The Language of Moods: Tuning Our Ears to Hear the Heart of the World in Our Heart

When I was 19 and deeply involved in trying to figure out who I was, I heard a lecture by the philosopher of eastern religions, Alan Watts and read several of his books. He helped change how I felt about life.

 

When I thought ahead to the future, it seemed so big. A vast number of days, and a huge weight to carry. So many questions: how do I decide on a career? What should I do with all this time I have? How can I do some good? Thanks to Watts and others, especially to a few inspiring teachers, instead of a life of tasks and burdens mixed with occasional pleasures, I began to see depth and beauty; began to realize how my own response, attitude, and openness shaped the reality I experienced.

 

Three books by Watts stand out for me. The first: The Book: On the Taboo Against Knowing Who You Are. The second: The Wisdom of Insecurity: A Message for An Age of Anxiety. The subtitle of the latter book, published in 1951, is certainly an appropriate label for today.

 

In another book, The Way of Zen, Watts not only explains his view of Zen history and practice but introduces the reader to four different moods often found in and characteristic of Zen and Japanese arts. It was a new thought for me that a philosophy could be expressed in a few distinct moods. These moods are, in Japanese, sabi, wabi, aware (a-wa-re), and yugen.

 

Understanding these moods can reveal unexpected ways to live life more directly and skillfully. The Way of Zen describes how the arts can be a way of practice and gives examples of poetry brewed in the four moods. Especially in these troubling times, when I read these poems, my mind and heart settles and comes alive. I discern better how to respond with strength even to the toughest situations and feel appreciation and gratitude for so much I have been given. These moods also reveal different ways and stages of meditation practice.

 

When we look at the breadth of the future, we can get lost. To make a decision, it helps to feel the truth of what is in and around us. There isn’t an infinity of moments ahead of us, only one.

 

As much as I understand it, Sabi, according to Watts, is when we get quiet and feel detached from our usual concerns⎼ worries, social media, plans, and expectations. Silence is not the absence of sound or thought, but being present, not judgmental or grasping, to sound and thought. We focus, for example, on one breath at a time, one place, one thing. We can see anything or “all things as happening ‘by themselves’ in marvelous spontaneity.” The poet, translator, Lucien Stryck called sabi, “…the feeling of isolation at the midpoint of an emotion when it is both welcome and unwelcome, the source of ease and unease…” It is the recognition of beauty in asymmetry, imperfection, and the yearning to go beyond a superficial understanding.

 

Wabi, I think, is similar to sabi. It is a sense of simplicity and purity. Watts said the mood can arise when we feel sad or depressed and we notice the uselessness of much of our concerns. We catch a glimpse of the ordinary in its “incredible suchness.” The sincerity. Stryck said it is the feeling of something previously ignored now seen as precious. This very moment is all we have. The ordinary is no longer ordinary. The philosopher and environmentalist Henry David Thoreau spoke of being “self-sufficient with an insufficiency of things.”

 

It’s the simple that will save us. It has been said that we can’t take our money or possessions with us into death. We can’t take anything, except what’s in us at that moment. How can we accept this moment is gone before we even recognize it’s here? …

 

*To read the whole article, please go to The Good Men Project.

Sometimes, It Seems I’m Split in Two: Taking Us Where We’ve Always Wanted to Go but Never Knew We Needed to Go There

Sometimes, it seems I’m split in two. Did you ever feel that? Don’t we all at times feel divided against ourselves?

 

I hear a catbird complain and a cicada call out, continuously. A background concert the universe plays for me right now. Other birds join in. A car races down the road. A raven responds raucously. And I write about that. I write a blog about the comfort of nature, love, meditation, art, overcoming fear, feeling at home.

 

Then I hear the news, about DJT, the Supreme Court, Jan 6, new legislation in Congress, climate emergencies, people being flooded or burned from their homes. All accentuated, fueled by a warming planet that so much industry and GOP politicians want to hide from us. I feel anxious. I feel a desire to meet people and bring us together, to act, to speak. To change it all and resurrect justice. And I write about that.

 

And the two sides of me can feel so different, in opposition even. I feel wonderful after writing the first blog. There’s so much appreciation, gratitude, joy there. So much anxiety, worry, anger in the second. Concern. Care. I am so glad I wrote not only the first but the second blog. I feel I had to write it. There is power, strength in saying it. But it hurts.

 

There is care in both. Compassion. I touched on this in my last blog. They are both fueled, I realize, from the same yearning.

 

There are not two sides, but many. Maybe an infinite set. And maybe we always wish to be one being in agreement with ourselves, but we’re not so easy to pin down. Maybe it’s not that I’m split in two, meditative on the one hand, angry on the other. Maybe it’s just that since the universe itself is so indescribably complex, interconnected and ever-changing, it presents us with so many different faces that our face must change, too⎼ a new face with each meeting.

 

Sometimes, we’re just damn lucky. We see a person smile. The wind bends two trees together, so we hear them speak. Or it rains, and instead of a flood, it ends the drought, and the air feels lovely, cooling. Or we read a passage in a book, and it takes us right where we’ve always wanted to go but never knew we needed to go there. Nothing in or around us stands in our way or fights with us. We see it all up close and personal and the person we see or passage we read goes right to our heart and beats for us.

 

Other times, it’s more difficult to see how we and the universe fit together. But who said life would or should be easy?

 

In the first blog, ‘I’ disappear. It’s not just that my being at peace and yours are not separate. Looking at the tree in my front yard, hearing the catbird, the cicada⎼ that is home. It is where I live. And in the second type of blog, ‘I’ jump to the forefront clothed in fear, hurt, and pain.

 

Pain so easily closes us into ourselves or consists of us closed into our self. But what if we noticed some space between the beats of pain? Or we felt how much space there was around us, in whatever location or whatever room we were in? Or instead of taking in less, we took in everything? Then the pain becomes just one beat out of many, one place in a vast universe….

 

**To read the whole article, please go to The Good Men Project.

Why Is Nature Capable of Being So Comforting? We Can’t Escape the Earth or the Universe Because We Are It

Why does nature have this effect on us?

 

I take a walk in the woods and thoughts fly off like birds⎼ swallows, crows or chickadees, to be replaced by insights or a beautiful sense of quiet. Or I sit on the beach, by the ocean, and my attention goes to the seemingly infinite space over the water. My whole body seems to move rhythmically with the sound of the waves. Before I was tense, my mind and body racing. Now, as I’m sitting with the ocean, I am comforted. Relaxed.

 

Why is this?

 

I’ve used the rain, the sky, the sound of birds and peepers, crickets, and cicadas, the feel of my breath or the air on my face, the seasons, the glow of the moon in the middle of the night or the wind in the middle of the day as doors to meditation, or to calm and slow down enough so I can feel or perceive the world and myself more clearly.

 

Even an ice storm can evoke a sense of beauty; and the dark clouds of a hurricane can reveal a sense of awe⎼ right alongside the fright.

 

Being outside in nature or viewing it helps us stay healthy, happier, and recover more easily from illness. We experience less stress and pain and heal quicker in a hospital if our room has windows facing trees, streams, or mountains or there are murals of such scenes painted on the walls.

 

Something like 170,000 years ago, evolutionary changes like a loss of body hair and a subsequent need for protection from the elements led early humans to clothe themselves. Or maybe it was also for artistic reasons. Maybe as long ago as 400,000 years ago, certainly by the Neolithic Revolution of 12,000 years ago, we began to build homes, shelters from the storm, or from dangerous animals. Later, we began to build walls to protect us from our own species. We then tried to control nature or wall it away, but we couldn’t, so we walled ourselves from nature, or tried to do so.

 

Likewise, in our personal evolution, so many of us had to wall away traumas that were too much to face at the time or aspects of ourselves we didn’t know how to integrate or accept.

 

And because of this effort, of walling ourselves from nature or ourselves, the question arose: why is nature⎼ why is what we are walling away so often healing to us, despite the storms, the ice, the fires, and the bears?

 

Because nature ultimately includes everything. It’s not just trees, beaches, streams, and sky that can comfort us. Almost any aspect of nature can be used as an object for meditation and for calming ourselves, but so can almost anything we perceive. A poem, a work of visual art, a person, pet, park bench, building, a piece of paper, a question. We can use the mere act of looking to help us see more clearly, or a moment of fear to study how we construct emotions. The key is to find what comforts us….

 

 

**If you’d like more information on any of the practices referred to in this piece, click on any of the links provided, and, if possible, find a reliable and experienced teacher, therapist, mentor to be a guide.

***To read the whole blog, please click on the link to The Good Men Project.

Life Is Our Question

Right now, we are inundated with so many questions. So much uncertainty, fear, and grief. So much awareness of how tenuous life is without an equal awareness of how to face the tenuous. The fragile. The uncertain.

 

We often want to return to at least a semblance of stability. Security. We want answers. Sometimes, like for many of us, right now life can be too much. And all too often, the answers we search for are delayed or too difficult to uncover. And living in a state of questioning is uncomfortable. It is also uncomfortable to go through our day or at night to sleep with our questions as our bedmate. But often, that is the only answer. To just sit, sleep, ache with our questions. Or be grateful for the fact that we can ask them.

 

The poet Rainer Maria Rilke said, in answering a letter from a young poet, to “be patient to all that is unsolved in your heart and to try to love the questions themselves.” The point is to “live the questions” so at some point we can live our way to an answer.

 

He was mainly concerned with love relationships, creativity, and integrity. But I think this advice applies to all questions that could change the direction of our lives and heart.

 

One of my favorite contemporary philosophers, Jacob Needleman, developed this further and wrote: “Our culture has generally tended to [try to] solve its problems without experiencing its questions.” We want a solution quickly, even before we feel the full dimension of what we face. We too often want what’s easy and immediate.

 

But rushing for an answer forces us to leave out what could be most important, and to favor what’s “practical” over what’s compassionate, our bias over reality. It weakens us just when life is trying to teach us how to be strong.

 

I noticed when I was teaching secondary school that the students loved to grapple, in the classroom, with real, tough, open-ended questions. But with adult friends and relatives, not so much. Finding solutions was preferred over asking questions that might have no verbalizable answer. Needleman said that when we open any newspaper, or today, look at our phones, and we see every news item breathes philosophy. Breathes deep questions. Ethical. Existential. Metaphysical. Epistemological.

 

We read about Putin’s war against Ukraine and ask about the nature of evil, or human nature, or⎼ how do we stop a war? We read about the climate crisis and ask about reliable evidence, truth, or ⎼ how do we get people to realize this crisis is so real we must stop and change what we’re doing?

 

We read about racism, attacks on LGBTQ+ children, and so many other forms of hate, and ask⎼ How do we talk to a neighbor who hates so deeply they create violent walls around everyone they know? Or we read about the pandemic or attacks on women’s health and ask⎼ How do we turn the richest society in the world to one that actively cares for the health of its members?…

 

**To read the whole article, please click on this link to The Good Men Project.

A Question that Brings Us Right to the Ground We Stand On

How many times have we changed our viewpoint or come to like what before we disliked? We all have done this, but for many of us, it’s not easy. A feeling of like or dislike can seem so set and permanent. More part of a thing perceived and not an artifact of our own mind.

 

Yesterday, my wife and I needed to put the news aside for a moment and decided to look at woodblock prints by a contemporary Japanese artist named Shufu Miyamoto. We both found many of his prints distinctly beautiful, but one stood out in a peculiar way. It was called A Spring Dance. I noticed it before she did and liked it⎼ then I didn’t. Something seemed off to me.

 

It depicted a field being planted, with yellow flowers both in the foreground and towards the back, with a forested mountain behind the field and a pink-orange sky. And in the very middle, a magnificent tree, maybe a cherry tree, covered in white blossoms, with many of the blossoms blown about in an invisible wind. These features were what attracted me to the artwork.

 

But the field under the tree was plowed into rows only faintly outlined, in a dull brown or grey, and the farmer or gardener planting the field was so indistinct as to barely make his, her, or their presence known. They almost faded into the field. I thought it a mistake by the artist.

 

Then my wife joined me and immediately said she loved the piece. Loved not only the tree, which stood out for her, but the contrast between the bright flowers and the soil. And she admired the way the gardener faded into the field.

 

So, I looked again. I realized I generally like the quality of openness in a work of art. I like being taken inside the scene. With this work, the haziness of the field, the indistinctness, mystery, or moodiness at first made it hard to grasp what I was seeing. Or it asked something of me that I wasn’t yet ready to give.

 

What is indistinguishable can gnaw at us. Like a question. Questions can be hypnotic. Some questions can be so big we wrap our lives around them. “What drives my life? How can I feel the depths and joys of life more consistently? How can I stay informed yet clear-headed and sane? Can we create a less violent and more caring, just society? How do we face death?”

 

I remember taking a course in Ericksonian hypnosis and the teacher asked a question, then let us sit there and realize how captivated we were by what he had said. When I was teaching, I suggested to students that if they started an essay or a story with a good question, the reader would be hooked and continue reading until an answer was uncovered. Or if I started a class session with an engaging and open-ended question, the session itself would become an adventure, a communal treasure hunt for an answer….

 

*To read the whole article, please go to The Good Men Project.

We Are One Voice the Universe Uses to Speak

My father died four years ago at the age of 96. By that time, he moved slowly, his head bent over, and he used a walker most of the time. Luckily, his brain and his ability to think remained sharp; slowed, yes, more easily frustrated, but deep until the last two weeks of his life.

 

And as I get into my mid-seventies, I sometimes feel him inside me. I get tired and sense him leaning over inside me or my head coming forward like his did. I slow down and feel old. Then I recognize what I’m doing and straighten up. In my mind and body, I go from 96 to 30. My posture improves. I feel more limber and energetic.

 

Most of us know Shakespeare’s famous lines from his play As You Like It, “All the world’s a stage, And all the men and women merely players…” We enter a scene, and we form ourselves accordingly; depending on where we are or who we see, we put on a character, fabricate a history, try out gestures as we’d put on clothing. When meeting parents, or teachers, we think, feel, and act differently than meeting a close friend or an enemy.

 

But who are we acting for? Who is the audience? Is it for just for others or ourselves? There is often a performance aspect to our feelings and behavior even when no one else is around. We try out being different selves to help us decide what we feel comfortable doing or being, or try out different beliefs, attitudes to see how they feel. We might stand up straight not only to look brave to others but to convince ourselves.

 

I just started reading an interesting new book, The Extended Mind: The Power of Thinking Outside the Brain, by Annie Murphy Paul. She clearly explains how we could increase our strength, resilience, level of success, and decrease how much we suffer. It is the same point that Buddhism and other meditation traditions have made for hundreds of years but now we have modern science to back it up. It’s less what we perceive or the events of our lives that shape us than how we respond to them.

 

Over a hundred years ago, psychologist William James said we often think we have an emotion and then act. We see a bear in the woods, or maybe a domestic terrorist on the street, and we feel fear, our heart pounds, palms sweat. We feel an impulse to run, and we run. We think the fear makes us run. But James said it’s the other way around. We feel fear because our body has begun to sweat, our heartbeat has sped up, our legs twitch. Likewise, we know we’re happy because we’re smiling. The body leads heart and mind.

 

Our emotions are not formed whole but are constructed of different elements. Murphy talks about building blocks of emotion. First, there’s interoception, or the awareness of internal sensations, as well as awareness of external sensations. These are added to a cognitive appraisal or interpretation of these sensations based on our beliefs, past experiences, our society, etc….

 

**To read the whole article, please go to the Good Men Project.

We Are Always in Conversation with the Life that Surrounds and Sustains Us

The world is constantly in conversation, talking with itself, or maybe singing to itself.

 

As I stood in the front yard this morning, gypsy moths by the hundreds fluttered around our trees in the yard. Sunlight bounced off their brownish wings, a blue jay was flying between the moths, leaves dancing with wind, while a car crunched the gravel on the road and a crow cried out. I disliked what the moths represented, the oak, maple, and apple trees stripped bare of leaves. But at that moment, all was different. The air itself felt alive and was speaking.

 

Peter Doobinin, in his book, Skillful Pleasure: The Buddha’s Path for Developing Skillful Pleasure, describes how we can use thought to improve thinking. When we are working on a complex task, or we have an appointment later in the day, we talk ourselves through it or to it. We remind ourselves what we need to do or what time we need to leave our home in order to arrive on time. Likewise, when practicing mindfulness, or maybe anytime, we can remind ourselves to arrive right here, now, to be present, to fully focus on whatever task we undertake, or be aware of the quality of our breathing.

 

For example, before a meeting, or engaging in an important conversation, we might remind ourselves to first stop, take three conscious, deeper breaths. Notice how fast or slow, deep or shallow are our breaths, then our thoughts. Notice how we feel before engaging with others.

 

We use thought not only to arrive on time or complete a task but to construct an idea of ourselves, or an identity. We plan our future, select labels for our character, write mental reviews of past actions as if we were writing a review of a movie or play. Thoughts can pop up so easily.

 

In Buddhism, thought is considered the sixth primary form of consciousness, or sense consciousness, following sight, sound, smell, taste, and touch/feeling; it is closely tied to sense experience. So we need to remember that a thought has a different quality than direct perception. It can weigh a great deal emotionally. It can block or expand our viewpoint, aid or obscure the senses in discerning how completely tied we are to the universe. But when isolated from the senses, thought colors are less brilliant than that of bird wings, flowers, or a sunset.

 

Bruce Chatwin, in his book The Songlines, takes us to the Outback to learn about the First Nation People of Australia and the creator beings who sang the world into existence; song being the original language of people. The original songs are called songlines, or dreaming tracks, and mark the routes followed by creator-beings as they carved the earth during the Dreamtime, or time of creation.

 

But dreaming tracks are not solely about the past. They mark both a where and a when, a time and all time, or the continuous process linking the Aboriginal people to the land and heavens.

According to Wikipedia, a knowledgeable person even today can navigate vast distances, cross deserts and mountains, by singing and following the directions in the songline.

 

In this way, maybe we sing a songline to reach ourselves, or sing ourselves into existence through song.

 

Two metaphors, songs and conversations, or songs as conversations and vice versa. I don’t know which is more apt. We hear the universe singing; we hear the universe in conversation all the time but maybe don’t know exactly what we’re listening to….

 

*To read the whole post, please use this link to The Good Men Project, who published the piece.

 

 

When Joy Is Hidden in the Very Air We Breathe

Have you ever had this feeling that right outside the bedroom window, on the other side of a surface you’ve touched, like the bedsheet, or a stone in the garden⎼ like a voice carried in the wind that you can’t quite make out, there is an insight, a joy waiting, hidden right there? And all you had to do is breathe a little more deeply, shift your perspective a hairsbreadth, and you’d see it in whatever is felt, hear it in whatever is touched?

 

This isn’t a hope you have but something else.

 

I feel this almost every morning when I wake up, if I don’t rush off or I’m not too angry or depressed by the pandemic or the GOP. Right behind my last dream, sitting next to the stiffness in my back, there is this sense, this urge or yearning to look deeply at the red bee balm in the garden, the yellow daylilies, the cats that lie near my feet.

 

When I took a walk yesterday, I tried to remember a time in my life when something hidden was suddenly revealed, or a work of art created itself with my hands. Something dramatic, that I hadn’t already shared with people; but nothing came to me. At first.

 

There are many examples provided by famous visual artists, athletes, poets, and composers. Zen teacher David Loy provides many in his book The World Is Made of Stories. He quotes the artist Escher talking about his drawing taking on a life of its own. The composer Stravinsky hearing music compose itself; he didn’t do it. The writer Borges saying, “I don’t write what I want… I don’t choose my subjects or plots. I have to stand back and receive them in a passive moment.” The poet Blake talking about poems coming to him almost against his will.

 

I am retired now, but the memory of my years teaching soon came to mind. Many times in the classroom the right way to reach a student or right answer to a question just appeared, flowed from my mouth spontaneously, unplanned. Painfully, not all the time.

 

Too many times, especially when I was inexperienced, the right response to a student often eluded me. But over the last few years of working, the number of wonderful moments were multiplied, when I was well prepared yet open, trusting the students and trusting myself. I also practiced mindfulness regularly in some classes.

 

As I was walking back home, down the steep rural hill, suddenly through the trees there was a view that went on for miles. It was only a peek, a break in the trees visible for a few steps when the road turned just right. I stared for a moment, absorbed, gleeful.

 

And a thought popped into my head. The reason I might touch a surface and a new reality whisper to me was because that is exactly what happens sometimes. We touch the hand of a lover and suddenly there aren’t two separate people anymore. There is only the touch. We quiet our minds, even though our hearts might be jumping wildly, and a new reality is born. We touch and are touched simultaneously, love and are loved….

 

*To read the whole post, please click on this link to the Good Men Project, which published it.

How Beautiful Is A Good Belly Laugh: We Expect a Hannibal Lecter but Instead Find Mr. Rogers

Can you imagine or remember a moment when simply looking, listening, or tasting was all you needed in life? When time disappeared and nothing else was desired, nothing was thought missing? Or when something was just so beautiful and unexpected, all you could do was smile or laugh?

 

In No-Gate Gateway: The Original Wu-Men Kuan, a translation of the classic collection of Koans or public records of conversations between master and student that led to enlightenment, the poet and translator David Hinton wrote “once mind is emptied of all content… the act of perception becomes a spiritual act.” It becomes selfless, simply a mirror reflecting what is there before it. Slow, respectful. Letting each thing be utterly itself. No violence is possible. No anger or let down. Closer to an act of love than anything else. Just loving by sensing.

 

Hinton says this perceptual clarity is a way of awakening, of seeing the world and oneself in the same instant. It is a way for one being to meet another.

 

Wouldn’t that be something?

 

We experience such moments in so many ways but lose them somehow in all the bustle of our lives. We stare transfixed at a work of art or nature or hear a song that stops all thought, or we read a poem that takes us to a new world. The beauty clears us of ourselves.

 

When I was younger, I hitch-hiked from New York to California and stopped at the Grand Canyon. I remember standing at the edge of it, just staring, immobile, barely breathing. From behind me I vaguely remember voices of other tourists arriving but didn’t want to turn away from the canyon. A woman I didn’t know approached closely and suddenly saw what it was all about, suddenly saw what was there ⎼and maybe what wasn’t. Whatever idea she had of the Grand Canyon was inadequate or wrong. All she said, and she repeated it over and over again, was “Oh my God. Oh my God.”

 

Mary Oliver, in a poem titled “Mysteries, Yes”, said:

Let me keep company always with those who say

            ‘Look!’ and laugh in astonishment,

            And bow their heads.

 

Or, in the poem “When Death Comes,” she tells us,

I don’t want to end up simply having visited this world.

 

We often expect that life will be like a shove from behind, or merely a bump. Unexpected, yet not, we are surprised and turn around with clenched fists. We build in our mind a Hannibal Lecter but instead find Mr. Rogers. Or instead of a threat or an enemy we find someone as surprised as we are. Someone who openly welcomes us with kindness. We realize the contact was an accident. And we laugh. All the tension dissolves in an instant, and butterflies fly from our mouth instead of curses. We feel delicate and open instead of iced and closed….

 

*To read the whole piece, please go to The Good Men Project.

Finding Comfort Within: Flying Like A Bird or Setting Like the Sun

What brings you comfort?

 

It’s a wonderful sunny day. Despite the cold temperature, I open a bedroom window and take a breath. The air feels remarkable, clean and tasty. It’s been weeks since we’ve had a day like this.

 

Close your eyes partly or fully, or as much as you feel comfortable doing, take a nice breath in, and out, and taste the air. Just enjoy being nowhere but here for a moment. Then let come to mind a time you felt a deep sense of comfort. What was the situation? Where were you? Were you by yourself or with others? What were you doing? Notice what comfort means to you.

 

When I think about this question, I realize the answer has changed throughout my life. As a child, I remember walking my dog in the wooded area in our neighborhood. Sometimes, we’d take off on a run and all else would be forgotten. All that existed was us, running, together.

 

When I returned home during my college years, to visit my parents in New York City, I remember late nights, after everyone else was asleep and the city had quieted, my mother and I would sit and talk, openly, like at no other time.

 

When I first moved to Ithaca, my future wife and I lived with a group of people near a gorge and waterfall. When I’d go out and stare into that waterfall, I’d see first the flow of water. Then my perspective would shift to focus on one drop, one amongst the multitude, racing down, crashing, disappearing into the current of the creek. Any tension I had previously felt, any thoughts, would be washed away. I’d be left emotionally calm and mentally clear.

 

Now, after getting up and doing basic exercises and stretching, I love to sit with a book that inspires or challenges me. It is a grave mistake to think of reading as an automatic or passive activity that involves simply repeating in your mind someone else’s words. When you give reading your full attention you get to see the world with someone else’s eyes. And this new perspective illuminates depths missed in yourself.  Without a quality reading, the quality of the writing is never perceived. This is why holding a book can feel like holding a mystery or a treasure chest. Reading online or with a kindle doesn’t do that for me no matter the content. In fact, it turns me off.

 

Or writing⎼ I love to write stories, blogs, poems, etc. in the morning, when my mind is fresh. The words enable me to transform into other people, or to fly like a bird, to rain and snow and set like the sun or cuddle with a cat. Creativity can be so satisfying….

 

*To read the whole article, please go to The Good Men Project.