Aging: Finding an Extra Set of Hands, or Added Muscle in Ourselves

Aging is a mystery we can’t solve no matter how much we might desire to do so. We just live it, if we’re lucky. Although it might not always feel so lucky.

 

But maybe, if we could hear the honest truth of how other people lived their aging, we might live our own more gracefully. Maybe. Or at least we would not feel isolated in ourselves.

 

So I’m now reading two very different books, Essays After Eighty by the American poet Laureate, Donald Hall, who lived 1928-2018, and The Selected Poems of Tu Fu, Expanded and Newly Translated, by David Hinton. Tu Fu lived from 712-770 C. E. and many consider him China’s greatest classical poet.

 

Hall’s writing feels very personal to me, partly because I took a creative writing class with him when I was in College. The class was engaging, challenging. At times afterwards, I contacted him to talk about my own writing or how to get published. And years later, he gave a talk at a nearby college and we reconnected. I was so surprised he remembered me.

 

We can hold such contradictory and frightening notions. We can both want to know, and yet, not know⎼ what will happen to us next week? Next year? When will we die? We can think of each decade as an actual thing, a door we pass through. “I’m thirty now…seventy, eighty, ninety.” But the door has only the solidity we give it. As Hidy Ochiai⎼ world renowned master and master teacher of the traditional Japanese martial arts, who is still teaching in his eighties and with whom I have studied for many years⎼ put it: “We’re not old. We’re just getting older.”

 

Hall says, “However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life.” And as we age, we enter and deconstruct that alien universe.

 

“My problem isn’t death but old age. I fret about my lack of balance, my buckling knee, my difficulty standing up and sitting down…. I sit daydreaming about what I might do next.”

 

Maybe we don’t worry often about death, but we feel it more and more, somewhere behind us and getting closer. Sometimes, we just stop, lost in thought about what to do next or whether we have already done all we need to do. We wonder how well we will be able to walk, get around. How independent. In the U. S., independence, vulnerability or lack of control is one of our greatest fears.

 

Yet so many of us say we don’t feel old. Even in our seventies, we imagine we’re thirty. I notice it is more difficult now to get up after doing floor exercises. One reason I work out daily is to stay as young in body and mind as I can, to stay limber, healthy. The aches I feel afterward are almost pleasurable, a reminder I am here….

 

To read the whole article, please go to The Good Men Project. 

Waking Up to a New World

I wake up to a new world. The standing Buddha in the yard is wearing a large conical white hat and is surrounded by a foot of virgin snow. The solar lights on the deck are miniature mountains.

 

And even indoors⎼ near my bed, a painting on the wall I’ve looked at almost every day for ten years named “Golden Woods,” by the English artist Jo Barry ⎼ suddenly, the painted light flows through the artwork. It is absorbed by dark trees and adds so much life to the yellow, orange, and gold leaves and flowers they pop out and become so distinct that, for the first time, vast depths can be seen behind them. Unrevealed details.

 

And Linda, a wife, partner, and best friend⎼ is standing by the dresser, the universe seen and loved in her eyes. What a beautiful morning.

 

Already it’s different outside. The light has changed, dimmed. Near the Buddha, under the bird feeder, Cardinals, Chickadees, Blue Jays, a Mourning Dove⎼ is that a Nuthatch?

 

Writing, like a good conversation, can be one of life’s greatest gifts. Yet it can be so tenuous. It is best when words just emerge almost by themselves. When I started writing this morning, my mind was fresh from a good night’s sleep. There was clearly something pushing to be noticed and written, but I didn’t know what it was. The only thing clear was the fresh snow, the light in the painting, and that naming emerges from the nameless. Writing can be like that, when we trust the process. We pick up a pen and don’t know if we will get what we aim at or what, if we let it, we’ll say.

 

Other times, it’s amazing that we can speak at all or write about anything. One minute, we feel we are in the grip of a great revelation, only to find, on the very next day or next moment, a contrary revelation. We speak, thinking we know what we’re talking about, but so much lives in each word, each perception, that all we can ever describe is one moment’s cupful. The rest spills out or jumps from the cup as if our speaking or looking gives it feet.

 

We can worry so much about saying the wrong thing or how we will sound that our voice becomes foreign to us, as if spoken at a great distance, like an echo. And this echo can be  painful and isolating, made worse when we think only we personally carry such burdens or there is something missing in us because we do so. If only we could step right through this distance.

 

When we study ourselves closely, mindfully, study our actual sensations and feelings, we can eliminate the seeming separation between us and everything….

 

This piece was published by The Good Men Project. To read the whole post, please click on the link. 

“Read the Eternities:” Who Knew There Was Such Meaning in the Flight of a Bird?

It’s morning. The sun is hazy. So many Blue jays, Mourning Doves, Woodpeckers, Cardinals, Chickadees and a few Evening Grosbeaks feed at the bird feeder outside the window or on the seeds scattered on the ground. Their movements are first individual, one move here, another there. Then all at once, like a wave, they all take off. They’re here, then gone.

 

I find it tremendously soothing to put my attention on the birds, plants, and sunlight. The view feels sacred to me. Calmly focusing on it helps me gain some clarity in troubling times and to find something beyond the obvious in what I see. It helps me to find answers to the questions, fears, and confusions that powerfully arise or that I barely know are there. It reveals the moment has depths not to be missed.

 

We can let our eyes rest on the whole scene and then our body⎼ shoulders and belly especially⎼ relax; our hands at ease on our lap. Take a few slow, deep breaths. And then we watch individual movements, distinguish which birds like the feeder, which the ground. Who is aggressive and who can share a meal? Or we can listen to the calls of the different birds, hear one, then another, or listen to them all, together, like a concert. Standing by the window, we can feel the warmth of the sun shining on our face.

 

James Shaheen, in a Letter from the Editor of Tricycle Magazine, The Buddhist Review (Winter, 2020) titled “A Time for Eternities,” speaks to this point. He writes about Thoreau saying, “Read not the Times. Read the Eternities.” Not to totally withdraw from what is happening around us, no matter how challenging or frightening⎼ the often-disturbing news headlines, for example. When times are chaotic and frightening, it is helpful to stay attuned to what endures, “to the knowledge that illuminates the deepest matters of human meaning.” He is referring not only to Buddhist teachings, but the wisdom, “through which consciousness is deepened,” the caring for others in our best traditions.

 

This wisdom is what reveals the truths in what surrounds us. In a synchronous fashion, I by “chance” read or listened to two other authors and teachers who gave similar messages, or maybe I just saw a similarity in what they said. Heaven is not divorced from the earth; enlightenment is not separate from ordinary mind. The birds and I are not as separate as we might think….

 

**To read the whole piece, please click on this link to The Good Men Project.

 

The Walk That Reveals Dragons: Walking So Our Capacity for Compassion Is Strengthened Along with Our Legs

Walking has taken on new significance and importance today, due to the coronavirus. Gyms are closed, so the outdoors have become a gym we all share. Or we have always shared this gym, but maybe we now do it more deliberately. Almost everyone I know says they take walks. Where we each go⎼ that is not so shared. Some have the privilege of deep forests, beaches, or river sides, others city streets, parks, or parking lots.

 

I took a walk a few days ago that could have gone on forever. Our home is in a rural area, on a steep hill, and I only stopped when my legs tired. I was also experimenting with how to walk as more a meditation⎼ how to lose myself for at least a few moments. And how, when my mind wandered, to kindly return attention to the basics⎼ breathing, looking, listening, and feeling.

 

When I first started my corona-walks, I distracted myself from each step so the weight of steps wouldn’t drag me down. The walk up our hill is challenging. I would set a goal to exercise for maybe 30 minutes or an hour. But if I began each walk thinking about how many minutes I had left to finish, each step would become a burden. So I either counted steps or thought about interesting ideas or people or projects I could take on. Or I played this game with myself. I pretended I would only walk to the big house up the road. And when I arrived there, I’d tell myself to walk just a bit more, to the maple tree where I saw the turkeys last week. And when I reached the maple tree I’d continue to the next memory or turkey siting.

 

But not this time.

 

In an online birding class I took recently, the teachers spoke about how we honor the birds we live with by knowing their names and their songs. This was a new and beautiful idea for me. But as I walked, I just wanted to listen. To name the birds would be another distraction from the song itself. It would mean me, here, and it, there. But to stop walking and just listen, the sound grew closer and clearer. And when the song ended, the trees and insects and stones and cars on the road were waiting for me even more distinctly.

 

In the past, I often thought about what it meant to feel at home someplace. This is the answer. That the gullies, streams, and trees, the wind, heat, and the house I owned would live inside me, not just me inside it. That I’d be open to all of it. That it would be a place to love and think.

 

There are so many ways to think. We can think rationally and critically, use words, concepts, examine theories, research and organize facts. Or we can let our minds wander through imaginative realms, memories of the past or ideas of the future⎼ through our pictures of ourselves or how others picture us. Or we quiet the mind, by focusing on a singular chosen point of focus⎼ the breath, sensations, the maple tree, and especially feeling⎼ or awareness of whatever arises in the immediate moment, including awareness itself….

 

**To read the whole piece, go to the Good Men Project.

 

*For information on walking safely when you might meet up with other people, in this time of the coronavirus, please refer to this NPR program, Masks and the Outdoor Exerciser.