I look out the window of our den and notice the standing Buddha in the garden has a hat of moss, of both a light and dark green with a lighter tone on the right side of his nose. He also has a shawl of moss over his robes. Does it keep him warm? His smile is so calming and clear it draws me in. Then he seems to dance, or is it breathe, or maybe the whole scene is breathing as my eyes dance over him.
My breath and his are after all the same breath.
He looks so beautiful to me. Is this what beauty is, a quality of me or a way of relating to something or someone else, a quality of focus, attention, or breathing? A drawing in. And can everything in this scene or anything anywhere that draws us in be touched like this? There is a large stone behind him ⎼ rust, grey, green, and shaped like a mountain. It also looks beautiful. What about the bush, the tree, the flowers, the weeds? In the right light, the Buddha looks bigger than a mountain. But why does he draw us in?
We say beauty is in the eyes of the beholder. Maybe it’s this quality of attention of the beholder in the specific moment. Right now, is beautiful. I had a plan for this morning, but the Buddha took it over. Or maybe beauty did that.
Buddhism and other traditions say the separation we often feel between ourselves and others, between us the seer and what we see, is an illusion. But what does that mean? Can we feel as if we were the statue breathing? Is that possible? And who wants to be a statue? Instead, maybe it means that we live each inch of space occupied by mind.
We see something and think that statue, that person, that dragonfly or flower or car is over there, and I am here. But what about the air an inch from my face? Or the pavement I am standing on? What about the suffering we see over there or the injustice? The thing or person next to me is next to me all the way to whatever. Why separate the me here from the you there, the eyes from the eyed? Why forget all that is there between us linking us? Don’t we live the world we breathe in?
Maybe we separate because there’s hurt here or there, and over and over we re-build a wall to shield us from the pain. We all have hurts. But the wall can be more like a suit of armor we wear wherever we go. And everything we try to touch has the wall, the metal suit, standing in the way. All we ever touch is the inside surface of our armor and so we feel that just on the other side and way too close, a battle is raging.
Gently, consciously, we can find a safe way to name what we feel, or find a place of comfort inside as well as outside ourselves. By doing this gently, mindfully, our mind becomes gentler, and we perceive more consciously, and clearly.
Constantly, we are switching perspectives back and forth….
**To read the whole article, please click on this link to The Good Men Project.