A Primal Sort of Love, A Primal Sort of Prayer: When Our Eyes and Ears Become Heart-Shaped

We all know days when the world seems caught under a gray sky. When there’s no sun anywhere and the air itself feels like a light rain or snow. When so much feels at risk and wars rage. The world storms⎼ and then gets quiet. And aside from the sound of wind and the falling rain, all is silent.

 

And I realized that here, too, inside the house, in me, it’s gray. Not just the sky but the trees, the flowers, the furniture, the walls. Everything. The air around me and the air inside me speaks a gray language. And I stop dreading and almost welcome this new language. It becomes an “old friend.”

 

It’s too easy to forget these relationships amongst everything, this interconnection. But if we notice this, this gray outside meeting the gray inside, actually the possibility of joy increases. We better perceive what we give attention to. We open eyes, nose, ears, mouths, minds to whatever. By feeling presence, we can meet not just the world outside but inside. We care.

 

Just a few minutes after realizing this, I looked out the window at the sky. It was late afternoon, early evening. And there was some blue in the sky, just a hint, a bit of white and a space of blue emerging from behind gray clouds. Then lines of pink and the red sky of the end of day.

 

I turn and look in the room around me. A wooden chair, the oak flooring, a white lamp. On the wall is a piece of art. It’s a woodblock print we found years ago, by a Japanese artist named Kawase Hasui. The artwork is called Morning at Tsuchiura. It depicts an ancient wood boat tied to a tree on the shore of a river. And the color of water, which just a moment before looked, yes, grayish, is now more clearly and deeply several shades of blue. And the reflection of the boat in the water is so remarkable and alive. One minute gray. The next, blue. Maybe by looking and feeling so intently one moment, the next moment is deepened, too.

 

I notice this happens after concentrated exercise or meditation, as well as stopping and simply letting my gaze linger on something. The mind sharpens when we feed it with focused, mindful attention on our breath or what’s around us.

 

And something more. The patience to just look. When I’m angry, for example, or afraid, or anxious, and filled with dislike, it’s like my senses are too jumpy or too focused on some thought, or fear, worry to see the reality before me. The fear, anxiety, dislike push the physical world away to replace it with a world of thought.

 

But when we can take the time to pause, to feel⎼ when we’re not so consumed by the news or whatever, and we can possibly feel grief for the world without getting overwhelmed⎼ we can let our eyes and ears become heart shaped. And the colors, sounds, scents, the feel of everything comes closer and sharpens.

 

When we do this, when we listen to what comforts us, maybe it’s the geese calling, or the wind⎼ when we listen so deeply that we hear the movement of water, trees, grasses, and birds in it, and we hear cars and people and our own responses to all the movement in it, we have a new sensitivity….

 

*To read the whole piece, please go to the Good Men Project.

The Art of Knowing and Truly Befriending Ourselves

I look outside the window right now and see maple trees with orange and reddish yellow leaves reaching into a tender blue sky. And lower down, green leaves, with burnt red Virginia creeper clinging to maples all cabled together with grape vines. And lower still, deutzia and lilac and honeysuckle.

 

But just five hours ago, none of this. The moon was out, and the night was day. After waking up unexpectedly at 5 am, I looked out a window and didn’t know what year or millennia it was. There before me was something ancient. The trees and bushes were all constituted of shadows, timeless shadows. And the rest was silvered by a unique light, a softened glow.

 

During the day, we see the ten thousand things of the world distinguished by specific details and the spaces between them. But in the moonlight, the edges grew fainter. There was light and shadow, but nothing else sharply divided or defined. Everything was softened and somehow linked. Nothing stood on its own; the whole scene was so engrossing. And the moonlight made mind light, made all my thoughts and feelings, so noticeable.

 

And then this morning I picked up a book I had been reading a week or so ago, Hunger Mountain: A field Guide to Mind and Landscape by David Hinton. It describes walks he had taken on Hunger Mountain in Vermont and includes discussions both of Chinese poetry he had translated and of Taoist cosmology inspiring those walks.

 

In the first chapter of the book was a poem I had read before; it was by the Chinese poet, Tu Fu, titled “Moonrise”. I read again about the new moon, and the ancient, changeless “Star River” and “White/dew dusts the courtyard.” And I realized that last night it was Tu Fu looking out my window.

 

We normally think of things at a distance. Words can do that. They are abstractions, usually. And we are the distance the words create, or what distances. We think of ourselves in a manner that separates us from whom we speak to or about. We all have thoughts, plans, dreams, sensations, emotions filling our mind and heart. The ego self is what glues us to some of these stimuli and excludes us from the rest.

 

Many people would argue that it wasn’t Tu Fu looking out the window. He’s dead. It was just that my buried memory of the poem influenced how I interpreted the moonlight I perceived and how I saw the earth, trees, and bushes. I was clearly in a dream intoxicated state. But last night, a different vision occurred. The moon met and befriended the poet. For a second or two, the thing seen met the act of seeing and became the seer…

 

*To read the whole piece, please go to The Good Man Project. 

Where Will Our Words Lead Us?

It is raining. It is raining on the foot of snow that fell last week. It has been raining, it seems, since the beginning of August and it is now almost December.

 

I can hear the rain striking the roof, the snow melting on the drainpipes, and the wind in the naked trees. A woodpecker pecks on the wood siding of our house, then stops to look in the bedroom window at one of our cats, Tara, who looks back at him, excited.

 

Chickadees, blue jays, cardinals, tufted titmice, nuthatches, downy and red bellied woodpeckers, and squirrels surround a bird feeder hung from an apple tree branch and the food spread below it on the ground. The branches of the tree are tipped with light. Dripping ice or rain acts almost as a prism, not to refract but concentrate the light.

 

Max, another of our cats, sleeps between Linda, my wife, and me. Linda is reading a novel. I am writing this.

 

At first, it was not just the sky that was gray. My mood, even the trees, looked gray. I could barely see the blue of the blue jay or the red of the cardinal. But the more I listened to the rain and the snowmelt, listened for the moment words began to form in my mind, it all changed. The sky lightened as I focused on the light on the tips of the apple tree branches.

 

And when I allowed myself to feel the fact that this person and this cat were here next to me, one reading by my side, one sleeping by my hip, my mood lightened. All sorts of words came to me, but none were as deep or eloquent as the reality itself, or the feelings.

 

Our words can be the way we speak a self into existence. They can split the world in two by separating in our thinking what we perceive from who is doing the perceiving. We then think what we perceive is “out there” distinct from us “in here.” We think the gray mood we feel is entirely caused by the gray sky. We mistake the world of our words for the world itself. And then we imagine we live in that world of words.

 

Or words can be signposts leading us back to the point before words were born, to where we tie feelings to thoughts, sensations to memories, and create emotions and understandings. It is where we shape how we perceive the world with what we have learned about it. It is also where we all, where every single being, meets all others more directly. It is where practices such as mindfulness or meditation can lead us, so we learn how to pay attention, each moment, to whatever arises.

 

Emotion is not just feeling. It begins with feeling but includes thoughts, sensations, and proposed actions. Just consider the thoughts that go through your mind when you’re jealous, or the sensations you experience when angry. One purpose of emotion is to tag the stimuli we sense with value so we know how to think and act.

 

Daniel Siegel, MD, clinical professor of psychiatry at UCLA, describes phases in the process of constructing emotion. The first phase is jolting our bodies to pay attention. Siegel calls this the “initial orienting response.” The second is “elaborative appraisal,” which includes using feelings to label stimuli as good or bad, dangerous or pleasing. We begin to construct meaning and then prepare for action. We feel good or threatened and then want to either approach or avoid someone or something. These first two phases can be unconscious. In the third phase our experience differentiates further into categorical emotions like sadness, happiness, and fear. And we have conscious responses.

 

Emotions thus integrate diverse realms of experience. They link physiological changes in our bodies, feelings and sensations, with words, with explanations of how things work, and with perceiving and communicating social signals. Without this orienting attention and assignment of value, we could not learn and we could not act. In other words, body, mind, and relationships arise together in an emotion.

 

In order to think clearly and act appropriately, we need to mindfully step back from any particular way of thinking about a situation or person. We need to reflect on how we are hearing words. Do we hear them as self-contained objects, whose meaning and very being is created entirely by the speaker? If we do this, the other can become a label, a threat distinct from us, and a not-me that we can have no empathy for or any relationship with. If we don’t hear what we say to ourselves, we miss a good part of any conversation.

 

Or when we hear the words of another person, do we hear them as arising from another thinking, feeling being not much different from us? Do we take time to pause and feel how his or her words radiate in our mind and heart? Do we respond not just to the meaning we think the other person intended but also to the whole situation—to our own humanity as well as theirs? Do we respond with care and awareness that what we say creates not only an identity for this other person but for our selves?

 

When we speak, we often think we are simply expressing what is in ourselves. We then don’t realize we can’t speak ourselves into existence without speaking an audience into existence. We speak to who we think the other person is, or who we would like them to be. So, before speaking or acting, it’s important to check how accurate or comprehensive our words are, and what they imply about ourselves, about whom we are with, and the nature of the world we live in.

 

And doing this can make all the difference. It can free us from a gray mood, allow us to realize the beauty in the rain, and really see who we are and who is sitting beside us.

 

This post was also syndicated by The Good Men Project.