat Hanh. It was recommended by a friend and co-worker. The book gives us a wonderful insight into the deep history of meditation and mindfulness practice.

 

In the book, the Buddha is described as walking “just to enjoy the walking, unconcerned about arriving anywhere at all…[not] anxious or impatient… [T]heir steps were slow, balanced, peaceful…yet they covered a good distance each day.”

 

I’d like to walk like this. How did the Buddha and followers do this? One method described was making a moment of walking a moment of practice and potential insight, “observing each breath,” step, and part of the breath. In other writings, Thich Nhat Hanh explicates further how to be at one with the walking, so we notice the whole universe walking together.

 

It’s so easy to get distracted or lost in thoughts or worries, or to lose awareness of where we are. So, whatever reminds us to pay attention to where are, who we’re with, what our body-mind is telling us, can help our overall sense of well-being.

 

Even before we start, we can stop. Close our eyes partly or fully, and just greet our body, be aware of what’s going on right now. Or we feel our feet on the earth, or the pace and depth of breath, how tense or relaxed are our shoulders and belly. Then we walk.

 

Walking, the capacity for upright, bipedal movement, is, after all, a major defining characteristic of being human. It can be great fun when we do it just to do it and it’s not solely a means of transporting us from where we are to where we aren’t. Or we don’t do it only to meet exercise goals recorded by devices like a fitbit or apple watch or satisfy societal created images.

 

Such motivations can lead us to walk only to get it done, to check off a box in an accomplishment ledger. This focuses us on the future, and we miss what’s here, now. And 10,000 steps can seem a lot; one step can be simple and easy….

 

*To read the whole article, please go to The Good Men Project.

Maybe There’s a Joy So Deep the Whole Universe Is in It: The Curious Power of the Wind

Sometimes, just staying still and listening to the wind can be an event of great beauty. Nothing else is needed to feel full, satisfied. Happy. Those are rare and glorious moments.

 

Sometimes, wind is a gentle touch, a cooling breeze on a torrid day. Sometimes, it disappears. Sometimes, and too often lately, the day is hot, dry, seemingly lifeless; then it suddenly gets cold and the wind rages, sounds like a speeding train, and is too powerful to stand up to. Tonight, the earth gently whispers, a soft, steady sound. Then it almost goes silent. Then it builds until it sounds like a rainstorm is about to slam us, but there’s no rain. No rain clouds. Just wind. Then it calms before it rises once again.

 

The wind animates the world around us. It builds, and the trees dance; falling leaves, and papers lying in the street, fly around; bushes rattle, clouds stir, oceans wave. Just like the breath animates us, the wind can animate the world.

 

Ancient humans made a connection between wind and human breathing. After all, breathing involves air moving in and out of the body, animating us like wind animates the world. So, in India, for example, there was the concept of the five winds in the body, discussed in the Hindu sacred book, the Upanishads, in yoga, and later in Ayurveda, an ancient Indian science of medicine. When we breathe, we take in the wind of the world.

 

The Greek word pneuma can mean both breath and wind, as well as soul. The presocratic Greek philosopher Anaximenes said, “just as the soul (psyche), being air (aer), holds us together, so do breath (pneuma), and air (aer) encompass the world.” Anaximenes thought of air as the first principle out of which all else is composed. The Bible uses the word pneuma in a similar fashion. There can be spiritual as well as a mental and physical dimension to breathing practices.

 

If only we listen carefully enough, every wind can remind us of these interconnections. We can feel our surroundings calling to us or hear people all through time calling to us. We are not two. We are not two. Maybe if we listen, we might hear in the wind the trees, birds, leaves, and clouds speaking of our natural inseparability with the universe in which we exist. No air, no us.

 

We can make listening more deeply, with more curiosity and compassion, a regular component of our lives, along with exercises, as in yoga, martial arts, and mindfulness meditation that help us breathe and live more fully.

 

We can also think about what animates us besides the breath. What stirs us? What stirs us so much that, afterwards, we don’t feel we’re lacking anything? We don’t feel more in pain afterwards than we did before. But instead, it leaves us with a sense of Ah, yes. This I love. No other time or place or anything is needed. Just this, this moment, is sufficient. Wonderful.

 

What stirs us so much we hear our inner world coming alive, and hear the universe speaking?…

 

**To read the whole article, please click on this link to The Good Men Project. Enjoy.

When the Sky Clears, What Is It We See? The Bird Danced on the Roof Top, Saluting Sky, and the Emptiness in Which It Flies and We All Live

Last week, my wife and I were walking down our rural road when we noticed a large bird enter the space above our heads and circle lazily. Then a second arrived, and a third. Probably Turkey Vultures, magnificent in flight. And suddenly, all three were just gone. We didn’t see where they went.

 

At first, we felt the sky as empty, emptied of birds, lacking. But as we looked more fully, what before was merely background became something else, something more. We saw in full clarity the deep blue beauty of the clear afternoon sky. Not only the sky had cleared, but our minds.

 

The great poet and translator, David Hinton, in his book Hunger Mountain: A Field Guide to Mind and Landscape, said when we open our eyes, we open the sky inside us. We feel this empty space the size of the universe.

 

A Chinese poem, says Hinton, is not a metaphor seen or conjured from inside a spirit or identity center, or a self-separated from the universe, but the mind of the poet at that moment. Hinton quotes an early Chinese Ch’an (Zen) poet, Hsieh Ling-yun, as saying mind is “a tranquil mirror, all mystery and shadow.”

 

The sky mirrors our conscious awareness coming awake in, or more accurately, as the world. We often think of the sky as that blue or cloud filled something far off in the distance. But it’s also what we breathe in and out right here; what we move though each moment of our lives. We see and breathe in the world and the world sees and breathes in us.

 

And then the birds were back; first one, then the other two. They circled gracefully into the area above us. One went to sit on the ridgeline of a barn next to the road. The other two soon joined the first, but at the other end.  And the first raised its wings, held them out to the side as it would do if it meant to take off. But it stayed in place, in a different sort of flight.

 

Was this a mating dance? Or was it saluting the sky, the emptiness, the medium in which it flew, and we all lived? Was it bowing? For us, we might bow by first bringing our open hands together; for the vulture, it bowed by opening its wings out. Hinton says the ancient Chinese characters for bow mean hand-whispers, or maybe hand as the silence of mountain peaks, or clear minds. Maybe by opening its wings thusly it became the sky itself, the light, the silence.

 

We watched to see what the vulture would do next, but it just held the position. The three birds, my wife and I, the barn, the universe. And we walked on. The opening through which the universe was aware of itself walked on….

 

*To read the whole article, please click on this link to The Good Men Project.

 

**The photo of the Buzzard Dance was taken on our walk.

Beliefs, Synchronicity, and Mindfulness: Looking For Beauty Can Replace an Expectation of Ugliness

One morning last week, I was driving to my old school to help lead, with a former student, two workshops for teenagers on mindfulness and wellness, and I turned on NPR. They were playing an interview by Shankar Vedantam of psychologist Jer Clifton, from an episode of their program The Hidden Brain. The subject was How Your Beliefs Shape Reality, and how we can use this knowledge to live a happier and more harmonious life.

 

But it can be very difficult to change our core beliefs. For example, we might believe that if we’re depressed, the depression causes us to see the world as a dismal place, or as dull, frightening, and lacking in meaning. But as Aaron Beck, a founder of Cognitive Behavioral Therapy and others discovered, it’s the other way around. Believing the world is dangerous, dull, or mechanical can cause us to feel depressed. If we believe the world is frightening, we carry around inside us a frightening world.

 

For example, two people listen to a forecast of rainy weather. Depending on how much rain there’s been lately, and if they think the world a scary place or a safe one, one will take the information positively, think about how the rain helps the trees or feeds flowers and the reservoir; the other will think about how dark the sky will become, or that there might be flooding. How we respond to the news will be greatly influenced by our core beliefs.

 

At one point in his life, Jer realized he believed that life was dull. So, he developed an exercise to shift this mindset. It involved going to a park or forest, finding an oak or other tree full of leaves, and examining one leaf from that tree. Each was so complex, highly patterned, and beautiful.

 

And then he got another leaf and examined it. There might be thousands, maybe 250,000 leaves in one oak tree. And every year, even more leaves. There have been oak trees though thousands of years of history. But just like the two they examined, they are all beautiful, and different. The stories they tell are engaging and unique. Each of these leaves, Jer said, was a work of art, yet we walk on them because they’re so ubiquitous. Then he began to journal and record beautiful things in his life.

 

In my school in the past, we used pinecones instead of leaves. Pinecones are amazing. Their bottoms are like a mandala or could inspire one. Mandala means ‘circle.’ They are intricate, geometrically patterned, concentration or meditation aids and works of art.

 

Jer’s program was so synchronistic, in that it provided a new dimension to my already planned mindfulness workshop. It gave me another story to tell and another exercise to share with students about how to let go of thoughts or beliefs that plague us. To look for beauty can replace the expectation of ugliness, depression, and pain. Students liked this new perspective.

 

Mindfulness can be defined in many ways…

 

*To read the whole article, please go to The Good Men Project.

That First Taste of Consciousness: The Family of Awareness Is Infinite

Just imagine the moment when the first human being, hominid, or whomever first became conscious. Not just when a human felt for the first time their feet on the earth; but the first time any hominid was aware they were aware of where they placed their feet and where they were going. First became aware of the beauty in the scent from a flower, or in a sunrise, or first became aware of a memory of a bad morning.

 

One of my closest friends was talking about this with me on a recent Zoom call. What a powerful moment to consider. Was there ever such a moment? Or has consciousness always, somehow, been part of nature?

 

And this image can tease us on so many levels. Think of a baby. When is it first aware of itself? In the womb? At birth? When someone takes away its toy, a parent calls its name, or leaves them alone? Or it cries when another infant or its mother cries?

 

Anthropologists and others speculate humans had an increase in consciousness somewhere between 60,000 and 30,000 years ago, when the first art caves were created, or maybe when the first languages were developed. Or maybe before that? Art and written language are likely indicators of conscious awareness.

 

Human consciousness is doubly aware. Our species name is, after all, homo sapiens sapiens, humans twice wise. We know (somewhere inside us) by knowing we know. Conscious means con, or with, scio, to know, or know with. I thought about this in a recent blog. This allows us to reflect on our actions, thoughts, and feelings and learn from the subtlest levels of all of them.

It allows us, when we hold hands with someone we care about, to not only feel their hand and ours but know we feel it.

 

This double awareness can give us the ability to abstract and imagine, to plan or time travel, or substitute an idea for a perception. We can use words to symbolize most anything, including a self, or evoke something in us, to dream, to craft, and to understand reality.

 

Words enable us to leap into a story, one of our own making, or one we adopt from someone else. We prepare ourselves for a future event by telling a story of it. We can name a type of feeling as worrying, dreadful, or lovely. Or talk about something instead of experiencing it. We can distance ourselves from something or stick ourselves to it.

 

Thus, our double awareness can confuse us. It can provide our greatest gifts as well as the source for our greatest suffering. Language and the ability to distance ourselves mentally and emotionally from aspects of the world can create a false sense of separation between the one who knows and what is known. By telling ourselves stories we can create anxiety as well as excitement over what might never be. Since words are abstractions masquerading as objects and other beings, they can deceive us. They create illusions as well as revelations. Because they can help us, they can hurt us….

 

*To read the whole article, please click on this link to The Good Men Project.

 

How We Look Is Not Separate from What We See: Giving Form to What’s Most Intimately Ourselves

Sometimes, we surprise ourselves with what we can do, with what we know and don’t know.

 

I retired from teaching secondary school ten years ago. But last night, in my dreams I was once again teaching. In many classes, ten, twenty, thirty students or more showed up. In others, only one or two.  Maybe students had begun to assume that I would always be there and took me for granted. Or maybe they were too distracted by their personal lives, or I was getting too tired. Whatever it was, my dream-self decided it was time to retire.

 

In one room, a large group of students came to hear and join me in saying goodbye. It was surprising how full of feeling the situation was. We accepted each other so deeply. And I had nothing planned. It was all spontaneous. What I said emerged extemporaneously, as if from all of us together, and included nothing about goodbyes.

 

The way a moment forms has so much to teach us and is teaching us so much as it forms. There is so much there if we can see it and feel it. It’s the ultimate teacher. In fact, we are this forming of a moment. But will we look? Feel?

 

And I woke up. Sort of. The light outside was a gray mist emerging from the dark night, a dawn just beginning to gray. Outside the window, almost no discernible objects emerged from the mist, no trees, or bushes. But in the mostly dark inside, I could discern the placement but not the details of the bed, dresser, and other furniture. And as I wrote down the dream on a pad of paper by my bed, I wondered if anyone in the dream, any student had understood what I was saying.

 

Then I realized the answer in the dream was also a question. Do I understand my own answer?

 

Research and theories by psychologists and neuroscientists speculate one purpose of dreaming is to integrate emotional, and other material from our daily lives. Was the dream an example of that integration process? Was it telling me what my conscious mind couldn’t figure out or was it merely putting into words what I had already concluded? We often underestimate the role the unconscious and the resting mind plays in conscious and critical thinking. Our conscious understanding never gets it all. But if we humbly accept that, sometimes what we find surprises us with its depth and value…..

 

**To read the whole article, please go to The Good Men Project.

The Dream that Heals and the River that Flows Through Us

Recently, just before having a scary medical test, I had a dream that I not only remembered afterwards in detail, but which greatly affected me. Actually, remembered might not be the most accurate way to describe what happened, because I was partly awake even while I was dreaming.

 

In the dream, I was visiting the city of my birth and wanted to call my parents. They were back in the home where I grew up, even though they had moved out of that house several years before either my mom’s or my dad’s death. And in the dream, I knew all this, knew they had died years ago. Yet, I still wanted to call them on the phone, but I had forgotten their phone number.

 

Suddenly, I was with a group of friends entering a restaurant not far from my parent’s old home, not far from my old home. The friends and I had reservations for dinner. But I decided to quickly walk to my parent’s house, tell them I would come by after dinner and stay the night, and I’d get their phone number.

 

When I got to the house, I looked in the front window. Both my parents were there. They were entertaining other couples. But they had a security guard at the door, a tall, strong man standing in a darkened area of the front porch. The guard knew about me, had heard stories from my parents. He even told me about his own son who was training in the martial arts. But he wouldn’t let me in without checking my ID. I showed him my driver’s license and he said I could enter.

 

As soon as I did, I was swept up in the feel, the atmosphere of the past. I was there, in my old home, with my parents very fully there, right there, and yet I also knew they were no longer alive.

 

Then I woke up. Somehow, dreaming this dream changed my whole emotional situation. I felt good, no longer afraid of the medical test, or maybe anything. It was not that I felt my parents could, now, speak to me. But seeing them made my past come alive ⎼ and was possibly telling me something about my future. About not fearing death, maybe? Or about fear itself? About reality?

 

We wander to so many places in our dreams, and we can dream and wander both while asleep and awake. Daydreams, and all manner of thoughts and images can run around our minds all through the day, accessing the same river of imagery as night dreams.

 

The dream clearly reminded me how much I missed my parents and that they were still with me, as me. And that includes so much more than their DNA. No one is perfect, but my parents, more than anyone, taught me to love. But was the security guard a gatekeeper to a mythic realm or heaven, or maybe a form of Charon without his ferryboat, taking my dream mind to the other shore? And why had I forgotten their phone number?…

 

**To read the whole article, please go to The Good Men Project.

 

Ancient Lessons About Reducing Anxiety and Embracing the World

Despite feeling tremendous relief just a few nights ago, when Catharine Masto Cortez was declared the winner of the Nevada Senate race and my wife, and I, danced around the living room⎼ today I feel heavy once again. Why is that? I was so happy the Democrats exceeded expectations and maintained control of the Senate. The outpouring of support for the rights of women and to vote has clarified for all that the GOP war for autocracy can be stopped.

 

But sometimes, we get so caught up in a situation, a worry, expectation, and lose any perspective. We might be too frightened, traumatized, or invested and we see things only one way, as if the moment stood isolated in time. And we lose sight of how the situation came to be.

 

We might lose sight, for example, of just how traumatized we all were by past threats and those still looming. We have the GOP barely gaining control of the House and, of course, keeping control of the Supreme Court. And their leaders, DJT and others like him, are still threatening to seize the Presidency, avoid prosecution for their crimes, and impose their will on the rest of us. And the chaos they might yet cause, with their program of hate, lies, and division, and denying the factual results of this and past elections.

 

But not only is no human an island but no moment. The past sets up the present, as this moment educates the next. One moment’s mistake can lead either to another mistake ⎼ or to insight, when we can allow our heart, mind, and senses to be open to it.

 

I was reading a book by Joan Sutherland, a Zen meditation teacher, called Through Forests of Every Color: Awakening with Koans. In chapter two, she talked about how a new form of Zen developed in China in the eighth century in response to catastrophic times. Over just ten years, two-thirds of the population died due to rebellion, invasion, famine, and disease. The Tang dynasty of the time went from a flourishing empire to, afterwards, a barely surviving one, where life was so tenuous.

 

Of course, this mirrored back to me our own time, marked as we know too well, with so much disease, so many climate disasters, and the threats mentioned earlier of violence, and the attempted destruction of our democratic form of government.

 

No moment is the same as any other, but how did people, in awful times in the past, or going through awful times today, cope? Can we today, or those from the past, reveal ways of living that can help us through the pain to something we could welcome, to ways of living that meet our needs and strengthen our humanity?

 

I especially look to people like Zen adepts, those who have spent years studying the mind, body, and heart, and living harmoniously with others and nature. According to Sutherland, the Zen adepts and innovators of the 8th century,  realized that trying to escape their world through a narrow path to personal peace or religious ceremony would not serve them or their culture. They needed a sense of immediacy and, awful as it was, they got it….

 

 

*To read the whole article, please go to The Good Men Project.

The Art of Knowing and Truly Befriending Ourselves

I look outside the window right now and see maple trees with orange and reddish yellow leaves reaching into a tender blue sky. And lower down, green leaves, with burnt red Virginia creeper clinging to maples all cabled together with grape vines. And lower still, deutzia and lilac and honeysuckle.

 

But just five hours ago, none of this. The moon was out, and the night was day. After waking up unexpectedly at 5 am, I looked out a window and didn’t know what year or millennia it was. There before me was something ancient. The trees and bushes were all constituted of shadows, timeless shadows. And the rest was silvered by a unique light, a softened glow.

 

During the day, we see the ten thousand things of the world distinguished by specific details and the spaces between them. But in the moonlight, the edges grew fainter. There was light and shadow, but nothing else sharply divided or defined. Everything was softened and somehow linked. Nothing stood on its own; the whole scene was so engrossing. And the moonlight made mind light, made all my thoughts and feelings, so noticeable.

 

And then this morning I picked up a book I had been reading a week or so ago, Hunger Mountain: A field Guide to Mind and Landscape by David Hinton. It describes walks he had taken on Hunger Mountain in Vermont and includes discussions both of Chinese poetry he had translated and of Taoist cosmology inspiring those walks.

 

In the first chapter of the book was a poem I had read before; it was by the Chinese poet, Tu Fu, titled “Moonrise”. I read again about the new moon, and the ancient, changeless “Star River” and “White/dew dusts the courtyard.” And I realized that last night it was Tu Fu looking out my window.

 

We normally think of things at a distance. Words can do that. They are abstractions, usually. And we are the distance the words create, or what distances. We think of ourselves in a manner that separates us from whom we speak to or about. We all have thoughts, plans, dreams, sensations, emotions filling our mind and heart. The ego self is what glues us to some of these stimuli and excludes us from the rest.

 

Many people would argue that it wasn’t Tu Fu looking out the window. He’s dead. It was just that my buried memory of the poem influenced how I interpreted the moonlight I perceived and how I saw the earth, trees, and bushes. I was clearly in a dream intoxicated state. But last night, a different vision occurred. The moon met and befriended the poet. For a second or two, the thing seen met the act of seeing and became the seer…

 

*To read the whole piece, please go to The Good Man Project. 

Seeing With a Diversity of Eyes, Revisited: Imagination Is a Brush We Can Use to Paint Our Way Anywhere, Even Home

It all began one evening when I got totally engrossed in viewing Japanese woodblock prints, especially the night scenes by Kawase Hasui. Hasui was one of Japan’s most prominent and prolific printmakers, who died in 1957. He created landscapes that beautifully merged humans⎼ their homes, boats, shrines, castles, and temples⎼ into the land around them.

 

I was looking through several paintings and when one stood out, I’d imagine myself in the depicted scene or sit with the mood the print and my seeing of it created.

 

One night scene was of the Chuson-ji Temple in Japan. A long series of wide steps led up through trees to the temple. There was moonlight and a bright star, but no moon. I slowed down, stopped rushing, and just lingered on the scene, let my eyes feel the steps so I could walk up them in my imagination and reach the building itself.

 

Then I closed my eyes and let the scene rest inside me, before opening them again to allow new details I had missed earlier to enter the picture. By touching in this mindful way, we are touched; we feel what we see. The artwork is perceived with more dimension. I learned this practice at a retreat organized by psychotherapist Lawrence Leshan.

 

Later that night, I drove into town to buy groceries. Along the way, I noticed the scenery took on a totally new quality. The homes surrounded by trees, the lights amidst the dark, the moon over the hillside⎼ one minute, the scene before me was the physical road, buildings, and trees. The next, a beautiful portrait of the same.

 

In the afternoon a few days later, a similar experience occurred. As I walked up a rural road, I saw as I might normally see⎼ light breaking through the hillside forest roof and bouncing off tree leaves ⎼ and then as Hasui might paint it. By viewing the art, my eyes were tuned to beauty; I now had two sets of eyes, two ways of seeing.

 

Hasui seemed fascinated with not just art as a creation, but vision itself. He painted the same scene in different seasons and times of day. There are at least three renditions of the Chuson-ji Temple, for example⎼ one at night, one on a spring day, another in the snow. But what we see in each painting is one moment, or each instant as a once in a lifetime event.

 

The beautiful temples Hasui painted were not just an external scene he perceived but an element of the artist, his society, history, mood, the time of day, the weather and quality of light. We are not a being locked in a wall of skin, but one movement in a universe dancing itself into being.

 

Sometimes, we get caught up in what we see or hear. Our focus becomes possessive and exclusive. The object we see over there reinforces the sense of a separate me over here. And we lose appreciation for the very act of seeing or hearing, or the fact we can perceive or know anything at all. We lose the mystery of it. Studying how we perceive, being mindful, can remind us to notice, and look beyond what we see in order to enjoy the act of seeing. That we see can be as miraculous as what we see.

 

Exercises looking out a window:

Is it possible to perceive each artwork as a window or a door to a hidden place in ourselves, or the universe, like C. S. Lewis’ wardrobe doorway to Narnia? Just like a painting might be framed, a window frames the world for us to view with care and attention.

 

Here are exercises we can use to expand our appreciation of art and perception. We can do them for ourselves or share them with students. Before we share them, we first practice them ourselves. We feel and reflect on how they affect us. We imagine each individual child doing it. Many of us are struggling now with painful traumas and loss. We need to develop trauma sensitive eyes and hearts. We need to hold our children and ourselves with hands of empathy and compassion….

 

*To read the whole piece, please click on the link to Education That Inspires.

 

**This blog is an expanded revisiting of one I wrote last year for The Good Men Project.

***Before doing any of the exercises, please consult the links for fuller explanations.