Life Is Our Question

Right now, we are inundated with so many questions. So much uncertainty, fear, and grief. So much awareness of how tenuous life is without an equal awareness of how to face the tenuous. The fragile. The uncertain.

 

We often want to return to at least a semblance of stability. Security. We want answers. Sometimes, like for many of us, right now life can be too much. And all too often, the answers we search for are delayed or too difficult to uncover. And living in a state of questioning is uncomfortable. It is also uncomfortable to go through our day or at night to sleep with our questions as our bedmate. But often, that is the only answer. To just sit, sleep, ache with our questions. Or be grateful for the fact that we can ask them.

 

The poet Rainer Maria Rilke said, in answering a letter from a young poet, to “be patient to all that is unsolved in your heart and to try to love the questions themselves.” The point is to “live the questions” so at some point we can live our way to an answer.

 

He was mainly concerned with love relationships, creativity, and integrity. But I think this advice applies to all questions that could change the direction of our lives and heart.

 

One of my favorite contemporary philosophers, Jacob Needleman, developed this further and wrote: “Our culture has generally tended to [try to] solve its problems without experiencing its questions.” We want a solution quickly, even before we feel the full dimension of what we face. We too often want what’s easy and immediate.

 

But rushing for an answer forces us to leave out what could be most important, and to favor what’s “practical” over what’s compassionate, our bias over reality. It weakens us just when life is trying to teach us how to be strong.

 

I noticed when I was teaching secondary school that the students loved to grapple, in the classroom, with real, tough, open-ended questions. But with adult friends and relatives, not so much. Finding solutions was preferred over asking questions that might have no verbalizable answer. Needleman said that when we open any newspaper, or today, look at our phones, and we see every news item breathes philosophy. Breathes deep questions. Ethical. Existential. Metaphysical. Epistemological.

 

We read about Putin’s war against Ukraine and ask about the nature of evil, or human nature, or⎼ how do we stop a war? We read about the climate crisis and ask about reliable evidence, truth, or ⎼ how do we get people to realize this crisis is so real we must stop and change what we’re doing?

 

We read about racism, attacks on LGBTQ+ children, and so many other forms of hate, and ask⎼ How do we talk to a neighbor who hates so deeply they create violent walls around everyone they know? Or we read about the pandemic or attacks on women’s health and ask⎼ How do we turn the richest society in the world to one that actively cares for the health of its members?…

 

**To read the whole article, please click on this link to The Good Men Project.

A Question that Brings Us Right to the Ground We Stand On

How many times have we changed our viewpoint or come to like what before we disliked? We all have done this, but for many of us, it’s not easy. A feeling of like or dislike can seem so set and permanent. More part of a thing perceived and not an artifact of our own mind.

 

Yesterday, my wife and I needed to put the news aside for a moment and decided to look at woodblock prints by a contemporary Japanese artist named Shufu Miyamoto. We both found many of his prints distinctly beautiful, but one stood out in a peculiar way. It was called A Spring Dance. I noticed it before she did and liked it⎼ then I didn’t. Something seemed off to me.

 

It depicted a field being planted, with yellow flowers both in the foreground and towards the back, with a forested mountain behind the field and a pink-orange sky. And in the very middle, a magnificent tree, maybe a cherry tree, covered in white blossoms, with many of the blossoms blown about in an invisible wind. These features were what attracted me to the artwork.

 

But the field under the tree was plowed into rows only faintly outlined, in a dull brown or grey, and the farmer or gardener planting the field was so indistinct as to barely make his, her, or their presence known. They almost faded into the field. I thought it a mistake by the artist.

 

Then my wife joined me and immediately said she loved the piece. Loved not only the tree, which stood out for her, but the contrast between the bright flowers and the soil. And she admired the way the gardener faded into the field.

 

So, I looked again. I realized I generally like the quality of openness in a work of art. I like being taken inside the scene. With this work, the haziness of the field, the indistinctness, mystery, or moodiness at first made it hard to grasp what I was seeing. Or it asked something of me that I wasn’t yet ready to give.

 

What is indistinguishable can gnaw at us. Like a question. Questions can be hypnotic. Some questions can be so big we wrap our lives around them. “What drives my life? How can I feel the depths and joys of life more consistently? How can I stay informed yet clear-headed and sane? Can we create a less violent and more caring, just society? How do we face death?”

 

I remember taking a course in Ericksonian hypnosis and the teacher asked a question, then let us sit there and realize how captivated we were by what he had said. When I was teaching, I suggested to students that if they started an essay or a story with a good question, the reader would be hooked and continue reading until an answer was uncovered. Or if I started a class session with an engaging and open-ended question, the session itself would become an adventure, a communal treasure hunt for an answer….

 

*To read the whole article, please go to The Good Men Project.