When Sleep Eludes Us: Instead of Focusing on the Sleep We’re Losing, Notice the Moment We’re Gaining

Last night, I fell asleep around 12:30 am and woke up about an hour later. It’s not unusual for me to wake up several times in the night due to pain and other reasons. Or to wish the hour was later and the night closer to being over. Or to hear myself wishing that for once, couldn’t I just sleep through the night. Then I tire of that.

 

I look outside the window at the night sky. The trees, stripped naked by winter, form a delicate lattice pattern made visible by a graying sky. The sight broadens my perspective. And I sit down and hold both the discomfort and pain that woke me up along with the sky that surrounded me and everything else. And I go back to bed and sleep.

 

I notice the quality of the night because I’ve learned from previous sleepless moments and writing about them how important it is to do so.

 

I learned that how I responded to waking up was crucial to getting back to sleep. And to be aware of my response required a specific sort of sensing, and monitoring, a mindful, open, non-judgmental one. One that allowed me to see the reality I was facing with more clarity.

 

Pain and sleeplessness can be so awful and disruptive. But maybe the worst part of it, and what deepens it into suffering, is feeling powerless before it or not knowing what caused it. If we think our chest pain is the beginning of a heart attack, we feel the pain more intensely than if we think we have stomach gas. If we’ve had the pain in the past and seen a doctor, received answers about what’s causing the symptom and how to treat it (and that it’s treatable), it’s often easier to face.

 

And when we are ready and can face what we feel, or expand our vision beyond it, we have the possibility of transforming it. In dreams and nightmares, when we run from the monster that chases us, it gets bigger. So far in my life, almost every time I turned towards the monster, it turned away from me or transformed into something either friendly or less fearsome.

 

So how we respond to what happens is as important as the fact we experienced it. Knowing this is powerful. It can take us out of our ideas of who we are and let us return to the broader reality of what we’re feeling right now.

 

I learned from being awake in the depths of night to notice and let go of any thoughts or expectations I had about what I’d see or hear. And to look specifically for beauty. To befriend the night as much as I could. To recognize darkness can be intriguing and can illuminate what was formerly hidden….

 

*To read the whole piece, please go to The Good Men Project.

Giving Oneself a Present: And When Being Present Is the Gift

Haven’t we all had the urge to give ourselves a present after a noteworthy achievement or surviving something difficult? I don’t mean after something as frightening as being attacked or an achievement as deep as graduating college or getting married. Those events warrant something public and memorable. But surviving a medical procedure, maybe, or just living through a tough day at work or writing a great song or article, some celebration is warranted.

 

Some people might bake a sweet or buy a new shirt, or go out to the movies. My favorite thing, especially before the pandemic, is to visit with friends, go out to eat, or to the library, or even better, a bookstore. Finding a good book to read is so refreshing for me. Not just due to the anticipation of entering a new world or going on an adventure, but expanding the world that I perceive and thus live.

 

So, this weekend, after a tough week, I bought a book of essays by theoretical physicist Carlo Rovelli called There Are Places in the World Where Rules Are Less Important than Kindness: And Other Thoughts on Physics, Philosophy, and the World. This felt like a present filled with sweetness.

 

In the book, Rovelli includes an essay on yet another book, one by the Indian Buddhist philosopher Nagarjuna who lived around 150-250 CE. The translation of the book’s title is “The Fundamental Verses of the Middle Way.” It is one of the most important works of the Buddhist and Eastern philosophical traditions. Nagarjuna’s essential point is that nothing exists by itself, but only through dependence on something else or in relation to other things, beings, or perspectives.

 

Of course, we have cultural conventions, languages, ways of perceiving and thinking which create for us the impression that individual things exist on their own. But this is all just the surface layer of things, an illusion, maybe a necessary one but still an illusion.

 

Culture itself, says Rovelli speaking as Nagarjuna, is an endless dialogue feeding on our experiences and exchanges, relationships. We are all, continuously, being enriched, hurt, or fed by others.

 

And the illusion culture creates helps us live in the culture. It provides processes and rules, helps us identify the limits of our body so we can put food in our mouths, or walk through a crowd without crashing into others. But without air and the earth to stand on, without food and water to ingest, without parents to give us birth or teachers to instruct; without friends and family to model how to speak, relate, and hopefully how to love, we don’t exist.

 

And at the center is the ultimate reality, nothing but a vast, interdependent set of relations. To borrow from ancient philosophers like the Greek Empedocles who said, “God is a circle whose center is everywhere and circumference nowhere,” each of us, each thing and being, is a center extending everywhere ⎼ that is dependent on the universe we are never separate from ⎼ and whose borders are both here and nowhere. The Buddhist teacher Thich Nhat Hanh used to say we all inter-are….

 

*To read the whole article, please click on this link to The Good Men Project.

When Our Borders Surge Outwards to Everything

Back in 1966, when I was 18, I flew to Europe for almost four months of hitch-hiking the continent. I landed in London, circled up to Stockholm. Then flew to Rome, spent a month in Italy. Then to Nice, Barcelona, north to Berlin, and finally Paris, where I flew back to the U. S. I stayed in hostels, slept sometimes on a beach, once in a doorway, a few nights in a guest house owned by someone who gave me a ride.

 

But after the last three years of the pandemic, or six years of threats to our lives, rights, and humanity, such a trip seems like an impossibility, more like a dream or a yearning than an actual memory of a time in my life. How many of us today have the freedom or might risk such a trip? The actual journey changed my life in so many ways, big and small. It revealed depths of history and possibilities of life I hadn’t known, depths in myself, an ability to love, an audacity and courage I hadn’t known before.

 

In the Hague, a woman I had met invited me to see an art exhibit in a gallery where she worked. The paintings were tiny. I don’t remember the exact size but maybe an inch or two square, and of incredible precision and beauty. We needed a magnifying glass to study the depth of detail. I loved it. This was one result of the trip, a love of art. I had expected to be awed by the art of Florence, Rome, and Paris, and was certainly not disappointed in what I saw. But the Hague was an unexpected gift.

 

Ever since then, if I happened to hear about any exhibits like it, I rushed to see them. This led me to discover Japanese netsuke, the 1 – 2 inch carved toggles used to fasten a pocket container to the sash of a kimono. They were made mostly of wood, ivory, or bone. Such art showed how a thing used daily for mundane tasks can be crafted with care and beauty.

 

Many of the etchings of Japanese artists like Norikane Hiroto and Tanaka Ryohei are small, approximately 3 by 4 inches, although they also created larger works. Their art brings us to beautiful rural Japanese landscapes with human dwellings, but no humans. A deep quiet fills everything. Many pieces by both artists are in black and white, while others include color.

 

Norikane doesn’t try to copy nature but lets the power of a place speak. Often in his art, one element stands out over the rest. In one famous piece a snow-capped Mt. Fuji stands powerfully above a village, stream, and bridge.

 

Tanaka’s etchings are so precise and clear, that a sense of great harmony fills the scene. Each detail, each place, awakens us to see how all details and all places fit together. His art reminds me of the line by English poet William Blake: “To see a world in a grain of sand…”

 

We don’t always know how much attention to give to details. We can easily overdo it, get hooked by one detail and miss the whole ⎼ lose the forest in the individual trees, for example. Or we do the opposite, focus on generalities, and miss out on how each act, in each instance, the details are what pulls the whole together. How the way we choose what to wear in the morning, for example, or brush our teeth, salt, and pepper our food, or take a breath influences our day. We can get lost in what we expect, or think is true, and miss what is staring us in the face….

 

*To read the whole piece, please go to The Good Men Project.

The Snow Falls in Slow Motion as the World Turns too Fast: We Age Slowly and Feel It Suddenly

After several days of dangerous weather throughout the nation causing too much death and disruption, a “cyclone bomb” in many places, going from rain to ice to blizzards, with extreme windchills ⎼ temperatures changing where I live in a matter of hours from 45 degrees Fahrenheit to zero or below ⎼ today is cold but the snow is falling lazily, individual flakes dropping from a still, gray sky.

 

Inside myself, there’s a stillness in the center of a storm. A feeling that my life is changing too quickly, that I’m aging too quickly. Despite being 75, until recently I had felt internally maybe 35 or 40. Still exercised an hour and a half to two hours each day. Still wrote blogs each week. Until a year or so ago, despite being retired from regular teaching, and when the pandemic allowed it, I still led an after school martial arts class at my old school. But not this past year. One health concern after another, and the sickness and death of friends and family ⎼ this is aging me.

 

Add the earth in tears with so many species in crisis and near extinction; so much hate, politically manipulated hate and violence, thanks a great deal to a former President who, despite now being out of office, is still lying about and working to overturn an election he had lost, overturn democracy. Then there’s the invasion of Ukraine and the pandemic ⎼ this ages all of us.

 

My dad died at age 96. Before dying, he looked me in the eye and said, “you know, this man is dangerous.” He was warning me that DJT reminded him of the early years of Hitler. He would say the would-be dictator’s name, but wouldn’t say the German dictator’s name, and wouldn’t say ‘Nazis’, just pronouns, ‘him’ and ‘them.’ This wasn’t a warning I needed. But it did make the DJT presidency even more real and frightening to me.

 

Months earlier, my dad had talked about spending his whole morning just getting dressed and ready for the day. And then most of the evening getting prepared for bed. I wasn’t the most understanding, then. My comparative youth got in the way. But now I feel what he was saying. We age to the point where we spend most of our day waking up and then going to sleep. Or maybe, we do that our whole lives without realizing it, preparing for life instead of realizing we’re living each second of it.

 

We think death won’t touch us, then it does, and powerfully. At some point we need to look at the slowly falling snow and realize here we are. This is it. We’re falling; we have been falling since we first stood up. And now, the flake of snow is getting closer to the ground.

 

Can this closeness turn the whole thing around and make us also closer to waking up, to wising up as we get closer to dying?…

 

 

*To read the whole post, please go to The Good Men Project.