What Might Being at Peace Mean? The Deep Joy Embedded in Presence that Inclines Us to Laughter

Each morning, before meditating, I follow a version of the Buddhist practice of dedicating the meditation to relieving the suffering of others. I wish that I, my wife, and anyone close to me who is suffering, or every being anywhere, be at peace. The practice calms me. But I must admit that it’s not always clear what being at peace would realistically be like in our world today or if my notion of peace is like anyone else’s.

 

It’s clear to me that saying it and meaning it, doing it with sincerity, is possibly a beginning of an answer in itself. Telling ourselves being at peace is possible is a door to being there. Or maybe it’s a door to persuading ourselves we deserve it.

 

So, what do I mean by being at peace? It can sound to many of us like contentment or being satisfied; and it does share something with those two states of heart and mind. Yet, it’s closer to calmness or happiness, both of which might be components of peace.

 

But contentment, satisfaction, and even happiness have a bad rep in many quarters today. There’s so much that is terrifying right now, so many threats, so much injustice, how can we want peace? How can we be content, happy, or satisfied? Don’t we want discontent, fury, and outrage? Don’t we want determination and commitment to change?

 

And so many of us, even critics in my own mind, seem to doubt we deserve it. It seems we’ve been educated in discontent with ourselves.

 

I think fostering discontent with political policies that harm people is simply responsible behavior. But discontent that arises from conducting a war with ourselves is an entirely different story. It assists those who would do us harm. It undermines our work to create a more compassionate and equitable country by undermining our ability to be compassionate with ourselves. Being at war with ourselves exhausts inner resources that could help us imagine positive actions to take, and then take them.

 

And maybe recognizing this is a key to feeling at peace ⎼ accepting and being able to live in our own minds and bodies. ‘Accepting’ not in the sense of being unaware of the reality of what we are and what we face, but instead very cognizant of it. It’s not easy to accept that we can’t always be strong or feel good or know the answer, or to not automatically attack whatever feels threatening. Being at peace begins with not being at war with ourselves.

 

Our thoughts often take the form of stories, or internally created and enacted stage-plays or scripts. “All the world is a stage,” said Shakespeare. These plays can be noticed through mindful observation and are described not only in meditation teachings but the psychological approaches of Transactional Analysis and Cognitive Behavioral Therapy.

 

Self-criticism can be helpful, if it motivates us to be aware of painful patterns of thought and behavior. But it can also separate our inner world into warring parties. The self-critic is one character or side in the drama. The criticized is another. Too often, we react to the critic as if it was a celestial judge. When we abstract ourselves from the moments of our lives and try to reduce our world to only an idea of it, we suffer. Our ideals can be impossible to live up to, yet we all have them. We are all imperfect, full of contradictions. To the degree we hold an ideal too tightly, to that same degree we can hurt ourselves for not meeting that ideal…

 

*To read the whole blog, please go to The Good Men Project.

The Darkness Closest to Us: Don’t Get So Absorbed in the Universe of Words that We Lose the Universe of Being

One thing I love about many of my good friends is that they’re honest with me and willing to find and kindly tell me about holes in what I’ve said or argued, and to hear what I didn’t speak.

 

A great friend and college roommate found a point in a recent blog of mine that I had left unexplained and that had filled him with questions.

 

The lines were: Black holes the shape of trees, buildings, and hillsides stood silhouetted against a gray sky, a massive gray cloud filled by moonlight, yet with no moon visible. And the darkness appeared to begin in close to myself and lessen as it spread out into the distance. And he asked: “How did the darkness appear closer to yourself?” Or “why did it appear darker the closer you came to yourself?” Did you realize the implications of what you said?

 

Perceptually, the world was darker closer to myself because the only physical illumination was far off, from the lights of a nearby city, or from the moon itself.  But I rebelled against my own first understanding of the psychological or metaphorical meaning of the line. I heard “dark” as meaning sinister, something negative or evil. But I didn’t mean sinister or evil.

 

I later realized other meanings of dark, as in unknown or unknowable. As in beyond words. As in unrealized possibility. As in the unknown before from which everything after emerges. Before we speak there is an emptiness, a silence. Buddhists, Taoists, mystics speak of this.

 

Lao Tzu spoke about the emptiness out of which the universe, or fullness of life, emerged:

“In the beginning of heaven and earth there were no words,

Words came out of the womb of matter…”

 

Of course, since we don’t know what will happen or what will emerge from the womb of time and matter, we can feel frightened. We don’t know if what emerges will be helpful or hurtful. We don’t know if we’ll have the ability to face the unknown or do something with it we can be proud of.

 

We often think we know so much about ourselves, maybe too much. We might think we are so clear, obvious, unchanging. In fact, we can never fully know or fully capture ourselves or be contained in any number of words, thoughts, judgments.

 

Each word, each thought is an abstraction, a recording, or occasionally, as philosopher J. L. Austin argued, a performance or action. Think about an officiant saying. “I now pronounce you man and wife.” Or when we are overcome with beauty and all we say is “wow.” Words facilitate remembering and can help us evaluate, analyze, think about something. They can be so beautiful⎼ or painful to see or hear. They can lead to rumination or take us out of it. There’s so much that just can’t be spoken. Yet here we are talking.

 

In every moment, we have this choice….

 

*To read the whole article, please click on this link to The Good Men Project.

 

I hope you have a wonderful celebration of Juneteenth, and a Happy Father’s Day.

Somedays, Everything Feels Synchronous: The Quiet Underbelly of Everything is Everything

I was walking down our rural road yesterday afternoon, just approaching a pine forest, and I heard the trees shake, then a gentle boom in the air, and looked up to see the white-tan underside of a huge bird, a snowy owl maybe, fly about 40 feet over my head.

 

And today, while walking I remembered and looked around for that bird. And I thought of asking my neighbor, who knows a great deal more than I do about the local animal population, what kind of bird it might be. Just a minute later, off to the side of the road, was the neighbor. He lived nearby and was removing old tires and other garbage people had thrown there. I greeted him, told him about the bird and asked if he thought it had been an owl.

 

He wasn’t sure. Owls, he said, are usually silent. Eagles change colors for the first four years of their lives, and there are increasing numbers in the area, so maybe it was a young eagle. And after I thanked him and left, I felt grateful for my neighbor, and realized how wonderful and weird it was that I had thought of him, and suddenly there he stood.

 

When I returned home, I started thinking about coincidences.

 

Zen teacher Thich Nhat Hanh used the term inter-being to explain the Buddhist teaching on interdependence. We all inter-are, in the sense that without the air, what could I breathe? Without the solidity of the earth, what could I walk on? Without the fertile soil, what food could grow? Without other people, would I know who I was? Thich Nhat Hanh said if we look at a sheet of paper, we can see a cloud in it, sunshine, rain, the tree that supplied the pulp for the paper, the loggers who cut the tree, the bread they ate that day, the wheat that went into the bread, the logger’s partner, their children, and finally ourselves.

 

But I don’t always feel this. I don’t always feel the soul of the world or that the world is alive or I’m part of it or it is me. I don’t always feel a connection. I don’t usually look at a stream flowing alongside the road and feel its waters as the blood of my veins.

 

And then, from the bookshelf next to where I was sitting, I picked up Devotions, a collection of poems by Mary Oliver. I randomly opened the book to a poem titled, “Some Questions You Might Ask.” The poem starts with the line, “Is the soul solid, like iron?” And later, “Who has it, and who doesn’t?” Does an anteater have a soul, she asked, a camel, or maple tree? A blue iris? A rose, lemon, or the grass?

 

Or the world itself? And I thought of my cats—and I felt such closeness to them. But do they have a soul, whatever that is? Do they feel they’re connected to the quiet underbelly of everything? And is that quiet underbelly soul?…

 

To read the whole article, please click on this link to The Good Men Project. Enjoy.

The Mirror, and the Story We Tell About What We See in It

I didn’t want to write this blog, not at first. Writing would mean facing once again what is painful to face. But due to COVID and other factors, here I am.

 

Last week, I started reading Joanna Macy’s 30th Anniversary update of her book, World As Lover, World As Self that was published earlier this year. I think her book has been living inside me for years, but it is only now that I open it. I deeply appreciate the wisdom and practices shared in this book.

 

The book talks about the stories we tell ourselves about this moment we’re living. It reveals many aspects of our lives we might have ignored until COVID and a would-be dictator made them abundantly clear.

 

She uses the image of a mirror, the mirror wisdom of a Buddha which shows us everything just as it is, nothing added or subtracted. And this mirror teaches us how to, “…not look away. Do not avert your eyes. Do not turn aside.” By looking in this mirror we realize the anxiety and fear we feel is the surface layer of our grief for how much of the world is dying. By naming we heal. By looking away the world itself turns away.

 

By looking in the mirror, we tell and make real the story of how to survive and transform a great turning point in history. We discern the path to creating a life-sustaining society that understands in its marrow “we are all in this together.” By averting our eyes, we surrender; we tell and help create a story of unraveling and collapse.

 

We have been witnessing lately appalling contradictions. For example, nurses and other health care workers have been at the front lines of the fight against the COVID pandemic. They have been overworked, often under-equipped and under-paid, facing great stress and trauma. They also face an information or media environment filled with purposeful, politically motivated lies.

 

Many work in crowded nursing homes, or in hospitals where they see a disproportionate rate of suffering from the pandemic amongst Black, Brown, and Indigenous people. Many are themselves people of color who have faced all their lives a system of racism.

 

So now many health care workers of whatever race do not want to take what could save their lives and protect their patients, because they believe or have been misled to believe they cannot trust it. So, when the state mandated that all health care workers be vaccinated, they declined, even as that led to them losing their jobs, and we losing their support.

 

Joanna Macy makes clear that we as a society have been ignoring or not seeing clearly how other, crowded work environments like meat-packing-plants are dangerous to workers, cruel to animals, and costly to the climate….

 

We have recognized but not faced directly enough the consequences of enormous, and growing, concentrations of wealth, made worse by the pandemic, and leading to the corporate undermining of democracy and the rule of law, undermining of public schooling, and the degradation of our natural world, the extinction of many species, and the warming of the planet

 

**To read the whole article, please go to the Good Men Project.

How We Turn Commitment into Obligation and Put Obligation Before Joy

Two nights ago, just as I was about to fall asleep, I woke up. Did that ever happen to you? A flood of thoughts or insights filled my mind.

 

I had to get up early the next day to get to a class I had originally been looking forward to. But disrupting my normal schedule disrupted my ability to sleep restfully. Add to that concerns about whether people would wear masks, which would be provided but not required for attendees, and the event that should be fun was turned into a source of anxiety.

 

I was turning commitment into obligation and putting obligation before joy, thusly, crazily, resisting my attachment to the teacher and to my own desire to develop the skills and knowledge taught in the class.

 

Then I stopped myself: This was something I had spent many years studying. I was the one who decided to attend the class. No one forced me to do it.

 

And the image of how we can resist the bonds we ourselves create became very clear to me. Of course, we can resist anything that we feel compelled to do. But we easily forget the chain of events and decisions that lead us to forge our chains and compulsions.

 

And as the resistance and discomfort became clear to me, so too did the way to get free of it. I saw how to shift attention from the discomfort of having to wake up early to the opportunity I was giving myself to learn and be present. I shifted to a sense of gratitude, for the teacher, for all I had gained over the years from the course of study. It is not the arising thought by itself that determines the quality of mind and heart but how we respond to it.

 

The next day, one of my former high school students was also in the class. Since his graduation, we had stayed close, in contact. After class, he asked to speak with me for a few minutes. He told me he had been feeling bad lately. Everything that could be fun was becoming an opportunity to attack himself. This felt so familiar to me, like a synchronous evocation of what I had gone through the previous night.

 

When I could honestly face my internal struggle, I was better able to help someone else face theirs. And his honest question gave me the opportunity to question myself more deeply.

 

I realized what my former student was going through was something we all can go through, especially as we get older and wonder who we are and where our lives are going. We begin to realize our expectations and understanding of ourselves has not been accurate. We usually take our thoughts as literally true as we search for a clear definition of who we are. But who we are is never clearly definable; if we’re breathing, alive, we’re never completed and always changing. That is why in Buddhism, for example, the whole idea of what we mean by a self is questioned. Psychiatrist and Buddhist teacher Mark Epstein wrote a book with a title that succinctly states this teaching, how we have Thoughts Without a Thinker….

 

**To read the whole piece, please go to the Good Men Project.

 

We Are Always in Conversation with the Life that Surrounds and Sustains Us

The world is constantly in conversation, talking with itself, or maybe singing to itself.

 

As I stood in the front yard this morning, gypsy moths by the hundreds fluttered around our trees in the yard. Sunlight bounced off their brownish wings, a blue jay was flying between the moths, leaves dancing with wind, while a car crunched the gravel on the road and a crow cried out. I disliked what the moths represented, the oak, maple, and apple trees stripped bare of leaves. But at that moment, all was different. The air itself felt alive and was speaking.

 

Peter Doobinin, in his book, Skillful Pleasure: The Buddha’s Path for Developing Skillful Pleasure, describes how we can use thought to improve thinking. When we are working on a complex task, or we have an appointment later in the day, we talk ourselves through it or to it. We remind ourselves what we need to do or what time we need to leave our home in order to arrive on time. Likewise, when practicing mindfulness, or maybe anytime, we can remind ourselves to arrive right here, now, to be present, to fully focus on whatever task we undertake, or be aware of the quality of our breathing.

 

For example, before a meeting, or engaging in an important conversation, we might remind ourselves to first stop, take three conscious, deeper breaths. Notice how fast or slow, deep or shallow are our breaths, then our thoughts. Notice how we feel before engaging with others.

 

We use thought not only to arrive on time or complete a task but to construct an idea of ourselves, or an identity. We plan our future, select labels for our character, write mental reviews of past actions as if we were writing a review of a movie or play. Thoughts can pop up so easily.

 

In Buddhism, thought is considered the sixth primary form of consciousness, or sense consciousness, following sight, sound, smell, taste, and touch/feeling; it is closely tied to sense experience. So we need to remember that a thought has a different quality than direct perception. It can weigh a great deal emotionally. It can block or expand our viewpoint, aid or obscure the senses in discerning how completely tied we are to the universe. But when isolated from the senses, thought colors are less brilliant than that of bird wings, flowers, or a sunset.

 

Bruce Chatwin, in his book The Songlines, takes us to the Outback to learn about the First Nation People of Australia and the creator beings who sang the world into existence; song being the original language of people. The original songs are called songlines, or dreaming tracks, and mark the routes followed by creator-beings as they carved the earth during the Dreamtime, or time of creation.

 

But dreaming tracks are not solely about the past. They mark both a where and a when, a time and all time, or the continuous process linking the Aboriginal people to the land and heavens.

According to Wikipedia, a knowledgeable person even today can navigate vast distances, cross deserts and mountains, by singing and following the directions in the songline.

 

In this way, maybe we sing a songline to reach ourselves, or sing ourselves into existence through song.

 

Two metaphors, songs and conversations, or songs as conversations and vice versa. I don’t know which is more apt. We hear the universe singing; we hear the universe in conversation all the time but maybe don’t know exactly what we’re listening to….

 

*To read the whole post, please use this link to The Good Men Project, who published the piece.

 

 

When Joy Is Hidden in the Very Air We Breathe

Have you ever had this feeling that right outside the bedroom window, on the other side of a surface you’ve touched, like the bedsheet, or a stone in the garden⎼ like a voice carried in the wind that you can’t quite make out, there is an insight, a joy waiting, hidden right there? And all you had to do is breathe a little more deeply, shift your perspective a hairsbreadth, and you’d see it in whatever is felt, hear it in whatever is touched?

 

This isn’t a hope you have but something else.

 

I feel this almost every morning when I wake up, if I don’t rush off or I’m not too angry or depressed by the pandemic or the GOP. Right behind my last dream, sitting next to the stiffness in my back, there is this sense, this urge or yearning to look deeply at the red bee balm in the garden, the yellow daylilies, the cats that lie near my feet.

 

When I took a walk yesterday, I tried to remember a time in my life when something hidden was suddenly revealed, or a work of art created itself with my hands. Something dramatic, that I hadn’t already shared with people; but nothing came to me. At first.

 

There are many examples provided by famous visual artists, athletes, poets, and composers. Zen teacher David Loy provides many in his book The World Is Made of Stories. He quotes the artist Escher talking about his drawing taking on a life of its own. The composer Stravinsky hearing music compose itself; he didn’t do it. The writer Borges saying, “I don’t write what I want… I don’t choose my subjects or plots. I have to stand back and receive them in a passive moment.” The poet Blake talking about poems coming to him almost against his will.

 

I am retired now, but the memory of my years teaching soon came to mind. Many times in the classroom the right way to reach a student or right answer to a question just appeared, flowed from my mouth spontaneously, unplanned. Painfully, not all the time.

 

Too many times, especially when I was inexperienced, the right response to a student often eluded me. But over the last few years of working, the number of wonderful moments were multiplied, when I was well prepared yet open, trusting the students and trusting myself. I also practiced mindfulness regularly in some classes.

 

As I was walking back home, down the steep rural hill, suddenly through the trees there was a view that went on for miles. It was only a peek, a break in the trees visible for a few steps when the road turned just right. I stared for a moment, absorbed, gleeful.

 

And a thought popped into my head. The reason I might touch a surface and a new reality whisper to me was because that is exactly what happens sometimes. We touch the hand of a lover and suddenly there aren’t two separate people anymore. There is only the touch. We quiet our minds, even though our hearts might be jumping wildly, and a new reality is born. We touch and are touched simultaneously, love and are loved….

 

*To read the whole post, please click on this link to the Good Men Project, which published it.

Living with the Unknown in Ourselves

I was watching the Ken Burns documentary on Ernest Hemingway last night. In the second hour of the program, the narrator was describing the difficulties Hemingway had beginning his first novel, The Sun Also Rises. He had already published a critically acclaimed book of short stories, where each sentence was a work of art. Suddenly, he needed to shift to the length and breadth of detail a novel required. Hemingway told himself, write one true sentence. Then another and another. Which is what he did.

 

Hemingway was both a great artist surrounded by friends and family, as well as a solitary narcissist. There is both a loneliness and a luminosity to words. They can be used to mask as well as unmask, to torture or heal. We have to be totally alone in ourselves to write. Yet, words can fill us with a sense of connection and ecstasy. We might try to hold them to us as if they could warm our bodies with their heat. But when we do so, the words dissolve into air. It’s not the words themselves that warm us but the breath we give them as we speak and listen, and the paths to others they might reveal.

 

Two days ago, in the woods near the top of our hill, maybe 25 feet from a road, my wife and I came upon two circles in the earth. We had never seen these before. The bigger one was about 12 feet across, with a moss and stone foundation and one young oak tree growing inside it. Maybe it was once a silo. And the smaller circle, now a depression in the earth lined with rotted leaves and stones, was maybe once a well.

 

The more we looked, the more we found. There were stacks of old boards, maybe an old wall or roof. Further in the trees was a wood railing on an old porch attached to nothing and leading nowhere. It was like someone had built an entrance without knowing where it led. Even in a forest that we think we knew well, we were surprised. There were histories hidden here we had no knowledge of. What we didn’t know was way more prolific than what we did.

 

The night before we discovered the ruins, I had a dream. It started out understandably enough. I was outdoors at a party, a celebration, but no one was wearing a mask, not even me. I felt naked and more and more afraid. Everyone was acting as if there had never been or wasn’t now a pandemic raging in the land, or maybe they had somehow forgotten. Occasionally someone, usually a former student from when I taught secondary school, called out to me, inviting me to sit with them and talk. I waved and walked on, intent on getting out of there as quickly as I could. But I couldn’t. There were people everywhere.

 

Then everything changed. I was in a new dream, or the old one had transformed itself. I was watching a play, also outdoors. A young, attractive, strong looking woman came on stage. She looked Tibetan. The crowd heard her words, maybe the dream me also heard her. But me, the dreamer, did not. I heard no words, just saw her lips move.

 

Then she left the stage, to return wearing a huge mask….

 

To read the whole article, please go to The Good Men Project.

When Trees Speak: The Dark Does Not Descend on Us. It Emerges from Inside Where Eyes Meet Others

My wife and I took a long walk late in the afternoon. The sky was mostly dark grey. It had rained earlier, with a touch of snow. With the dropping temperature, the rain turned to ice, which coated all the bushes, tree branches, and electric lines. There was just a hint of the setting sun, but that hint was reflected and augmented by the ice, so everywhere we looked there were individual hands and fingers of light, thousands of them.

 

As the light disappeared further, instead of the dark descending on us from above, it was as if it emerged directly from inside everything we noticed⎼ from each tree or bush my eyes met or from the road itself. Details and colors, and the remnants of light icing the branches seemed to be sitting on darkness and winking out.

 

In previous years, during the winter I did not often go outside to exercise. It takes heavier clothes and boots, mittens, and hats, and the road and paths are often slippery. I used to work out in the gym or martial arts dojo. My wife did yoga classes. Now, due to the coronavirus, especially with new and more virulent strains⎼ and the vaccine so close yet not widely available⎼ our home is our gym and we hike steep hills in almost all sorts of weather. An added benefit is we also see our neighbors more than we used to, or at least the ones who walk.

 

Walking has become a stable part of our day, not only a way of getting out of the house and getting exercise, but a classroom and a way to constructively structure time. As we walk, we study how the light plays with the road and trees, and how the trees play with sound. By paying careful, mindful attention, we better understand and feel more at home wherever we are.

 

It’s usually so quiet we can hear the other residents of the road. Three ravens live in the pine forest and often fly over us, speaking with their hoarse cry. The trees speak with unexpected voices. The pine forest occasionally makes sounds like a cat calling out. When I first heard the sounds, I responded, shouted out the names of my cats to see if one of them was in there. But no cat emerged. Other times, especially when it was windy, the pines sounded like wind chimes. Further up the road, a very different voice. Oak, maple and ash trees leaned into each other, speaking in groans, sighs or whispers. Each tree or pair of trees had its own voice.

 

When we arrived home today, the mail was waiting for us. It was not just ads but a package. A new book, or actually an old one I had to search for, a translation of The Four Chinese Classics, by David Hinton. I took off my coat and gloves and sat down, excited to see what the book would offer.

 

I opened to a random page. It was in the Chuang Tzu, one of the two most important books of Taoism, and read the following passage spoken by an adept named Piebald: “In the awesome beauty of mountain forests, it’s all huge trees a hundred feet around, and they’re full of wailing hollows and holes⎼ like noses, like mouths, like ears, like posts and beams, like cups and bowls, like empty ditches and puddles… When the wind’s light, the harmony’s gentle; but when the storm wails, it’s a mighty chorus.” …

 

To read the whole piece, please go to The Good Men Project.

 

“Read the Eternities:” Who Knew There Was Such Meaning in the Flight of a Bird?

It’s morning. The sun is hazy. So many Blue jays, Mourning Doves, Woodpeckers, Cardinals, Chickadees and a few Evening Grosbeaks feed at the bird feeder outside the window or on the seeds scattered on the ground. Their movements are first individual, one move here, another there. Then all at once, like a wave, they all take off. They’re here, then gone.

 

I find it tremendously soothing to put my attention on the birds, plants, and sunlight. The view feels sacred to me. Calmly focusing on it helps me gain some clarity in troubling times and to find something beyond the obvious in what I see. It helps me to find answers to the questions, fears, and confusions that powerfully arise or that I barely know are there. It reveals the moment has depths not to be missed.

 

We can let our eyes rest on the whole scene and then our body⎼ shoulders and belly especially⎼ relax; our hands at ease on our lap. Take a few slow, deep breaths. And then we watch individual movements, distinguish which birds like the feeder, which the ground. Who is aggressive and who can share a meal? Or we can listen to the calls of the different birds, hear one, then another, or listen to them all, together, like a concert. Standing by the window, we can feel the warmth of the sun shining on our face.

 

James Shaheen, in a Letter from the Editor of Tricycle Magazine, The Buddhist Review (Winter, 2020) titled “A Time for Eternities,” speaks to this point. He writes about Thoreau saying, “Read not the Times. Read the Eternities.” Not to totally withdraw from what is happening around us, no matter how challenging or frightening⎼ the often-disturbing news headlines, for example. When times are chaotic and frightening, it is helpful to stay attuned to what endures, “to the knowledge that illuminates the deepest matters of human meaning.” He is referring not only to Buddhist teachings, but the wisdom, “through which consciousness is deepened,” the caring for others in our best traditions.

 

This wisdom is what reveals the truths in what surrounds us. In a synchronous fashion, I by “chance” read or listened to two other authors and teachers who gave similar messages, or maybe I just saw a similarity in what they said. Heaven is not divorced from the earth; enlightenment is not separate from ordinary mind. The birds and I are not as separate as we might think….

 

**To read the whole piece, please click on this link to The Good Men Project.