I feel⎼ my feelings are so complex right now. I feel myself sitting in this chair, warm in my midsection, with a hint of coldness in my hands. Outside, the sun shines brightly on the white snow that covers the ground. There is such beauty in the first snows of the season, in the contrast between the utter white of the snow and the brown gray of tree trunks, the tan wood supports of the carport, the blue jays and cardinals on the ground, people walking on the wet street.

 

The world seems so clear, fresh, and alive. Yet, behind my eyes, a tension threatens to impose itself on or obliterate what I see.

 

How do I face this tension? This looming sense of threat? Do I focus on thoughts that arise, question them, or follow them back like an archaeologist exposing the ruins of the past that remain in the present?

 

Or do I focus on the specific details of a perception? The call of the blue jay? The snow resting on the bare branch of an apple tree? Or do I let my eyes rest on the entire scene?

 

Or do I feel the air entering, refreshing my body? Passing over my upper lip and moving inside, down to my chest, belly, and even feet. Each in-breath with a beginning, middle, and end. And then a pause. Everything quiets. And then my belly and diaphragm push up. An exhalation begins.

 

Or as I inhale, the area expands and the tension in my forehead, temples, or jaw is diffused. And as I exhale, I let go.

 

The scene outside might seem so permanent, almost. Sometimes. It is so easy to think that nothing will ever change. That the threats of today will continue. And it is true there will always be threats. But there will also always be beauty and love.

 

This scene only exists because it is constantly changing. The earth itself, which can seem immobile, frozen in place, is moving through space while spinning on its axis, so we have day and night, and seasons. It moves in relation to other planetary bodies, like the moon, so we have tides. It moves internally, which is why we have earthquakes, the migration of continents, volcanoes, weather patterns⎼ and wind, rain, and snow. And we know how dangerous as well as beautiful many of these changes can be.

 

Outside the window, two crows glide into the scene crying raucously.

 

We, our body, and our emotions, can also seem so set, permanent. Yet, we are alive because of the constant movement of breathing. We see because of the constant movement of and in our eyes. We hear because of the changes taking place every second in our ears and brain. We are sad, then happy. We are 6 years old, then 60. We know this⎼ yet we don’t. It’s obvious everything changes. What’s not so obvious, borrowing from Buddhist teacher Albert Low, is that everything is change….

 

**To read the whole article, please go to The Good Men Project.