“April is the cruelest month, breeding

            Lilacs out of the dead land, mixing

            Memory and desire, stirring

            Dull roots with spring rain.

 

So begins The Waste Land, by T. S. Eliot, first published in 1922. It is considered a landmark, one of the most important poems of the twentieth century.  I disagree profoundly with the author’s political and religious beliefs, yet find the imagery truly beautiful and able to reflect today’s world in startling ways.

 

During this hard winter of 2018, I long for spring, but fear it will never come—or, even worse, fear that the meaning of spring will be forever violated. I think of spring as renewal, as a “sea of green” (Beatles) pushing out the “dull roots” (T. S. Eliot). I might be reminded of old memories and longings. But what I see around me, politically and otherwise, is a modern version of the kingdom of the mythical, wounded Fisher King described in Eliot’s poem. The King was made impotent possibly due to crimes in his court, including the rape of some of the women. Eliot speaks of Philomel, a girl whose tongue was cut out after being raped by her brother-in-law. She was then transformed into a nightingale—the male of the species can sing and lament, but the female is mute:

 

“The change of Philomel, by the barbarous king

            So rudely forced; yet there the nightingale

            Filled all the desert with inviolable voice…

            Under the firelight, under the brush, her hair

            Spread into fiery points

            Glowed into words, then would be savagely still.”

 

Instead of fishing, Trump plays golf and watches right-wing television. His wound grows from his shortsightedness, greed and misogyny. He has bragged of using women and his court hides those who would do the same, like Rob Porter, the one-time White House chief of staff. Yet, the women of the “me-too” movement of today are not mute, and might provide the force that heals our land.

 

            What are the roots that clutch, what branches grow

            Out of this stony rubbish? Son of man,

            You cannot say, or guess, for you know only

            A heap of broken images, where the sun beats,

            And the dead tree gives no shelter, the cricket no relief,

            And the dry stone no sound of water.

 

This is the world Eliot saw, but Trump’s vision is a twisted brother to it. As he said at his inauguration: “But for too many of our citizens… Mothers and children trapped in poverty in our inner cities, rusted out factories scattered like tombstones across the landscape of our nation…” Except he is the one leading those who lay waste the land. He violates the laws that would protect us, our air and water, and sells off our common lands to oil, gas, and other corporations to be stripped and mined. When the water meant for all is stolen, sold off to private corporations, the soul is desiccated, and becomes like soil without water. What could possibly grow from this “stony rubbish”? Trump drives the nation toward bankruptcy, driving up the debt, giving to the rich even more riches, giving to the military instead of public education or infrastructure, and trying to take from most of us the services and income put away for retirement.

 

Eliot bemoaned the modern age and the “rule of the mob” and yearned for a more aristocratic time. Although Trump likewise yearns for another time, to “Make America Great Again,” to make America whiter with himself as the ruler, he is just the kind of uneducated, selfish, and superficial person Eliot bemoaned. He is a man who knows only “broken images” of life. His vision is born of isolation and madness. Other people can only comfort his soul by bowing to it. And when the leader is mad, the whole nation suffers. What crimes can be committed, what morals violated, by a mad ruler?

 

“My nerves are bad tonight. Yes, bad. Stay with me.

            Speak with me. Why do you never speak. Speak.

             What are you thinking of? What thinking? What?

            I never know what you’re thinking. Think.”

 

There is such loneliness here, such a desire to be able to hear and feel what another person feels, such closeness to a mental breakdown. Can’t anyone reach me? No matter what is said, the world is mute.

 

“Are you alive or not? Is there nothing in your head?“ Eliot asked this of the reader of his time. For us, once again we hear a man who cannot feel the life of others. No speech can touch him, so he blatantly lies to and uses others for his own gain. Lying so blatantly is like reaching out with a hand made of dust to a person made of shadow.

 

            “…I will show you something different from either

            Your shadow at morning striding behind you

            Or your shadow at evening rising to meet you;

            I will show you fear in a handful of dust.”

 

This is our ultimate fear today—that a mad ruler will reduce us to mere shadows becoming dust.

 

The poem ends with the Fisher King, a wound in his side or groin, sitting at the shore, with “the arid plain behind [him],” and thinking about setting his lands in order. It ends in a sort of chant, borrowed from Hinduism, which raises the possibility of a path to renewal:
            “Datta. Dayadhvam. Damyatta.

                        Shantih Shantih Shantih.”

 

Translation: “Give, show compassion and control yourself.

[Find] Peace, tranquility,” or find what T. S. Eliot translated as, “The peace that passeth understanding.” (from Philippians 4:7).

 

I think the only way to set our nation in order, and bring spring rain to the dried land, is to look clearly at what is happening around us, and to feel that others have an inner life similar to, yet different from, our own. They, like us, feel, suffer and ache for joy. Such feeling is the water of life. It is only through noticing this feeling that our connection with, and need for, others becomes clear, our deepest intelligence is awakened, and our ability to act effectively is realized.

 

Kindness is not weakness but wisdom.

 

*This post, originally written in February, was published yesterday by OTV Magazine. To read the whole post, click on this link. Enjoy.