When Our Borders Surge Outwards to Everything

Back in 1966, when I was 18, I flew to Europe for almost four months of hitch-hiking the continent. I landed in London, circled up to Stockholm. Then flew to Rome, spent a month in Italy. Then to Nice, Barcelona, north to Berlin, and finally Paris, where I flew back to the U. S. I stayed in hostels, slept sometimes on a beach, once in a doorway, a few nights in a guest house owned by someone who gave me a ride.

 

But after the last three years of the pandemic, or six years of threats to our lives, rights, and humanity, such a trip seems like an impossibility, more like a dream or a yearning than an actual memory of a time in my life. How many of us today have the freedom or might risk such a trip? The actual journey changed my life in so many ways, big and small. It revealed depths of history and possibilities of life I hadn’t known, depths in myself, an ability to love, an audacity and courage I hadn’t known before.

 

In the Hague, a woman I had met invited me to see an art exhibit in a gallery where she worked. The paintings were tiny. I don’t remember the exact size but maybe an inch or two square, and of incredible precision and beauty. We needed a magnifying glass to study the depth of detail. I loved it. This was one result of the trip, a love of art. I had expected to be awed by the art of Florence, Rome, and Paris, and was certainly not disappointed in what I saw. But the Hague was an unexpected gift.

 

Ever since then, if I happened to hear about any exhibits like it, I rushed to see them. This led me to discover Japanese netsuke, the 1 – 2 inch carved toggles used to fasten a pocket container to the sash of a kimono. They were made mostly of wood, ivory, or bone. Such art showed how a thing used daily for mundane tasks can be crafted with care and beauty.

 

Many of the etchings of Japanese artists like Norikane Hiroto and Tanaka Ryohei are small, approximately 3 by 4 inches, although they also created larger works. Their art brings us to beautiful rural Japanese landscapes with human dwellings, but no humans. A deep quiet fills everything. Many pieces by both artists are in black and white, while others include color.

 

Norikane doesn’t try to copy nature but lets the power of a place speak. Often in his art, one element stands out over the rest. In one famous piece a snow-capped Mt. Fuji stands powerfully above a village, stream, and bridge.

 

Tanaka’s etchings are so precise and clear, that a sense of great harmony fills the scene. Each detail, each place, awakens us to see how all details and all places fit together. His art reminds me of the line by English poet William Blake: “To see a world in a grain of sand…”

 

We don’t always know how much attention to give to details. We can easily overdo it, get hooked by one detail and miss the whole ⎼ lose the forest in the individual trees, for example. Or we do the opposite, focus on generalities, and miss out on how each act, in each instance, the details are what pulls the whole together. How the way we choose what to wear in the morning, for example, or brush our teeth, salt, and pepper our food, or take a breath influences our day. We can get lost in what we expect, or think is true, and miss what is staring us in the face….

 

*To read the whole piece, please go to The Good Men Project.

Sometimes, It Seems I’m Split in Two: Taking Us Where We’ve Always Wanted to Go but Never Knew We Needed to Go There

Sometimes, it seems I’m split in two. Did you ever feel that? Don’t we all at times feel divided against ourselves?

 

I hear a catbird complain and a cicada call out, continuously. A background concert the universe plays for me right now. Other birds join in. A car races down the road. A raven responds raucously. And I write about that. I write a blog about the comfort of nature, love, meditation, art, overcoming fear, feeling at home.

 

Then I hear the news, about DJT, the Supreme Court, Jan 6, new legislation in Congress, climate emergencies, people being flooded or burned from their homes. All accentuated, fueled by a warming planet that so much industry and GOP politicians want to hide from us. I feel anxious. I feel a desire to meet people and bring us together, to act, to speak. To change it all and resurrect justice. And I write about that.

 

And the two sides of me can feel so different, in opposition even. I feel wonderful after writing the first blog. There’s so much appreciation, gratitude, joy there. So much anxiety, worry, anger in the second. Concern. Care. I am so glad I wrote not only the first but the second blog. I feel I had to write it. There is power, strength in saying it. But it hurts.

 

There is care in both. Compassion. I touched on this in my last blog. They are both fueled, I realize, from the same yearning.

 

There are not two sides, but many. Maybe an infinite set. And maybe we always wish to be one being in agreement with ourselves, but we’re not so easy to pin down. Maybe it’s not that I’m split in two, meditative on the one hand, angry on the other. Maybe it’s just that since the universe itself is so indescribably complex, interconnected and ever-changing, it presents us with so many different faces that our face must change, too⎼ a new face with each meeting.

 

Sometimes, we’re just damn lucky. We see a person smile. The wind bends two trees together, so we hear them speak. Or it rains, and instead of a flood, it ends the drought, and the air feels lovely, cooling. Or we read a passage in a book, and it takes us right where we’ve always wanted to go but never knew we needed to go there. Nothing in or around us stands in our way or fights with us. We see it all up close and personal and the person we see or passage we read goes right to our heart and beats for us.

 

Other times, it’s more difficult to see how we and the universe fit together. But who said life would or should be easy?

 

In the first blog, ‘I’ disappear. It’s not just that my being at peace and yours are not separate. Looking at the tree in my front yard, hearing the catbird, the cicada⎼ that is home. It is where I live. And in the second type of blog, ‘I’ jump to the forefront clothed in fear, hurt, and pain.

 

Pain so easily closes us into ourselves or consists of us closed into our self. But what if we noticed some space between the beats of pain? Or we felt how much space there was around us, in whatever location or whatever room we were in? Or instead of taking in less, we took in everything? Then the pain becomes just one beat out of many, one place in a vast universe….

 

**To read the whole article, please go to The Good Men Project.

Love and Compassion Are the Other Faces of Beauty

I look out the window of our den and notice the standing Buddha in the garden has a hat of moss, of both a light and dark green with a lighter tone on the right side of his nose. He also has a shawl of moss over his robes. Does it keep him warm? His smile is so calming and clear it draws me in. Then he seems to dance, or is it breathe, or maybe the whole scene is breathing as my eyes dance over him.

 

My breath and his are after all the same breath.

 

He looks so beautiful to me. Is this what beauty is, a quality of me or a way of relating to something or someone else, a quality of focus, attention, or breathing? A drawing in. And can everything in this scene or anything anywhere that draws us in be touched like this? There is a large stone behind him ⎼ rust, grey, green, and shaped like a mountain. It also looks beautiful. What about the bush, the tree, the flowers, the weeds? In the right light, the Buddha looks bigger than a mountain. But why does he draw us in?

 

We say beauty is in the eyes of the beholder. Maybe it’s this quality of attention of the beholder in the specific moment. Right now, is beautiful. I had a plan for this morning, but the Buddha took it over. Or maybe beauty did that.

 

Buddhism and other traditions say the separation we often feel between ourselves and others, between us the seer and what we see, is an illusion. But what does that mean? Can we feel as if we were the statue breathing? Is that possible? And who wants to be a statue? Instead, maybe it means that we live each inch of space occupied by mind.

 

We see something and think that statue, that person, that dragonfly or flower or car is over there, and I am here. But what about the air an inch from my face? Or the pavement I am standing on? What about the suffering we see over there or the injustice? The thing or person next to me is next to me all the way to whatever. Why separate the me here from the you there, the eyes from the eyed? Why forget all that is there between us linking us? Don’t we live the world we breathe in?

 

Maybe we separate because there’s hurt here or there, and over and over we re-build a wall to shield us from the pain. We all have hurts. But the wall can be more like a suit of armor we wear wherever we go. And everything we try to touch has the wall, the metal suit, standing in the way. All we ever touch is the inside surface of our armor and so we feel that just on the other side and way too close, a battle is raging.

 

Gently, consciously, we can find a safe way to name what we feel, or find a place of comfort inside as well as outside ourselves. By doing this gently, mindfully, our mind becomes gentler, and we perceive more consciously, and clearly.

 

Constantly, we are switching perspectives back and forth….

 

**To read the whole article, please click on this link to The Good Men Project.

 

A Traumatized Nation

Even before COVID-19, even before DT, a great number of us were carrying the pain of a trauma. But since the onset of this pandemic in February and March, the pain and suffering has become ubiquitous. Sure, many of us can be relatively safe in our homes, quite content and even happy, and we need such a refuge. But what does it do to us when we can’t stand to hear the news? Or fear leaving our homes? We often think of trauma in terms of individuals. But a whole nation can be traumatized, as we have been at different times in our history, including 9/11 and, for multiple reasons, now.

 

I’m reading a book that has been extremely helpful for me, called Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing by David A. Treleaven. The book has expanded my understanding of my own practice of mindfulness, how to help others, as well as how to better understand this time we are all experiencing.

 

A trauma is an incapacitating form of stress. Stress by itself can be helpful or harmful. But when it is deep and we can’t integrate or face it, it can become traumatic. The DSM-5, the Diagnostic and Statistical Manual of Mental Disorders defines a traumatic event as exposure to “actual or threatened death, serious injury, or sexual violence.”

 

Treleaven makes clear that this exposure can come in many ways, from directly experiencing or witnessing a trauma or from learning about what happened to a relative, loved one or close friend. Children are especially vulnerable. One in four children in the U. S. have experienced physical abuse, one in five sexual. Then you add war and oppression, whether it be sexism or violence directed at one’s gender identity, race or religion, etc. and you have a huge number of people who have suffered from trauma.

 

There is a spectrum of trauma, of course, a difference in intensity and symptoms. We can feel stressed out or suffer from PTSD. Symptoms can vary from repeating thoughts and memories, to images flooding consciousness, to being cut off or alienated from our own feelings. We can have trouble sleeping or feel our own bodies are booby-trapped.

 

And what happens when we come to fear a person’s maskless face or touching a surface in a public place? Or we don’t know how we can feed our family or if we will be thrown out of our homes? What happens when our social-economic-political worlds are being destroyed, our rights ripped away, and people who look like us are killed by police without being held accountable? All while the water we drink and the air we breathe is poisoned?

 

Mindfulness Practice:

 

One way to begin is with mindfulness practice. Mindfulness is both a present centered awareness of whatever is going on with us as well as a practice that develops self-regulation. Traditional mindfulness and meditation is based on a deep understanding of the causes of, and ways to relieve, human suffering. It teaches us how to study our conditioned responses to stimuli as well as our own sensations, thoughts and feelings so we can interrupt ones that lead to suffering.

 

Mindfulness usually helps me with any problem I face, even when I am ill or frightened. In fact, for the first few years after I learned how to meditate, I would only do it when I had a headache or felt sick or stressed. I had headaches frequently. Then I realized if I did it every day, maybe the headaches would stop. And they did….

 

**To read the whole article, please go to The Good Men Project.