The Natural Process of Thinking Critically and Mindfully: A Workshop.

Children, especially those between the ages of 8 – 15, easily look at the world with what Kieran Egan calls a “Romantic” imagination or sensibility. The world becomes a stage for a heroic struggle. They search for enlarged significance in events. They read and like to watch stories of werewolves and vampires, demons and goddesses, heroes and heroines, struggles against oppressors and evils. They seek the strange and the extraordinary. They want to hear about unusual abilities and intense achievements. And even deeper is the desire for awe, for the sense of a mystery lying just behind what they perceive, for the miraculous just beyond their comprehension.

 

I remember this sensibility as a yearning and maybe never totally grew beyond it. It established in me an early expectation for my life that was almost impossible to achieve. I wanted to be extraordinary. And worse, I did not know then what my yearnings meant. I had few words for it. All I knew was that much of life seemed too ordinary, boring, like I was missing something. So, I searched for what was driving me. I searched out the unusual and extraordinary. What about you? Do you remember this yearning?

 

I started meditating as part of this search, particularly Zen meditation. Some of the Zen teachers I met seemed deep and mysterious. But meditation did not fit the ideas I had. It did something unpredicted; it changed the feel of a moment. Whether during or after formal practice, the moments of life could no longer be dismissed as ordinary.

 

To think clearly requires both understanding and feeling. By ‘feeling’ I mean inner sensation, like in my stomach, gut, or breath, as in “I know it in my gut.” To know what to write or say requires monitoring what feels, in this sense, right and true, versus wrong or false. Study this in yourself. For me, the false feels jittery, my stomach and shoulders tighten. It is like wearing someone else’s clothes or like a bone with no marrow. What’s truthful comes unadorned, raw, full of energy, like it’s been there the whole time but I didn’t see it. Feeling is usually speedier than intellectual comprehension, although they can and must work together, check on each other. In the same way, searching “outside” oneself for wonders creates a false sense of two worlds in conflict, “out there” and “in here,” or one part of myself versus another. If “out there” is not good enough, “in here” is not good enough.

 

When you fight yourself, thinking is difficult. When you understand and work with your natural processes of thinking and feeling, thinking, even critical thinking, may not be easy, but it’s easier. Insight is more likely. What is this natural process of thinking? What part do meditation and mindfulness play in it? How do you practice mindfulness?

 

For those not sure what mindfulness is: mindfulness is both a quality of mind and a type of meditation. As a quality of mind, it is very alive. It is moment-by-moment awareness of how to learn from and then let go of whatever arises. It teaches awareness of the quality and focus of awareness and attention. Because you notice, you have choice. You can let go of what might be hurtful to yourself or others before the hurt fully develops, and so can be kinder, less judgmental. Because it monitors attention, it improves focus and clarity of thinking and readies you to act in a more empathetic manner.

 

 

*If you live in the Ithaca area and would like to attend a workshop on The Natural Process of Thinking Mindfully and Critically: This workshop will be for two Wednesdays, led by Ira Rabois, former teacher at The Lehman Alternative Community School. It will be open to any LACS staff and graduates, parents, or any adult with a serious interest. It was suggested that we meet 5:30-6:30, after LACS staff meeting, starting Wednesday, February 4th. The recommended tuition: $5/ session (or what you can pay, from two-twenty dollars/week is fine). Please contact me if you want to attend or have a question, either by e-mail, note to my website, or phone. If there is enough interest, I will extend the duration of the workshop.

Motivate Without Anxiety

How do you motivate students to do well without creating anxiety over performance? Many teachers I know report increasing anxiety in their students. I wrote about this briefly in an earlier blog, about the link between the 3Cs (commitment, control and challenge) and decreasing stress, and I will discuss this in more detail soon. But first, what is anxiety?

 

To understand what a student feels, place yourself in their position. Bring up in your mind a time you felt anxious, especially about learning, or not understanding something, or taking a test. What does anxiety feel like? Where do you feel it? Notice, for example, how your heart feels. Notice your belly, shoulders, hands, and your body temperature. Do you feel warm or cold? How fast or slow does your mind work? What images come to mind? What thoughts? And, what conclusions do you draw from these observations?

 

Many students report their hands clench; they sweat. Their heart and thoughts race. It is the flight-fight-freeze response. They replay scenarios of the future over and over again. They hear condemnation from others. They imagine that a situation is arising or will arise they can’t handle. Maybe they feel no control. Maybe they feel they are just not capable enough. They feel their understanding of self fading away. They think other people have an image of them that is bad or unlikable and feel weighed down by this seemingly imposed image. They feel like turning away but can’t.

 

Anxiety is about feeling disconnected and not in control. It is losing the sense of the present by looking to the future and fearing judgment. And it’s not just about school. All students, but especially those prone to anxiety, need support, maybe even need a refuge. Since they have a fragile sense of being present, they need lessons in more than academic skills.

 

Students, and all of us, need to feel control, commitment, and challenge. These 3Cs turn the energy that might go into stress into engagement. “Control” can have many meanings. For school, control means having some choice in what is studied and in how understanding is assessed, so the class feels meaningful and connected to their lives. Students can voice their own questions and concerns and see them addressed. They, of course, also need to learn the basic skills of reading, writing and thinking critically.

 

They need to learn how to monitor their feelings and thoughts moment-by-moment, as is done with mindfulness. This gives them the power to choose—do I listen to this idea, or act on that one? It provides the insight to know how and when to question facts to uncover bias, question thoughts to reveal distortions. It’s empowering to learn what a thought is, that thoughts tell stories but not always true or healthy ones. Thoughts are not necessarily revelations from an oracle, and don’t have to be believed. We can step back and let them go. This inner knowing helps students assess their work in a meaningful way and, thus, not be dependent on external sources of judgment, like what the teacher thinks of them.

 

Besides studying mind with mindfulness, study the basic working of the brain with neuroscience. For example, students in my classes were always engaged when we discussed neuroplasticity, or the fact that they, their brain, can change and strengthen throughout life. It is very empowering to learn that your brain is not set by the time you’re 15. Combining mindfulness and neuroscience allows students to study their mind and behavior and treat life itself as a vast school teaching them how to think and act most clearly, ethically and effectively.

 

Commitment is acting on what is chosen. It involves students getting immersed and engaged in what they do. They allow themselves to be present, aware of their thinking, acting and feeling. Challenge comes from feeling the task is important, that it tests and develops their ability, but is not so challenging that they can’t succeed. It involves trusting that the teacher will support, coach, assist when needed. A well-planned challenge leads the student to feel trust in their capabilities.

 

Which mindfulness practices work best when students are anxious? Since mindfulness educates attention, begin with learning to notice the first signs of anxiety, as we discussed earlier, and to let go of the thoughts generating that anxious response. However, anxiety can make it more difficult to just sit and notice what occurs in the body and mind. Here are a few alternative practices:

  1. Teach focus. Counting breaths or visualizing a natural scene, like a flower, mountain, tree, or gently moving stream, can calm and clear the mind.
  2. Practice empathy and compassion. The empathy for others can transfer to themselves. And empathy or care for another person or being can free them from incessant worry.
  3. Progressive relaxation and visualization. They learn how to relax the body, starting with the toes and working their way up. After relaxing the body, the teacher can have students visualize a scene in a novel or an historical incident, for example, or have them imagine how to face a difficult problem.

 

G. K. Chesterton said, “An adventure is only an inconvenience rightly considered.” I love the quote, and so do my students, although in my mind I often substitute ‘understood’ for ‘considered.’ The quote helps me change how I look at all the unanticipated and possibly stressful events that arise each day. What story will I tell  myself about an event or challenge? Will I be a hero or heroine, fighter of injustice and bringer of light to the world? Or a villain? What I tell myself is of crucial importance. In many ways, it’s my choice, my story. So I need to do it with awareness.  And teachers, what better motivator can you find than allowing students the chance to hero their own stories?

 

For an updated source on thought distortions go to a site by Sam Thomas Davis.

Recognize the Web of Life

 

I heard on the news of the deaths of 12 people in Paris, the cartoonists, editors and writers of the satirical newspaper, Charlie Hebdo, and I don’t know how to live with these deaths. Maybe if it were just this one incident, not the deaths and bombings that followed, not ISIL, not the deaths in Syria, Iraq, Afghanistan, Nigeria, Israel, Palestine. Maybe if it were just this one time I could come up with a story to tell myself, of people who, perhaps, lived lives of such desperation and hopelessness that, in their eyes, they weren’t killing other people at all. They were defending an idea, they were creating hope. Or maybe they told themselves the cartoons hurt too much and they needed the pain to stop. Or maybe they told themselves their religion, their reality was threatened and they had to destroy the threat.

 

 

 

But the explanation doesn’t work. And for good reason. Nothing can justify or explain away their deaths. All over the world, there are too many such deaths, too much pain. For example, in the US there’s New York City. Not just 9/11, but Eric Garner. Deaths of African-Americans by police and deaths of police, Wenjian Liu and Rafael Ramos. To kill someone is not just emotion burning out of control. A story was needed to fuel that emotion and keep it hot.

 

 

 

Humans have lived for thousands of years by creating an in versus an out-group. We live with, cooperate with, love the in-group and often de-humanize the out-group.  We do this with stories or narratives we tell ourselves about us and them. We can’t afford to do this anymore. There are over 7 billion of us now and we’re growing exponentially. This leads to increasing complexity in human relations (and, of course, increasing stress on resources). We cannot continue to support a way of thinking and acting that deals with problems mainly by defining villains to defeat. Or deals with problems by thinking we can just cut ourselves from or discard millions or billions of other humans. We can no longer discard people with a story. Somehow, we must learn, I must learn, how to feel each killing that I hear about with a raw and unexplainable emotion.

 

 

 

Honestly, I don’t know if I can do this. I think it’s too much. It would be overwhelming. How could I work and play when I feel so openly? Even writing this blog is telling a story of sorts.  My work and play and loving can also get covered over or diluted by stories. But isn’t my heart bigger than my thinking? What if my family or friends worked at Charlie Hebdo? Or I lived in Syria, Iraq or my family was killed in New York or Israel? There is no explanation big enough for that pain.

 

 

 

The closest I can come is justice. I shudder to bring it up, as I don’t want to even appear to be diluting murder with economic analysis, but there needs to be justice for the slain, and justice for the conditions that might have contributed to the slaying. People are discarded, dehumanized through economic and political processes even more than by the gun. For one example, when wealth is concentrated in fewer and fewer hands, more and more people are ignored. In the US, real income for all but the top few has gone down since 1978-80. A few days ago, I was watching Robert Reich’s movie, “Inequality For All.” Today, 400 people in the US have more wealth than half of the rest of the population. This trend is worldwide. One billionaire means a million people barely getting by. One billionaire doesn’t buy what a million individuals could buy. Concentrating wealth doesn’t create jobs; it undermines the middle class and the whole economy. What are the implications of a collapse of the middle class and the swelling in size of the ranks of the poor? What happens to people living in poverty who get to see on television everyday the rich living in luxury?

 

 

 

Maybe, if we allow our hearts to feel the pain that others feel, and the pain that dehumanization brings, there would be fewer killings? I don’t know for sure, but it feels right. The only explanation that is viable and works for me to keep my heart alive, is that all of us—all humans, all species, all life—we’re all equally alive. There is no out-group. That’s myth, story. The reality is that we are all in this together. We are all interdependent. To borrow an image from ancient India, we are in a huge web (or net, as in Indra’s net). The world webs together. It’s not even that a tug in this section of the web is felt way over there. It’s the whole universe crawling, walking, screaming, dancing as one. And we need an education in web-being, or as the Zen teacher Thich Nhat Hanh put it, inter-being.

 

 

 

The Good, The True, and The Beautiful

I love studying ancient civilizations. It takes me back to the roots of being human, when we were a younger species discovering our powers. And maybe it’s easier to see truths about ourselves when there were fewer of us and we lived in smaller groups.

 

The Golden Age Athenians certainly taught us a great deal, about abuses of power and colonial aggression as well as the love of wisdom and the creation of beauty. The philosopher Plato, for example, talked about possible links between the good, the true, and the beautiful. I find this fascinating. I certainly think the link offers great material for teachers. Howard Gardner pointed out, in a book from 2011, teaching the good, the true, and the beautiful is a wonderful framework for an education. Here’s my position on these three virtues.

 

The good: what does ‘good’ mean? There are so many meanings of ‘good.’ There’s a “good sandwich,” or “a good feeling.”  There are ethical “goods” like a “good person” or a “good act” and maybe “a good life.” ‘Good’ has to do with value. Inquiring into what we value and why, and what is ethical and why, makes for exciting teaching.

 

The true: Most of our teaching in schools is about defining or hopefully having students uncover what is true, uncover what ‘true’ means. Is a truth eternal or for the moment? Universally applicable or situational? Can we ever fully state all the conditions that make a truth true? It is true, for example, that this rose I hold in my hand is red, now. But is it red to a colorblind person? Or at night? Even in this relatively simple case, the question is more complex than it seems.

 

And what link, if any, is there between the good and the true? Does the argument, competition is ‘good’ or morally benevolent because humans are (supposedly) naturally competitive, a ‘good’ or sound argument if the supposed facts are true?

 

And the beautiful: What makes something beautiful? Is beauty all in the eyes of the “beholder?” And if so, what does that mean? Beauty is not just for the artist, English major, or fashion designer. Formulas or proofs in math can be beautiful. A relationship can be beautiful.

 

Viewing natural beauty can be healing. Sarah Warber and Katherine N. Irvine have researched how people recovering in hospital rooms with a view heal quicker. Workers in a room with windows to a natural scene report higher work satisfaction. Is this equally true with created beauty? Do humans suffer when deprived of beauty? If so, do we call it an illness, or a lack of skill? Can people be taught to see beauty?

 

I think we can be taught to better perceive beauty. One way to do it is by developing sensitivity through immersion.  The philosopher and Ph.D. in psychology, Jean Huston, said, in a workshop I attended, something like immersing yourself in poetry, for example, makes beauty readily available to you. Beauty will then percolate through the unconscious and emerge in one’s speech and writing. This is one reason why eliminating poetry from the Common Core or cutting back on the arts in schools is detrimental to education.

 

The second way to teach beauty is to teach mindfulness and empathy. To feel empathy is to feel kinship, relationship. It is to recognize that another being senses, feels, thinks in some way like you do. It readies us for the beautiful as well as for anything else. The ability to open one’s heart and mind and clearly observe what’s happening in a situation or a relationship helps us to do the same with a work of art or scene in nature.

 

One year, my wife and I visited Greece. We had a cave-room in a hotel on the island of Santorini looking down on the caldera, an area that almost 3600 years ago was a live volcano and now is mostly filled by the Mediterranean. A large sailboat was making its way from the caldera to the larger sea. It was nearing sunset, and the view was so beautiful, I felt like I was in a movie. I felt each moment was eternal, as complete in-itself as could be imagined. The beautiful calls forth in us a sense of life being full and meaningful, maybe good and true. Maybe, whole. The Navajo, if I understand it correctly, have a word ‘Ho’zho,’ meaning beauty, also “harmony, happiness, health, and balance.” To “walk in beauty” is to walk in balance and peace.

 

I think that it would be a worthy achievement to graduate students who have this sensitivity to beauty or the whole of life, to what is good, ethical, and true. To “walk in beauty.”

 

 

*Photo: By Klearchos Kapoutsis from Santorini, Greece (View from Fira  Uploaded by Yarl) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons